BAD BOYS FOR LIFE Review

Will Smith and Martin Lawrence Return to Michael Bay's Bad Boys Franchise Sans Bay, but the Chemistry and Passage of Time Help this Third Installment Shine.

1917 Review

Writer/Director Sam Mendes and Cinematographer Roger Deakins Craft a Technically Exceptional Film While not Skimping on the Emotional Aspects of War.

DOLITTLE Review

Robert Downey Jr. Departs from the Iron Man Character for the First Time in Some Time in this Overwhelmingly Bland Adaptation that Clearly Could have been More.

JUMANJI: THE NEXT LEVEL Review

The Rock, Kevin Hart, Jack Black and Karen Gillan Return in Their Second Video Game Adventure that Continues to Largely Defy Expectation.

STAR WARS: EPISODE IX - THE RISE OF SKYWALKER Review

JJ Abrams Conclusion to the Skywalker Saga is Everything and Nothing at the Same Time; Offering Grand Escapism with Little Heart.

Tavern Talk: Video Review - ONWARD

Disney and Pixar's Onward topped the weekend box office, but fell shy of expectations with $39.1 million. For Pixar, this is on the low end of expectations as many went into the weekend expecting the film to gross as much as $50 million. In terms of inflation, this is the lowest domestic Fri-Sun launch ever for a Pixar film. Sure, there is plenty of opportunity in the near future for Onward as many schools will be on spring break over the next few weeks and given opening weekend audiences gave the film an "A-" CinemaScore and a 96% audience score on RottenTomatoes with critics also favoring the film and no sign of any other broad, children's entertainment entering the picture until Trolls: World Tour on April 10th, there's definitely room for Dan Scanlon's film to spread its wings. Still, even if Onward has legs that get it to $150 million domestic which seems somewhat reasonable at this time of year and given that opening weekend number this would still only place it as the second-lowest Pixar flick between The Good Dinosaur ($123 million domestic in 2015) and Cars 3 ($153 million from a $53 million debut in 2017). Internationally, Onward grossed an estimated $28 million for a $70 million worldwide cume from forty-seven territories, with several major markets (including China) where it has yet to open. On TAVERN TALK this week we were lucky enough to have DJ Kramer from the Doug Kramer Live! show who also happens to be a pretty big Disney guy give us his initial reaction (wink, wink) on the film which you can of course check out after the jump below, but other films we've recently reviewed fared better in holdover news at the box office and I'd like to touch on a few of those titles as well. Beginning with The Invisible Man, the Leigh Whannell-directed horror re-imagining ended its second weekend with $15.1 million for only a 47% drop and a $53 million domestic pull along with a $98 million worldwide total on what was only a reported budget of $7-$9 million. Though its run may be over sooner than later given A Quiet Place Part II opens next week, it's likely the film could end its domestic run at around $81 million, or what Tom Cruise’s The Mummy did three years ago on a $125 million budget. Paramount’s Sonic the Hedgehog earned another $8 million in its fourth weekend currently giving it a $141 million domestic cume with $154 million overseas and a current global total of almost $296 million. And finally, The Call of the Wild rounded out the top five box office spots as the Harrison Ford-starrer finished its third weekend with $6.8 million for a domestic cume that now tops $57 million while internationally, the film added another $4.8 million for an overseas total of $42 million and a global tally just shy of $100 million. As always, be sure to follow the official TAVERN TALK by Initial Reaction YouTube channel as well as on Facebook, Instagram, and Twitter where you can find a new review (or reviews) each week!

Tavern Talk: Video Review - THE INVISIBLE MAN

Universal and Blumhouse's The Invisible Man delivered the goods this past weekend, becoming the first breakout among the numerous horror films that have been thrown at audiences during the first two months of the year. With $28.2 million, Universal and Blumhouse's The Invisible Man finished at the top of the weekend box office and on a reported budget of only $7 to $9 million I might add. Given Blumhouse productions that open in this range tend to go on to earn anywhere between $55 and $70 million things might not be looking so bad for Universal's "Dark Universe" after all. Furthermore, both critics and audiences responded favorably to the film as Leigh Whannell's (Upgrade) second feature currently holds an 89% critics score on RottenTomatoes and a 90% audience score. Internationally, The Invisible Man added another $20.1 million with its current worldwide tally sitting at $50.4 million. Paramount's Sonic the Hedgehog landed in second place adding another $16.3 million, pushing the film's domestic cume past $128 million as it is now just shy of the $131 million domestic run of 2001's Lara Croft: Tomb Raider, which will make it the second highest grossing video game adaptation of all-time not adjusted for inflation. In third place is Disney's release of 20th Century Studios' The Call of the Wild which brought in $13.4 million, dropping an expected -47% in its second weekend. The film's domestic cume now stands at $46.9 million after ten days in release and $80.7 million worldwide after adding another $11 million this weekend internationally. Of course, The Call of the Wild has plenty of ground to make up considering its $135 million production budget, but it seems doubtful the film will come close to that number domestically if not internationally. FUNimation's My Hero Academia: Heroes Rising landed in fourth place with a better than anticipated $5.9 million while Sony's Bad Boys for Life is still hanging on in the fifth spot as it added yet another $4.4 million this weekend for a domestic total that now tops $197 million. The threequel also added another $4.9 million internationally this weekend, pushing the international total to $208 million for a worldwide cume that just hit $406 million or approximately $8 million less than the worldwide total for the first two movies combined. As always, be sure to follow the official TAVERN TALK by Initial Reaction YouTube channel as well as on Facebook, Instagram, and Twitter where you can find a new review (or reviews) each week! Hit the jump to catch our review of The Invisible Man featuring Podcast 241 now!

