Showing posts with label Paul Rudd. Show all posts
Showing posts with label Paul Rudd. Show all posts
TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM Review
Teenage Mutant Ninja Turtles: Mutant Mayhem is something we, especially myself and my millennial brethren, have seen done multiple times before, but this time it’s possibly been done the best we've ever seen it. Having been born three years after the first TMNT comics were released and the same year the more brightly-colored animated series debuted the Teenage Mutant Ninja Turtles have been a part of my life my entire life and hold a special place in my own sewer of nostalgia. The nineties movies (yes, even the third one) are a cornerstone of my childhood and yet, Mutant Mayhem might just surpass them on the sheer charisma of the cast and genuine camaraderie of our heroes. Not that those live-action features didn't have well-defined characters with interesting arcs, but they couldn't help but to feel a little stiff whereas here things are as natural and effortless as could be if not more so given we're talking about "turtle mutant karate teens".
Effortless is maybe the key word here as everything in this latest animated incarnation - from the music to the execution of the age-old ideas and of course the animation style itself - feels effortlessly cool and surprisingly fresh. Director Jeff Rowe (The Mitchells vs the Machines) seemingly utilizes every tool at his disposal to emphasize the unrefined quality of our heroes and push that mentality to the forefront of the film. The style of animation will undoubtedly be compared to the Spider-Verse films, but in all honesty they each convey a different energy as Mutant Mayhem’s “rough around the edges” approach simultaneously lends the tone a bit more of an edge while still maintaining a child-like wonder as the turtles long to be part of a world that fears them. We can see the sketch marks, the incomplete outlines, and not only this, but the way the city, the sewers, as well as the people and/or mutants are depicted is far more raw - almost ugly - in a way we haven’t seen before. It’s not that the film itself is revolutionary, but what does feel so is how unconventional and hip they've managed to make a piece of IP and furthermore, the coming-of-age story it’s telling. Like, another TMNT movie could have very well felt played out and tired, but instead this feels very much akin to a "cool kid club" you'll want to be in on. A real statement on how much execution truly elevates.
Official Trailer for AVENGERS: ENDGAME
Since the credits rolled on Infinity War nearly a year ago now and with Captain Marvel's opening weekend now behind us, the countdown to Endgame has officially begun and Marvel just ratcheted up all the feels with this official trailer release. Still holding back a considerable amount and being very picky with what new footage we are allowed to see before any of the general public actually sees the complete film, this official trailer plays more as an homage of sorts to the core original Avengers than it does a glimpse into the future of the MCU. This is a nice touch given this truly does feel like a culmination of ten-plus years of movie-watching while the tag on the trailer includes Brie Larson's Carol Danvers in an effort to move into the future as well. It's kind of surreal in a way that this was always going to be unavoidable, but somehow seemed as if it might be so big so as to forever elude us. Here we are though, less than two months out, we barely know anything about the plot of the film except for the countless theories that are floating around the internet, with this latest trailer not mentioning Thanos at all, and I can't help but know we'll all be all the better for it come Thursday, April 25th when the collective MCU fans sit down to experience the true end of an era. Avengers: Endgame also stars Scarlett Johansson, Robert Downey Jr., Elizabeth Olsen, Chris Pratt, Chris Evans, Benedict Cumberbatch, Paul Rudd, Chris Hemsworth, Chadwick Boseman, Anthony Mackie, Brie Larson, Karen Gillan, Jeremy Renner, Evangeline Lily, Vin Diesel, Michelle Pfeiffer, Sebastian Stan, Samuel L. Jackson, Bradley Cooper, Pom Klementieff, Dae Bautista, Josh Brolin, Paul Bettany, Mark Ruffalo, Benedict Wong, Don Cheadle, and opens April 26th, 2019.
