THUNDERBOLTS* Review

Like many fans of the Marvel Cinematic Universe lately, the heroes of Thunderbolts* have felt unfulfilled. Yelena (Florence Pugh), Bucky (Sebastian Stan), Walker (Wyatt Russell), Ghost (Hannah John-Kamen), and Red Guardian (David Harbour) don't have much in common besides the loneliness that being assassins, science experiments, and super soldiers has led them to yet somehow (and somewhat ironically) this shared strand of abandonment is what brings them together. This film in particular finds itself at a crossroads of a moment where the MCU is both trying to redefine itself as well as figure out what direction it goes after being lost in the void of content inundation that has occurred since Endgame. Again, not unlike this band of "disposable delinquents" who are unclear where they fit into the grand scheme of things in a post-blip world where the Avengers are no more, Thunderbolts* seeks to carve a new path forward by essentially attacking the anxieties of the heroes, and by default - the fans, head on. The good news is that this is a strong step in the right direction. 

I’m sure there's a solid analogy to be drawn around how once and current Disney CEO Bob Iger, in the Valentina Allegra de Fontaine role, tried to lock these characters that debuted under Bob Chapek (sans Bucky) away in a Disney vault somewhere but ultimately decided to reverse psychologize by pushing them to the front of the next phase in a Guardians of the Galaxy/Suicide Squad-style team-up that he then sells as “the first and best example” of the studio’s new focus on quality over quantity, but I don’t know that I have the energy to investigate beyond those surface parallels. The point being, it feels pretty bold to make the biggest issue your biggest cash cow is facing not only the main theme of your Avengers re-brand, but the villain itself as Eric Pearson (a Marvel vet) and Joanna Calo (a frequent TV writer) more or less literalize the depression and loneliness these characters (and by extension, the audience members) are feeling through the existence of Lewis Pullman’s Robert Reynolds character. What Pearson and Calo’s screenplay does so deftly though, and I’m sure it is aided by director Jake Schreier’s execution, is how clearly and directly it addresses these subjects without ever making it feel heavy-handed.

DUMB MONEY Review

A loud and frenetic character piece that doesn’t always give its large ensemble enough for viewers to really invest in (get it), but also delivers stock talk succinctly enough for the casual viewer to understand while kind of inherently hammering home its ideas around power, exclusivity, and the frustration that comes with not having access to the biggest motivating factor of human behavior.

Eclectic director Craig Gillespie (I, Tonya, Cruella) knows the script from Lauren Schuker Blum and Rebecca Angelo has a lot going on (maybe too much at times) but he and editor Kirk Baxter (a frequent Fincher collaborator) seem to have understood the assignment from the get-go as there is a certain tempo to the film’s tone that allows for the transitions from one set of characters to the next and from one scenario to another to all feel like part of the same conversation. Whether it’s Pete Davidson, a DoorDash driver, scolding his brother immaturely for not selling at $11 million or Seth Rogen, portraying billionaire Gabe Plotkin, yelling at someone about his tennis courts there is a keen sense of forward motion in the construction of the film that keeps things moving as well as entertaining to the point you don’t question what is lacking or consider what could have been; you’re too busy trying to keep up with all that is going on to catch your breath, but most importantly…you’re having a good time.

A true time stamp of a film, Dumb Money is a thing of such recent history it may feel almost irrelevant in this moment but will undoubtedly serve as a fascinating encapsulation of this very specific snapshot in time years down the road. Presently, the casting makes this a lot of fun - especially in regard to the big wigs taking big shots – but this is Dano’s show and while, as someone from the South, I can’t tell whether he’s doing a good Boston accent or not, the performance itself is super charming and wholly endearing. We’re meant to come out of this rooting for Keith Gill and you absolutely do (I haven’t been able to stop asking for “tendies” since I saw the film).

