DUNE: PART TWO Review

Denis Villeneuve's Grand and Gorgeous Epic is as Insightful about Sincerity and Strategy as it is Engaging on the Broad Levels of a Big-Budget Studio Blockbuster.

ARGYLLE Review

Matthew Vaughn has Officially become a Director of Diminishing Returns with this Overstuffed and Laughably Corny Slog of a Spy Caper.

MEAN GIRLS Review

This Trip back to North Shore High Justifies itself by still being Sharp in its Observations of Vacuousness.

AMERICAN FICTION Review

Writer/Director Cord Jefferson’s Feature Debut Splits the Difference Between Searing Satire and Emotional Family Drama Coming out a Winner in Both Respects.

POOR THINGS Review

Emma Stone is Daring and Mark Ruffalo is Hilarious in this Surreal Fever Dream of Philosophy and Attempting to Understand our Nature through Unorthodox Methods.

2024 Oscar Predictions


It feels like, for one reason or another, this has been the longest awards season I've ever experienced. Maybe it's because last year's biggest movie-related story was that of "Barbenheimer" and because both have ended up playing heavily into this awards season it seems we've simply been on this wave for eight months straight or maybe it is simply the deluge of precursors and other ceremonies I've paid attention to, but either way I think I'll be more relieved by the time this weekend is over than excited about any of the (mostly foregone) results. To put it simply, this is the year of Oppenheimer and I don't really see things swaying in another direction even if the manifestation of Christopher Nolan's career doesn't win in every category it's expected to. Oppenheimer leads all nominees with thirteen nominations this year, one fewer than Titanic's record and listen, this is all fine by me. As someone who saw Batman Begins twice opening day, a few days after graduating high school, and then stood in line for five hours to get a good seat at the midnight showing in the only IMAX theater in Arkansas as a 21 year-old (before assigned seating and early Thursday night previews were a thing) I have been on the Nolan fan train as long as his name has been relevant. Given I saw Dark Knight at such a formative and impressionable point in life I've been rooting for the auteur to win the big award ever since. With a historical biopic of one of the more complicated if not necessarily influential figures in American history, the worlds of Nolan's aesthetic and Academy prestige came together to give us this moment and I just can't imagine the likes of Poor Things or The Holdovers overtaking that. All of that to say, while Oppenheimer may appear as the predicted winner in many categories below 2023 was a strong year for movies all-around and a fair amount will still be celebrated as winners at this year's ceremony.