First Official Trailer for AVENGERS: ENDGAME
ANT-MAN AND THE WASP Review
I heard a bug hit the windshield on my way home from the theater after seeing Ant-Man and the Wasp and genuinely felt bad about it. If that tells you anything about how well this movie will hit you. That isn't to say this superior sequel to 2015's Ant-Man is something of an emotional roller coaster that evokes real sympathy for characters that get minor in the most minor of Marvel Cinematic Universe (MCU) movies, but in some ways...it kind of does. In its earnest portrayal of these characters we come to easily invest in each of their plight's largely (isn't that ironic?) because they are dealing in stakes that are so personal and thus small when compared to that of the end of the world. Is it kind of ingenious? Yeah, a little bit considering Doctor Strange goes to another dimension to stop a blob called Dormammu from engulfing the earth and all things considered that should terrify me far more than if Paul Rudd's Scott Lang survives his last few days under house arrest, but it didn't and I would rather watch Ant-Man and the Wasp a hundred times over than sit through Doctor Strange again. The best part of that? Doctor Strange isn't a bad movie by any stretch of the imagination. Rather, Strange is simply a generic and forgettable one in the scheme of the last decade of MCU films whereas director Peyton Reed (Ant-Man) and writers Chris McKenna, Erik Sommers, Andrew Barrer, Gabriel Ferrari, as well as Rudd himself lend their movie a more memorable signature by allowing it to indulge in its inherent goofiness while simultaneously proving this isn't as cheesy an affair as it has to be. I mean, the basis of a super hero being a super hero because he shrinks down to the size of an insect and can then communicate with said insect is a premise wholly owed to whatever drug-induced haze Stan Lee, Larry Lieber, and Jack Kirby were in at the time (1962 to be exact) which isn't a bold claim considering Lee's cameo here hints at how crazy the sixties were, but the fact is despite their powers being corny and their abilities being used more so for their own agendas than maybe any other heroes in the MCU Reed is still able to execute and exhibit these technologies and the capabilities they enable in ways that are effective and dare I say it...even kind of cool. There are less than a handful of big action sequences here, but that doesn't matter because everything about Ant-Man and the Wasp is enjoyable, but more each of those few action sequences are crafted in ways where it feels every facet of who these characters are and the world they exist within is being utilized in creative and fun ways. This kind of passion for the material also assists with the level of compassion we, the audience, feels toward the characters and thus the level of investment we pledge to what is admittedly a less vital piece of the MCU puzzle. That Ant-Man and the Wasp challenges this precedent set by the first film is enough to solidify its worthiness among the ranks as well as its quality outside of them.
New Trailer for ANT-MAN AND THE WASP
Marvel Studios and Kevin Feige are wasting no time in ramping up the promotional campaign for their follow-up to Avengers: Infinity War with the sequel to 2015's Ant-Man, Ant-Man and the Wasp. Though Ant-Man and the Wasp apparently takes place before the events of Infinity War as does next March's nineties-set Captain Marvel it seems a foregone conclusion that either film will offer little in the way of answers to some of the questions that third Avengers film poses. Of course, we could see some type of serious foreshadowing depending on how exactly Paul Rudd's Scott Lang went about staying off the grid after Captain America presumably broke him out of prison after the events of Civil War which might in turn provide reason as to why Ant-Man was nowhere to be seen in Infinity War, but we'll have to wait and see as we have just over two months until the next MCU film hits theaters. Joining the company of Jon Favreau, Joss Whedon, and James Gunn director Peyton Reed is only the fourth director in the MCU's history to return for a sequel (though the Russo brothers still lead the pack as they will have directed four MCU films come next May). Of course, you may remember that there was a lot of fuss around the first Ant-Man given Edgar Wright's involvement in developing the script and even casting many of the key roles before dropping out of the project mere weeks before principal photography was due to begin due to "creative differences". Despite the late-in-the-game roster change it was easy to see the DNA of Wright all over that initial film and so it will be interesting to see what Reed and what seem to be his two writing teams that took a pass at the script (Andrew Barrer and Gabriel Ferrari breaking into the big time while Chris McKenna and Eric Sommers of Jumanji: Welcome to the Jungle, Spider-Man: Homecoming, and The LEGO Batman Movie) come up with as Rudd also received a writing credit. Of course, the biggest draw of this sequel is that Evangeline Lilly will finally get to suit up as The Wasp and join Rudd's Lang in the action and while MCU heroes have had sidekicks before (The Falcon to Captain America, War Machine to Iron Man) the MCU has never touted one in the title of one of their films nor has one ever been female. Here's to change and here's to hoping change is good. Ant-Man and the Wasp also stars Michael Douglas, Laurence Fishburne, Walton Goggins, Michael Peńa, Hannah John-Kamen and opens on July 6th, 2018.