First Trailer for THE 355 Starring Jessica Chastain & Lupita Nyong’o

While Jessica Chastain's AVA wasn't exactly the quality actioner one might have hoped for given the actor's pedigreed résumé and reputation there is some (slim) hope that The 355 might be a different approach to the genre. I'm not sure what it was about working with writer/director Simon Kinberg on X-Men: Dark Phoenix that made Chastain want to work with the filmmaker again given her under developed and rather forgettable villain in that final nail in the 20th Century FoX-Men franchise's coffin, but whatever it was let's hope the second time is a charm for these collaborators as both could use some favorable reviews. Honestly, I'm mostly sold on the "stunt" of the movie if nothing else as it centers on CIA agent Mason “Mace” Brown (Chastain) who forms a team that includes rival badass German agent Marie (Diane Kruger), former MI6 ally and cutting-edge computer specialist Khadijah (Lupita Nyong’o), skilled Colombian psychologist Graciela (Penelope Cruz), and a mysterious woman, Lin Mi Sheng (Fan Bingbing) who is tracking their every move. The team gets together in order to retrieve a top-secret weapon that has fallen into mercenary hands or some such boilerplate, but no matter the plot what the movie is going to live or die by is the camaraderie and chemistry this core group demonstrates. Written by Theresa Rebeck and Kinberg this trailer feels pretty generic with a visual style that looks competent and well-made without having a single distinctive aspect to it that would make me sit up and take notice otherwise. This could have been a short clip intended to advertise cars, jewelry, or guns from a company with a large marketing budget and I wouldn't have been surprised, but that isn't to say that's because it would make me want to buy any of those things, but more because a lot of it feels like white noise in the background. It's a "movie movie" in the vein of if aliens came to earth and we had to point out an example of the moviest of movies that ever movie'd this would seemingly be a contender. I have the urge to say just go back and watch Steve McQueen's Widows from two years ago as you probably didn't see as it at the time and it offers a similar all-female team up, but on a much smaller and more nuanced scale. Still, while Kinberg has done nothing yet to separate himself as a filmmaker and this trailer does nothing to sell me on this movie or story other than to say, "Hey! Look at this cast!" I can only hope the final product proves my initial pessimism wrong. The 355 also stars Sebastian Stan and Edgar Ramirez and is due for release on January 15, 2021.

I, TONYA Review

The story of Tonya Harding is one of a true American tragedy. Tonya Harding is America. She is unapologetic for the way she was raised and is seemingly either embraced or rejected immediately. She is emblematic of America's tendencies to always need someone to laugh at, a necessary punchline to fool ourselves into believing we're better than something or someone despite the outward appearance of wanting to be welcoming and tolerant of all walks of life. I, Tonya is a portrait of this single woman's life that would seem the perfect vehicle for a rags to riches story, the kind of story America typically likes to celebrate and champion in showing how much we, the people, promote this idea of advancement and the improvement of one's status through nothing other than hard work, but in the case of Harding we get the opposite: a life of nurturing that was anything but; where every person wanted a piece of the only beacon of light and hope in their lives while punching her down to feel better about themselves rather than pull her up. Tonya worked hard her whole life-devoted every fiber of her being to this passion (which is something it seems no one in her life, with the exception of maybe her mother, would question the hyperbole of or dispute), but no matter how hard she dared work she was never a match for the fact her image was not that of who the skating world desired to represent them. It is these constant battles, the ones that cause people, relatives, coaches, to ask, "Why are you the way that you are?" that come to define exactly who Tonya Harding was and no doubt still is. She is a real human being who dared to have the right amount of balls to not be defined by a sport that never wanted her, but that she couldn't do without. Her relationship with figure skating being indicative of every other relationship Harding would have in her life; passionate, but flawed. Complicated being an understatement. And sure, there are two sides to every story, of course, but in the case of I, Tonya there are multiple sides to her story and in particular to the event that came to define her life and who she was in the public eye. It is in this examination of how Harding is forced and mostly refuses to balance herself between the world she is from and the world she is meant to be a part of that serves as the crux of what director Craig Gillespie (Lars and the Real Girl) and writer Steven Rogers (Hope Floats, Stepmom) are attempting to say while Harding herself and all her story represents just happen to be the perfect, searingly tragic vehicle for such a theme.   