Tavern Talk: Video Review - THE CALL OF THE WILD

The newly minted 20th Century Studios released their inaugural film with the Harrison Ford-starring remake of The Call of the Wild and while it was number one in our hearts at TAVERN TALK this week it couldn't manage enough moolah to be number one at the box office as Paramount's Sonic the Hedgehog managed a second weekend at number one with $26.2 million, pushing the film's domestic cume past $106 million after just ten days in release. After only two weekends, Sonic already ranked as the fourth largest video game adaptation domestically of all-time and as of Monday it surpassed The Angry Birds Movie's $107.5 million to become the third largest earner in terms of that domestic video game adaptation stat. Internationally, Sonic added another $38.3 million, pushing its international cume to $96.5 million for a global tally that presently sits north of $216 million for the $95 million budgeted family flick. As for the weekend's biggest new release, The Call of the Wild finished in second place with $24.8 million, but with a reported production budget of $135 million (thanks, CGI Buck) and God knows how much more in marketing costs on top of that Disney and 20th Century Studios are going to need this one to have legs for days and for those Jack London Funko! collectibles and plush Bucks to sell like hot cakes-not to mention downloads of that Call of the Wild-themed video game for Nintendo Switch having to put up impressive numbers for all of this to pay off. I'm kidding, of course; a family-friendly re-telling of of the brutal, middle-school adventure story isn't exactly easy pickin' for cross promotional merchandise and yet...here we are. As of two days ago the film sat at $45.7 million worldwide with only $16 million coming from international markets. The issue is that The Call of the Wild tells a distinctly American story and while opening weekend audiences seemed to enjoy the film well enough (it earned an "A-" CinemaScore and a 90% audience score on RottenTomatoes) it's hard to imagine after the successful, but not necessarily justifiable opening weekend numbers that this will have the endurance to rationalize the amount of money the studio spent on this thing. The only other new, wide release last week was STX films and Lakeshore Entertainment's horror sequel Brahms: The Boy II which earned $5.8 million domestically and $2.22 million internationally for a global total just over $8 million which, while neither audiences nor critics were fans, isn't bad for a film that only cost $10 million to make. As always, be sure to follow the official TAVERN TALK by Initial Reaction YouTube channel as well as on Facebook, Instagram, and Twitter where you can find a new review (or reviews) each week!

Tavern Talk: Video Review - SONIC THE HEDGEHOG

After being delayed three months so Paramount could redesign their titular character (adding $5 million more dollars to the $90 million production) Sonic the Hedgehog finally arrived in theaters over the holiday weekend and defied expectations by delivering the largest opening ever for a video game adaptation. With a $70 million, four-day holiday debut and a $58 million Friday to Sunday gross Sonic topped last May's Pokemon Detective Pikachu ($54.4 million) to become the largest three-day opening ever for a video game adaptation. In finishing with that aforementioned $70 million over the four-day weekend the film, based on the iconic SEGA video game, is now the fourth largest Presidents' Day opening ever. Sonic not only performed well this weekend, but was a hit with audiences as well, earning an "A" CinemaScore and a 95% audience rating on RottenTomatoes. Furthermore, the opening weekend audience for the film supplied the stat that 70% of tickets sold were for those under the age of twenty-five. In second is where we find Warner Brother's Birds of Prey as it brought in another $17 or so million over the three-day and delivered almost $20 million for the four-day holiday frame, pushing the film's domestic total to nearly $62 million. Internationally, the film generated another $23 million over the weekend as the film's international cume now totals $83.6 million, pushing the global tally to $145.5 million on a production budget of $84.5 million. Rounding out the top five is Sony's Bad Boys for Life, which brought in $11.5 million over the three-day to finish with just over $13 million for the extended weekend as the sequel now tops $182 million domestic with a global cume of $368 million. In other news, the weekend's other two new wide release, Sony's Fantasy Island and Universal's The Photograph, finished in third and fourth place with only $504,493 separating the two at the end of the four-day weekend. Neon's Parasite received a huge bump for its many wins at the Oscars as the South Korean film expanded into over 2,000 locations over the weekend bringing in an additional $5.7 million. This performance pushes the film's domestic gross past $44 million, currently making it the fifth largest foreign language release ever. The other new release last weekend, Searchlight's re-make of the Swedish film, Force Majeure, titled Downhill and starring Will Ferrell and Julie Louis-Dreyfus landed just inside the top ten by barely clearing $5 million over the holiday frame with bad reviews and poor audience reception hinting this thing will disappear before the month is up. As always, be sure to follow the official TAVERN TALK by Initial Reaction YouTube channel as well as on Facebook, Instagram, and Twitter where you can find a new review (or reviews) each week!