AVENGERS: INFINITY WAR Review
Where does one even begin? That is the question the screenwriters of Avengers: Infinity War must have been asking themselves when they sat down to pen what will ultimately come to be a five-plus hour finale to what the world has been witness to the construction of for a decade. There is so much happening and so much seemingly left to happen with Infinity War and whatever the as of yet untitled sequel is sure to include that it's almost incomprehensible anyone in their right mind took this on as a challenging endeavor they'd be willing to try their hand at. And say what you will about Joe and Anthony Russo, the directors of Winter Soldier, Civil War, and now both the third and what will be the fourth Avengers movies, and how they might feel like Marvel's "directors for hire" that bend at any whim studio head Kevin Feige commands, but these guys get the work done and do so in a way that is both dramatically satisfying as well as colossally entertaining. With Infinity War, the Russo brothers along with series screenwriters Christopher Markus and Stephen McFeely (all three Captain America films, Thor: The Dark World, as well as Agent Carter) have somehow managed to tackle the unenviable for them, but extremely exciting for audiences in the vein of making eighteen previous movies come together and intertwine in a way that is as natural as possible with clear motivation as to why as much is necessary at this point in time all while keeping it all, as Thanos would put it, "well-balanced." Where to begin in such an endeavor is certainly not a question with an obvious answer, but Markus and McFeely begin in what feels like the most natural of places given the hints that have been being dropped since that post-credits scene in 2012's The Avengers and where we last saw Thor (Chris Hemsworth) and his brother Loki (Tom Hiddleston) after the destruction of their home world, Asgard. If you haven't been paying attention, the aforementioned post-credits scene delivered a slight smirk by a guy named Thanos (Josh Brolin) AKA a titan who sees fit to invade planets and wipe out half of their population in order to keep balance among the galaxies. This is who Infinity War centers around and in more ways than one this is Thanos' movie. This is a smart decision as this was never going to be able to be one heroes movie more than another's, but by giving this villain who we've been hearing whisperings about for almost six years now the credit he is due the movie allows this antagonist to live up to the mythos those past movies have built around him.
Movies I Wanna See Most: Summer 2018
The summer movie season is always one of my favorite times of the year because it seems people outside those of us who consistently devour movies seem to make a big deal of what's opening in theaters each week. When it's something the masses are interested in it feels like a celebration and no matter how crappy or generic some of these movies might be that attract the masses I can't help but smile about people finding joy and excitement in the cinema. I've always attempted to find a balance between big-budget and indie fare rather than dismiss the blockbusters and only adore the smaller, more intimate movies. I like to try and think in terms of objectives and how well a movie accomplishes the objectives it sets out to accomplish by the end of the film. This seems especially critical when approaching traditional summer popcorn movies. That doesn't mean I'm necessarily more excited for Skyscraper than I am something like Hot Summer Nights, but rather that I'm interested in both for very different reasons. While neither of those titles will be on my list I would place director Brad Bird's follow-up to his 2005 Pixar juggernaut, The Incredibles II, just outside my top ten along with the likes of Rupert Wyatt's follow-up to his The Gambler re-make titled Captive State that stars John Goodman and explores the lives of beings on both sides of a conflict that has been in place for nearly a decade after an extra-terrestrial force took occupation in Chicago. The film has an August release date and was included in my most anticipated of the year as Wyatt's entry in the last Planet of the Apes trilogy is still my favorite and this film seems like a natural progression after Goodman's fantastic turn in 10 Cloverfield Lane, but the absence of any trailer or any promotional material whatsoever makes me wonder if this one might not get delayed. Elsewhere, there is The Happytime Murders from Brian Henson (son of Jim) a dark comedy about the puppet cast of an eighties children's TV show that begin to get murdered one by one, Gary Ross' (Pleasantville, The Hunger Games) take on a Steven Soderbergh heist flick with the star-studded Ocean's 8, and likely Morgan Neville's (20 feet from Stardom) documentary that explores the life, lessons, and legacy of iconic children's television host, Fred Rogers in Won't You be My Neighbor?. You won't find the likes of The Equalizer II or The First Purge on my list and none of the broad mainstream comedies such as Tag or Uncle Drew are on there despite the fact I'll no doubt end up enjoying both of them, but like I said, I'm by no means opposed to unabashed blockbusters as is evidenced in my number ten pick...