Red Band Trailer for I, TONYA Starring Margot Robbie

One of the biggest stories to come out of TIFF 2017 was that of Craig "Fright Night" Gillespie's biopic I, Tonya starring Margot Robbie as the infamous Tonya Harding. It was a film that had almost zero buzz going into the festival, but shortly after the first screening it was clear I, Tonya was one to watch as it received rave reviews with much of the audience praising the films ability to balance both the comedy and tragedy of the situation. Given it's been almost twenty-five years since the events that turned figure skating into a full-on tabloid event and made Harding a household name for all the wrong reasons it will be interesting to see the varied audience reactions from those who are old enough to remember the actual events and those who weren't born yet who will go in not knowing the details of what went down in 1994 and only aware this is a movie that stars Margot Robbie and the Winter Soldier. For those who might not have been aware of who Tonya Harding is prior to this trailer or for those who need a refresher of the figure skating scandal this red band trailer for Gillespie's film certainly seems to serve as an enticing refresher as this looks as appropriately bonkers as one might hope while clearly having some semblance of a soul that will look past the chaos of the situation and into the circumstances of these characters that drove their choices and actions to the point of no return. All things taken into consideration, it seems pretty clear why I, Tonya received such a stunning response as everything about this trailer is intriguing and beyond fascinating to the point I can't wait to see it and only hope that the fairly new Neon production house that acquired the film out of Toronto is able to give this thing a wide release on the announced December 8th date. I, Tonya also stars Sebastian Stan, Allison Janney, Julianne Nicholson, Bobby Cannavale, Mckenna Grace, Caitlin Carver, and was written by Steven Rogers who is responsible for such nineties hits as Hope Floats and Stepmom.      

LOGAN LUCKY Review

There are a lot of little things that make Logan Lucky as charming as it is. There is the effortless style of it. The breezy way in which director Steven Soderbergh (welcome back, sir) movies from one scene to the next despite the film involving a rather complicated script via new talent and/or what is a pseudonym for Soderbergh's wife Jules Asner or Soderbergh himself in Rebecca Blunt. There is also the ensemble cast of recognizable faces and charismatic personalities that make each and every one of the many plights that each and every one of these characters encounter that much more amusing. And then, and then there is the simple and just subtle enough techniques that deal in the filmmaking side of things that Soderbergh utilizes to make this feel simultaneously as raw as some of the emotional wounds these characters are dealing with while being as authentic as the general air of authenticity that surrounds each of these people. Whether it be in the shooting style that includes these movements or tracks that don't feel overly polished, but are seemingly intentional or the way in which Soderbergh, who serves not only as the director (and possible writer), but the cinematographer and editor here as well, cuts his scenes together to emphasize certain jokes or moments-it all feels rather perfectly imperfect. Bring all of these elements together and what we have is essentially a southern fried heist film from the guy who made all three of the kinetic and flashing Ocean's movies. It has been a decade since Ocean's Thirteen and it's not difficult to see why this genre is as attractive as it is as it offers the always appreciated underdog story, allows for moments of real tension and adventure, while presenting a canvas on which one can paint as many interesting and quirky characters as they like. The characters are the real draw of Logan Lucky as one can certainly layer in meaning that concerns the heartland of the American dream and how now, in our present state, that American dream in its purest sense can only be achieved by those who sell out or inherit their daddy's booming business as opposed to those who are willing to chase dreams and work hard, but Soderbergh's film never feels like an attempt to capture something bigger than that of the lark it actually is. It is largely about these people we don't see in big Hollywood productions often enough and upending the assumptions typically associated with them. There is meaning to be drawn if you so desire, but there is also room to just have a lot of fun-which Logan Lucky is. I guess the fact one could seemingly do both only makes the movie more impressive than it already is.

