DUNE: PART TWO Review

Denis Villeneuve's Grand and Gorgeous Epic is as Insightful about Sincerity and Strategy as it is Engaging on the Broad Levels of a Big-Budget Studio Blockbuster.

ARGYLLE Review

Matthew Vaughn has Officially become a Director of Diminishing Returns with this Overstuffed and Laughably Corny Slog of a Spy Caper.

MEAN GIRLS Review

This Trip back to North Shore High Justifies itself by still being Sharp in its Observations of Vacuousness.

AMERICAN FICTION Review

Writer/Director Cord Jefferson’s Feature Debut Splits the Difference Between Searing Satire and Emotional Family Drama Coming out a Winner in Both Respects.

POOR THINGS Review

Emma Stone is Daring and Mark Ruffalo is Hilarious in this Surreal Fever Dream of Philosophy and Attempting to Understand our Nature through Unorthodox Methods.

TROLLS WORLD TOUR Review

The Trolls franchise has had a somewhat varied journey in my collective memory as things began with hesitation at the concept alone though interest was piqued after Justin Timberlake released the ultimate feel-good summertime jam in that final, peaceful summer of 2016 with "Can't Stop the Feeling". Maybe this would be some kind of cool, animated riff on a musical with remixes of modern and classic songs as overseen by JT; something that was for the children, but made by one of the biggest pop stars of their parents childhood. Then came that November when all I remember about trying to cobble together a review was the fact I was writing about Trolls as I watched the Presidential election descend into madness. I gave the original film a straight-up-the-middle two and a half stars and thought of it essentially as colorful, but slight. It was fate that would have my wife and (three year-old at the time) daughter discover the movie some months later and as young children do my daughter latched onto Trolls just as I had Robin Hood some twenty-plus years prior and naturally decided to watch it on repeat until there was no other choice but for the characters to become endearing, the versions of the songs they sang to become the new normal and the weirdness of the world in which it existed to no longer feel strange or far-fetched, but more like home. We bought the soundtrack, we watched the Netflix animated series, and we anxiously awaited the sequel.