Official Trailer for AVENGERS: INFINITY WAR
In what will be ten years to the weekend after Iron Man arrived in theaters in May of 2008 we will see the (first part of the) culmination of the first three phases of the Marvel Cinematic Universe. It's hard to believe we've been living in this world for a decade now when, looking back, those beginnings were so humble. I clearly remember sitting in the theater not knowing what to expect from Iron Man, but mainly being excited that a new The Dark Knight trailer was playing before it. Oh, how the tables have turned as we come off the lukewarm reaction and success of the rushed Justice League and see what time, patience, and care have done for the MCU with our first glimpse at Joe and Anthony Russo's Infinity War. Bringing together all of Marvel's heroes has always been ambitious, but as the MCU-train has rolled on and the roster only continued to expand it has become more and more curious as to how Kevin Feige and the Russo's might bring this all together in a cohesive manner. If this first trailer is any indication it seems they have done so with real charm and scale. There isn't a lot of details plot-wise, but there are enough shots to suggest that, if you've been following along with the previous MCU films, many of the strands from previous films will be, if not resolved, at least touched upon in this first part of what will ultimately be a two-part finale. I honestly can't get over how this trailer has made me feel. It made more hairs on my arm stand up than do in that shot of Peter Parker experiencing his Spider sense. Spider-Man's suit looks amazing, Black Panther's line in regards to Captain America is fantastic, and that music...that music is really paying off for Marvel. Good for you, Alan Silvestri. The visual scope also looks to fit the number of characters which has been something of a shortcoming for Marvel in the past with many of their films feeling great, but looking flat. The location shots among the sprawling green planes of Wakanda lend a sense of true epicness and that final tag, that final tag is just perfect. I seriously can't wait. Avengers: Infinity War stars Tom Holland, Scarlett Johansson, Robert Downey Jr., Elizabeth Olsen, Chris Pratt, Chris Evans, Benedict Cumberbatch, Tom Hiddleston, Zoe Saldana, Chris Hemsworth, Chadwick Boseman, Anthony Mackie, Paul Rudd, Brie Larson, Karen Gillan, Jeremy Renner, Cobie Smulders, Vin Diesel, Peter Dinklage, Sebastian Stan, Samuel L. Jackson, Bradley Cooper, Pom Klementieff, Dae Bautista, Josh Brolin, Paul Bettany, Tessa Thompson, Mark Ruffalo, Benicio Del Toro, Benedict Wong, Don Cheadle, and opens May 4th, 2018.
SAUSAGE PARTY Review
I feel like, by today's standards, there is very little that can truly offend me or anyone else for that matter. Whether it is our culture that has desensitized us to the point of indifference when it comes to matters once kept to the privacy of people's homes or the fact we'd like to think we're more progressive for not being ashamed of the natural things humans do-there is an argument for either side. The point is that whether you are blasé or still blush when it comes to talking about sex in public the consensus, at least at this point in my life which naturally dictates my group of friends and peers being of similar mindsets, is more or less that we need to get over ourselves and stop making such a big deal over what everyone has. We should be more like the Europeans. A penis is a penis and in Sausage Party a sausage may as well be a penis. If one falls into the camp of shying away from such conversations and believe that a certain amount of mystery should still exist between people then you'll likely want to shy away from this new Seth Rogen production as well. Taking the premise from any number of children's movies (The Brave Little Toaster, Toy Story, Secret Life of Pets) where when the humans ago away the inanimate objects come out to play Rogen and writing partner Evan Goldberg have ran with that idea, but this time with food, which of course comes to meet a terrifying end-yes, more terrifying even than Sid. It's a premise ripe for parody and a genuinely funny idea if what you're aiming for is a twisted, dark tale that not only tells the story of what it might be like if food were living, breathing beings, but per usual also includes some musings on life and what it all means. It's grocery shopping with shades of existential analysis. Of course, that all seems a little silly when talking about a movie that has a talking douche as the main baddie, but alas-that is where we are today. Some may scoff, some may simply laugh it off, but such minds and twisted ideas have always been present in society-they just likely haven't been able to reach as large a platform as Sausage Party has and thus the discussion around every new generation's looser morals and lack of respect for what was once holy only grows louder. Sausage Party isn't wholly indicative of society today though, it's simply indicative of one aspect of society and ends up essentially being a discussion about how that society can co-exist peacefully whether one believes in keeping certain aspects and ideologies private or not.