First Trailer for LOGAN LUCKY Starring Channing Tatum

It has been four years since director Steven Soderbergh has delivered a feature film and while he has continued creating in that time, namely on the HBO series, The Knick, his presence has been sorely missed in the cinema. Worse than this was the fact Soderbergh had more or less stated he'd be retiring from directing or at least taking an extended sabbatical. Thankfully, that time has passed rather quickly as we now have our first look at the first trailer for Soderbergh's return to feature films. Written solely by Rebecca Blunt in her only writing credit on IMDb (can someone tell me how one accomplishes as much?) the film follows two brothers who set out to reverse a family curse and pull off an elaborate robbery during the Coca-Cola 600 race at Charlotte Motor Speedway. Soderbergh has taken this rather rote premise and, by the looks of this first trailer at least, breathed fresh life into it as each of the characters seem to have enough of an individual personality and set of quirks that the heist will be the least of the show-stopping moments in the film seems as the focus looks to be more on the mentality behind why such a scheme would appeal to such a ragtag group of misfits. Besides the fact Soderbergh and his team will no doubt insert lofty goals and ideas into what would otherwise be a seemingly matter-of-fact, mindless piece of entertainment the cast the writer, director, and cinematographer has put together seems to be having a great time. While the focus of the clip centers around Channing Tatum's Jimmy Logan and Adam Driver's Clyde Logan the true highlight is that of the left field performance Daniel Craig seems to have concocted; for his accent alone I can't wait to see the film. Had I really been aware of what this latest from Soderbergh entailed or that it was even being released this August it certainly would have made my most anticipated of the summer list. Logan Lucky also stars Riley Keough, Hilary Swank, Seth MacFarlane, Katie Holmes, Dwight Yoakam, Katherine Waterston, Sebastian Stan, David Denman, Macon Blair, Jack Quaid, Brian Gleeson, and opens on August 18th, 2017.

CAPTAIN AMERICA: CIVIL WAR Review

Super hero movies, as we know them today, must walk the difficult line of being somewhat grounded in a reality audiences can relate to while at the same time embracing (not just accepting, but embracing) the inherent goofiness of the facts of the matter. In a broad scope, this is about guys and girls in colorful suits with silly nicknames duking it out with what tends to be (at least in the Marvel Cinematic Universe) a flavor of the week villain that does just enough to further the arc of what remains to be built in this ongoing series. What grounds these colorful characters sporting strange labels is the repercussions of their actions. The Avengers can shut down an entire alien race while destroying New York in the process and widely be regarded as the heroes of the scenario, but the fact of the matter is that if this were to happen in our reality there would be thousands upon thousands dead and even more injured. With the third Captain America film, Civil War, Marvel has found it the necessary time to begin giving their heroes more heady spaces to wander. Sure, there is still a bigger antagonist than either Steve Rogers (Chris Evans) or Tony Stark (Robert Downey Jr.) in Civil War that leads to the plot being more run of the mill than I was hoping things might go, but there is enough justification and perspective to this villains plan that we go with what we're being offered. Perspective is a key word here. Not only in the driving force that puts the team at odds over the still brewing conflict concerning The Winter Soldier (Sebastian Stan), but for these superior beings to take into account the consequences of their actions and come face to face with their shortcomings-the film more or less exploring how they deal with such realizations when they're brought up as potential charges. Captain America is a firm believer in consequentialism in that his goals are morally important enough that any method of achieving them are acceptable with the understanding of the unfortunate caveat that he will never be able to save everyone. It is in exploring such territory and being bold enough to bring their heroes face to face with such a reality that Marvel exceeds in walking that difficult line. Captain America: Civil War is very much a Marvel movie in that it is full of bright colors, genuinely funny quips, and some solid action set pieces, but bringing these characters (and these performers) into more interesting dynamics with one another notches up the reality factor with the result being an admirable balancing act that deserves to be applauded.