CAPTAIN AMERICA: CIVIL WAR Review
Red Band Trailer for SAUSAGE PARTY Starring Seth Rogen
A work-in-progress cut of Seth Rogen‘s R-rated animated comedy, Sausage Party, debuted at Austin's SXSW festival last night and now we have the first Red Band trailer for the film. While I wasn't sure what to expect from the film given it seemed to intend to skew all that we held precious as children there are a lot of laughs in this first look and it certainly hints at a film just as warped as one would need to be to succeed as the first R-rated CG animated movie. The trailer starts off sweet enough, perfectly lampooning Disney/Pixar films before evolving into something much scarier and frankly, much more disturbing than something even Sid from Toy Story might have cooked up in his creepy ass bedroom. Sausage Party follows a group of unsuspecting weiners and meat products when they come to understand the truth about where they will eventually ending up. The film is being produced by Sony and Megan Ellison of Annapurna Pictures who tweeted out last night after the premiere that it was the greatest moment of her life and that she always believed the film would be Annapurna's first franchise. Also of note is the fact Rogen and writing partner Evan Goldberg have enlisted Oscar-winning composer Alan Menken (Beauty and the Beast, The Little Mermaid, Aladdin) to compose the original music. Clearly, these guys are cutting no corners in making sure they have the best collaborators to make what is more or less a parody as close to the real thing as possible. The animation actually looks quite striking and if they are willing to go as weird and out there with this first look trailer I can only imagine what the full-length feature holds. If reactions out of last nights screening are any indication, this should be pretty great. Joining Rogen in the voice cast is Jonah Hill, James Franco, Kristen Wiig, Edward Norton, Paul Rudd, Nick Kroll, Michael Cera, David Krumholtz, and Salma Hayek. Sausage Party opens August 12, 2016.
New Trailer for CAPTAIN AMERICA: CIVIL WAR
The new trailer for the highly anticipated Captain America: Civil War comes two weeks before the release of the other big super hero smackdown this year. While I'm sure Disney is keen to keep as much focus on their follow-up to Age of Ultron as possible it is likely smart they've chosen to go ahead and release this trailer for the masses to chew up, dissect, and discuss over the next week before becoming engulfed in the unavoidable frenzy that will surround Batman V Superman. Of course, the second season of Daredevil premieres on Netflix a week from Friday on the 18th, only a week prior to BvS, so maybe they don't actually care. Whichever way you cut it, Marvel looks to keep their name in the conversation no matter how many heroes Warner Bros. have stuffed into Dawn of Justice. With a month and a half or so to go before Civil War kicks off the 2016 summer movie season though, we knew this second trailer could drop at any time and the barrage of "team posters" over the last week as well as the short teasers posted on the films official Facebook page yesterday made it clear that day would be today. Working from a script by Winter Soldier scribes Christopher Markus and Stephen McFeely directors Joe and Anthony Russo return as well and look to have crafted something just as epic as fans of both the comics and the MCU could hope for. My biggest hope going into this second trailer was that Disney and Marvel would be smart enough to keep Spider-Man hidden throughout all of the marketing material as they clearly have plenty of other things to sell this property on, but unfortunately they couldn't help themselves. Captain America: Civil War stars Chris Evans, Robert Downey Jr, Sebastian Stan, Chadwick Boseman, Scarlett Johansson, Anthony Mackie, Paul Bettany, Jeremy Renner, Don Cheadle, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Frank Grillo, William Hurt, Daniel Brühl, Martin Freeman, Tom Holland and opens on May 6, 2016.
First Trailer for CAPTAIN AMERICA: CIVIL WAR
The first trailer for the highly anticipated first film in Marvel's phase three has debuted and for all those (and there are a lot, including me) fans of Winter Soldier it looks like we have something very much in line with that previous Cap film. The question of whether or not this was still going to be a Captain America film after the expansive cast was announced is answered in the form of the Captain clearly being at the forefront of this trailer and presumably the film. The likeness to Winter Soldier isn't necessarily a negative comment either as I loved the look of that film and it looks to suit the very military/Avengers world in as suitable a manner as it did when S.H.I.E.L.D. was the main focus. That directors Joe and Anthony Russo are returning certainly explains a lot of the same aesthetic choices, but it also makes me excited to see what they'll be able to do with Infinity War Parts I and II. While, in the grand scheme of things, this may just prove to be a trial run compared to what they'll do in those films it looks as if the brothers, working from a script by Winter Soldier scribes Christopher Markus and Stephen McFeely, have crafted something just as epic as fans of both the comics and the MCU could hope. The portions that give us our first glimpse at Chadwick Boseman's Black Panther are some of the most exciting among the nearly two and half minute clip while the capper of Chris Evans' Steve Rogers and Sebastian Stan's Bucky Barns wailing on Robert Downey Jr.'s Iron Man only serves to escalate the anticipation. Also, it looks like Disney will again be pulling a Luke Skywalker and (hopefully) hiding Spider-Man from any marketing materials. Captain America: Civil War also stars Scarlett Johansson, Anthony Mackie, Paul Bettany, Jeremy Renner, Don Cheadle, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Frank Grillo, William Hurt, Daniel Brühl, Tom Holland and opens on May 6, 2016.
ANT-MAN Review
There was always going to be a cloud of doubt, suspicion, or sense of "what if" hanging over Ant-Man after director Edgar Wright exited the project. Wright (Shaun of the Dead, Hot Fuzz), an auteur in his own right, was the man who convinced Marvel that the pioneering Avenger was plausible on the big screen in the first place. Wright and screenwriter Joe Cornish (Attack the Block) completed the final draft of the script that serves as the basis for what will now forever play on DVD's and Blu-Rays. Wright was the one who cast the majority of the actors here. He was so close, in fact, to being at the helm of this project they had to delay the shooting schedule in order to find his replacement. All of this is to say that despite Edgar Wright not technically being the director of Ant-Man, one can still very much feel his fingerprints all over the film. That isn't to say this is an Edgar Wright film though, let that be clear, as I still believe Wright would have made a much different picture than what's been delivered. Given what we have though and that actual director Peyton Reed (Bring It On, Yes Man) came into the fold so late it would be wrong to not give the guy credit where credit it is due as he adds a competent and fun if not exactly enthralling piece to the Marvel cinematic puzzle. Along with this cloud of doubt there was always the question of how far was too far. Sure, Marvel pulled off Thor (a mythological Norse diety who wields an enchanted hammer) and they successfully made a talking raccoon and sentient tree cool with last years Guardians of the Galaxy, but was a shrinking man who communicates with ants just a little too much to ask for? Whether it be the way Wright originally wrote the story that weaved in the many advantages of being small with a large army behind you or the rather exceptional special effects that make these sequences and these capabilities more sophisticated, the film works. There is no doubt leading man Paul Rudd's humble turn is due much credit for this as well. Regardless, while Ant-Man may be minor when compared to his companions, this is a film that feels fresh and as much its own thing as we've seen from the earth-based MCU in a long time.
Full Trailer for Marvel's ANT-MAN
With Avengers: Age of Ultron just over the horizon and the hype building to a fever pitch with the marketing campaign in overdrive it is easy to forget that Marvel has another movie coming out this summer. Maybe this was done on purpose given the road to completion was a rocky one for Ant-Man, but if the new trailer is any indication the worlds smallest hero is ready to put up a fight for his space in the Marvel Cinematic Universe. In a strange bit of news that came out over the weekend with Avengers having it's main junket that included interviews with Marvel mastermind Kevin Feige; Ant-Man will not be the first film in Phase Three as suspected, but will apparently serve more as a culmination to Phase Two than Ultron. This is rather interesting given, up to this point, Ant-Man has felt like little more than an after-thought with questions surrounding if it will even be significant to the larger going-ons of the MCU, but Feige has confirmed that it very much does. While these connections were never going to determine the actual quality of the final product they would certainly assist in separating it from being significant or "just another comic book movie" in a summer saturated with these types of films. On the plus side, I look forward to seeing Paul Rudd in a leading action role and the balance of humor, action and most importantly: relevance seem to be in check in this second, full-length trailer making me, for the first time, pretty excited to see what's in store for us. Ant-Man stars Rudd in the titular role along with Evangeline Lilly, Corey Stoll, Bobby Cannavale, Michael Peña, Judy Greer, Tip “TI” Harris, David Dastmalchian, Wood Harris, Martin Donovan, Jordi Mollà , Michael Douglas and opens on July 17, 2015.