THE BRONZE Review

All comedies try to make us laugh. That's kind of the point. Still, there is a difference between trying to make audiences laugh by saying the unexpected out loud and those unexpected things actually being funny. In The Bronze The Big Bang Theory's Melissa Rauch plays washed up gymnast Hope Annabelle Gregory who still managed to medal at the 2004 Rome Olympics after shattering her achilles during a routine. She became something of an American hero of those particular games, the athlete the media chose to heap large amounts of coverage on because of her narrative maybe more so than because of her actual talent. Hope says a lot of things that might not be considered polite or politically correct, but that doesn't make her funny. Sure, I understand that a fair amount of comedy can come from degrading someone, something, or even ourselves, but no matter how hard these demeaning jokes make us laugh ( or don't) one thing remains to be true and that is the fact they come from a place of fear; we're attempting to distract ourselves from our own vulnerability. In short, we're trying to make ourselves feel better about our own lives. Hope does this consistently throughout The Bronze and while the juxtaposition of what we expect from polite society and what Hope delivers can be genuinely funny here and there the majority of the time the character simply comes across as self-centered, crass, and just plain nasty. Maybe this is because Hope is the only character the film cares to flesh out and so, while we somewhat get to know her father (Gary Cole), her new apprentice (Haley Lu Richardson), her love interest (Thomas Middleditch) and her arch nemesis (Sebastian Stan), because each of them are more or less targets for Hope to hurl her insults at rather than fully formed people it is nearly impossible for us to understand why she seems to naturally hate everyone. The only thing she clearly has an affinity for is herself and keeping her name and image at the height of its power in her hometown of Amherst, Ohio, but as these things go all of that is about to change.

New Trailer for CAPTAIN AMERICA: CIVIL WAR

The new trailer for the highly anticipated Captain America: Civil War comes two weeks before the release of the other big super hero smackdown this year. While I'm sure Disney is keen to keep as much focus on their follow-up to Age of Ultron as possible it is likely smart they've chosen to go ahead and release this trailer for the masses to chew up, dissect, and discuss over the next week before becoming engulfed in the unavoidable frenzy that will surround Batman V Superman. Of course, the second season of Daredevil premieres on Netflix a week from Friday on the 18th, only a week prior to BvS, so maybe they don't actually care. Whichever way you cut it, Marvel looks to keep their name in the conversation no matter how many heroes Warner Bros. have stuffed into Dawn of Justice. With a month and a half or so to go before Civil War kicks off the 2016 summer movie season though, we knew this second trailer could drop at any time and the barrage of "team posters" over the last week as well as the short teasers posted on the films official Facebook page yesterday made it clear that day would be today. Working from a script by Winter Soldier scribes Christopher Markus and Stephen McFeely directors Joe and Anthony Russo return as well and look to have crafted something just as epic as fans of both the comics and the MCU could hope for. My biggest hope going into this second trailer was that Disney and Marvel would be smart enough to keep Spider-Man hidden throughout all of the marketing material as they clearly have plenty of other things to sell this property on, but unfortunately they couldn't help themselves. Captain America: Civil War stars Chris Evans, Robert Downey Jr, Sebastian Stan, Chadwick Boseman, Scarlett Johansson, Anthony Mackie, Paul Bettany, Jeremy Renner, Don Cheadle, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Frank Grillo, William Hurt, Daniel Brühl, Martin Freeman, Tom Holland and opens on May 6, 2016.

First Trailer for CAPTAIN AMERICA: CIVIL WAR

The first trailer for the highly anticipated first film in Marvel's phase three has debuted and for all those (and there are a lot, including me) fans of Winter Soldier it looks like we have something very much in line with that previous Cap film. The question of whether or not this was still going to be a Captain America film after the expansive cast was announced is answered in the form of the Captain clearly being at the forefront of this trailer and presumably the film. The likeness to Winter Soldier isn't necessarily a negative comment either as I loved the look of that film and it looks to suit the very military/Avengers world in as suitable a manner as it did when S.H.I.E.L.D. was the main focus. That directors Joe and Anthony Russo are returning certainly explains a lot of the same aesthetic choices, but it also makes me excited to see what they'll be able to do with Infinity War Parts I and II. While, in the grand scheme of things, this may just prove to be a trial run compared to what they'll do in those films it looks as if the brothers, working from a script by Winter Soldier scribes Christopher Markus and Stephen McFeely, have crafted something just as epic as fans of both the comics and the MCU could hope. The portions that give us our first glimpse at Chadwick Boseman's Black Panther are some of the most exciting among the nearly two and half minute clip while the capper of Chris Evans' Steve Rogers and Sebastian Stan's Bucky Barns wailing on Robert Downey Jr.'s Iron Man only serves to escalate the anticipation. Also, it looks like Disney will again be pulling a Luke Skywalker and (hopefully) hiding Spider-Man from any marketing materials. Captain America: Civil War also stars Scarlett Johansson, Anthony Mackie, Paul Bettany, Jeremy Renner, Don Cheadle, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Frank Grillo, William Hurt, Daniel Brühl, Tom Holland and opens on May 6, 2016.

RICKI AND THE FLASH Review

Meryl Streep's latest is something of an oddity. It is difficult to see the sixty-six year-old, Academy Award-winning actress as a lover of 60's and 70's rock and roll who never gave up her dream of joining that world. It isn't that Streep can't pull it off (please, what can't she do?), it's just a strange sight to behold and watch unfold. Decked out in gaudy jewelry from her ears to every finger and even more excessively around her neck, she is a nightmare for airport security. She swoops her thinning air to one side with the rest braided so as to elicit a steaming punk persona. She wears lots of black and a lot of leather and hates to go anywhere without her guitar. While the typically regal persona we see from Streep certainly doesn't correspond with what we see in Ricki there is something to be said for this unorganized, irresponsible and blatantly selfish person that chose one dream over another. Written by Diablo Cody (Juno, Young Adult) and directed by Jonathan Demme (The Silence of the Lambs, Philadelphia) Ricki and the Flash is more a movie about the state of the American family than it is one about a failed singer. The trailers would have you believe this is something of a slight piece of melodrama that would be just as (if not more) suitable for the Lifetime network than your local multiplex, but it's clear from the moment things get a little more intense concerning Ricki's daughter (Streep's real-life daughter, Mamie Gummer) that this isn't simply a familial drama with fun interludes of Streep singing classic rock. No, Ricki and the Flash is indeed a more subtle and intricate commentary on topics largely relatable to the casual audience member. Sure, you may could see the conventions that the film works within from a mile away, but the seasoned cast sells it and the inspired moments of writing in certain scenes combined with Demme's assured direction make for an enjoyable and rather affecting experience.

First Trailer for RICKI AND THE FLASH Starring Meryl Streep

I always enjoy when Meryl Streep has a late August offering that somehow doesn't fit into the overall scheme that she is actively trying to be nominated for an Oscar every year. After Mama Mia, Julie & Julia and Hope Springs (of which the latter two I really enjoyed) I was hoping we might get another one soon as it's been three years since her last excursion into somewhat lighter territory. While she enjoyed a fair amount of success both critically and commercially with Into the Woods last award season it seems she is going in a completely different direction this year as far as movies concerned with music go. In her latest, titled Ricki and the Flash, Streep plays a musician who gave up everything for her dream of rock-and-roll stardom only to return home years later, looking to make things right with her family. The interesting aspect of this film is the combination of talent it has driving it. Not only does it have Streep as the star, but it has Diablio Cody (Juno, Young Adult) penning the screenplay and Jonathan Demme (Silence of the Lambs, Philadelphia) behind the camera. Demme hasn't really directed an out and out commercial feature like this since (maybe) 2008's Rachel Getting Married and so, even if this first trailer looks a little hokey and manipulative, I am interested in seeing what these three talents pull together. The other interesting aspect for me was that Streep's character and her band (the Flash) aren't singing original songs written for the film, but rather past hits by Bruce Springstein, Tom Petty and Lady Gaga among those also featured in the trailer. Will this be an alternate universe where those songs belong to Ricki or did she get famous by simply being a cover band? I guess we'll find out August 7th when Ricki and the Flash opens. The film also stars Kevin Kline, Rick Springfield and Streep's real-life daughter Mamie Gummer.

CAPTAIN AMERICA: THE WINTER SOLDIER Review

The looming question after The Avengers was always going to be if movies only featuring one of the team members would suffice after this all-star team-up and while I enjoy Iron Man 3 more and more with each viewing and appreciate it for what it did for the character I have to say the opposite of The Dark World. The Thor sequel sacrificed going through with the clear demise of a character for the sake of fan affection and in no real way contributes to the larger arc of the story Marvel seems to be telling within its criss-crossed cinematic universe. I may come to regret that sentence when either Guardians of the Galaxy or Avengers: Age of Ultron takes some big notes from the introduction of the Aether that drives the plot in The Dark World, but for now it seems that the introduction of this new energy source could have served as a small subplot in the film rather than being the main reason for conflict while also providing Malekith's sole reason for existing in the film. With The Winter Soldier though, Marvel had its back to the wall in being forced to push the narrative forward as Captain America operates within the world most of our heroes also reside and more than that is affiliated with the organization that brought the super group together thus meaning if this sequel turned out to be a place holder then there was going to be a new wave of doubt in Marvel Studios and its master plan that would feel more off the cuff than meticulously planned. Lucky for audiences, Winter Soldier is both a solid film on its own terms and a solid entry in the Marvel canon that not only moves the story forward and reveals new, unexpected developments but also sets-up an interesting dynamic for how things will unfold in the upcoming films. Within all of these films the struggle is to make a sufficient stand-alone piece that works with what it is trying to accomplish on its own and without simply leaning on the fact there is another, inevitable chapter coming. As much as these Marvel films have become big, expensive episodes in an ever-evolving cinematic version of a television series, if they were going to survive as singular pieces of entertainment they were going to need to have a strong sense of individuality and The Winter Soldier, for the first time since The First Avenger, has that singular style and tone that separates it from its cohorts while understanding the necessities of contributing to things bigger than itself.

First Trailer for CAPTAIN AMERICA: WINTER SOLDIER

Captain America: The First Avenger was surprisingly pleasant and satisfying. I have been unexpectedly excited to see what the follow-up has to offer as Marvel, in its ever revolving door of directors, hired Joe and Anthony Russo (Community, Happy Endings) and allowed them their take on the next chapter in the Captain's saga of adjusting to the modern world. Chris Evans continues to be in fine form and while this somewhat looks to be a higher-level, more expensive episode of Agents of S.H.I.E.L.D. it is nice to see the inclusion of Scarlett Johansson's Black Widow and Sam Jackson's Nick Fury still playing a prominent role in the development of our titular character. That the world continues to be consistent is one of the biggest pleasures this Marvel cinematic universe delivers. What I enjoyed most about this first trailer though is the fact it doesn't divulge every beat the eventual film will hit. We get a lot of fast paced, quick cut action montages and a glimpse into the main conflict that will be presented to Steve Rogers in the form of a moral dilemma with his employer. It is an interesting take as the makers could have just as easily pitted him against his nemesis, "The Winter Soldier" aka Bucky Barnes (Sebastian Stan) who apparently didn't die in the first film and left it at that. There is a lot more going on here though as Stan gets limited screen time in the teaser and hardly any close-ups until that final tease which is just enough to keep us interested. After seeing the trailer I'm certainly still excited to see what the film holds and hope the tone of a 70's thriller as the directors have referenced is indeed intact. Captain America: Winter Soldier also stars Cobie Smulders, Georges St-Pierre, Frank Grillo, Hayley Atwell, Toby Jones, Emily VanCamp, Maximiliano Hernández, Anthony Mackie, Robert Redford and opens on April 4, 2014.