First Trailer for ANT-MAN
The road to completion has been a rocky one for Marvel's Ant-Man as it was originally brought to the table by director Edgar Wright as Iron Man and The Incredible Hulk were getting set to be unleashed upon the world. When those films became hits strong enough to spurn future origin stories so as to set-up The Avengers though, Ant-Man was sidelined despite being a founding member of the super-team in the comics. Wright worked with screenwriter Joe Cornish (Attack the Block) and even prepared a test reel, but as most of you know both Cornish and Wright were essentially wiped from the project when their minds didn't meet with Marvels vision. Actors had been cast and were no doubt caught in Marvel contract agreements, but most had been hired by Wright himself. In the wake of Wright's departure, would they stay? Would they even be able to leave? Much was up in the air until Marvel replaced Wright with director Peyton Reed (who ironically directed Yes Man) as well as bringing in Adam McKay to punch up the script with star Paul Rudd. Much of the cast remained in place (only Patrick Wilson, Matt Gerard and Kevin Weisman exited due to scheduling conflicts after filming was delayed) and production seemed to go smoothly starting in mid-August and wrapping earlier last month. While Wright certainly would have made a much different version of this film that I would've loved to see Reed has seemingly crafted something more in line with the universe the studio has created and, if nothing else, I look forward to seeing Rudd in a leading action role as well as how this will all tie in with the larger MCU. Ant-Man stars Rudd in the titular role along with Evangeline Lilly, Corey Stoll, Bobby Cannavale, Michael Peña, Judy Greer, Tip “TI” Harris, David Dastmalchian, Wood Harris, Martin Donovan, Jordi Mollà , Michael Douglas and opens on July 17, 2015.
ANCHORMAN: THE LEGEND CONTINUES Review
I understand that when compared to other genres that those falling into the comedy classification don't really compare no matter how funny or enjoyable they are, but because they are more exercises in pure entertainment than trying to convey raw emotion or serve a bigger purpose. They don't look to teach us anything or expand our minds necessarily and they rarely offer anything innovative when it comes to the world of filmmaking, no, all a comedy really wants to do is make us laugh and while it may seem more admirable to adapt a historical figures life for the screen or create real substance for a man with a cape I'd argue it is probably tougher to make people consistently laugh at the jokes you're spewing. Unfortunately, much of the time the end result proves that and so we don't often get comedies that we feel really connect with a majority of us because 1) humor is extremely subjective and 2) jokes aren't easy to write when you sit down and have to think about them. When looking at the Anchorman films and the group of people collaborating to put these together it becomes clear why they may have more of a pulse on the eclectic tastes of audiences and that is simply due to the spontaneity of it all. There is a freshness to it that doesn't feel forced, no pre-determined jokes that fall flat in execution, but instead just a few master improv artists hanging out, gathering around a central idea and then growing off of it until it reaches ridiculous and often hilarious heights. So, I understand that while most don't consider comedy one of the higher art forms and that films like Anchorman, much less its sequel, don't make critics top ten lists or are hailed as great films for how funny the absurdity of it all is, but the fact of the matter is that I laughed more at Anchorman 2: The Legend Continues than any other film this year and while that still may not be enough in many peoples eyes to verify it as a "film" rather than just your typical mainstream comedy, this is one of the few times in recent memory when upon going into a film with such high expectations that I came out and without any inhibition was able to say that it more than lived up to what I hoped it would be and in many instances, even surpassed it.Yes, in many ways this is better than The Legend of Ron Burgundy, but that is only because it is the continuation of a legend and as I'm sure Mr. Burgundy would attest, "How could it not be MORE legendary?"
PRINCE AVALANCHE Review
By
Vandy Price
Labels:
Emile Hirsch,
Paul Rudd
There are several factors Prince Avalanche inherently has going for it when it comes to my humble opinion. First off would be the fact that it offers the chance to see Paul Rudd, a comedian I could watch do pretty much anything, in a much smaller film and in a more restrained role with more to him than that of the everyman smart ass type he's fallen into over the past few years. Second would be that it is directed by David Gordon Green, a Little Rock native, and someone who has an eclectic resume to say the least. I mention Green's hometown only because we get very few directors who rise to prominence from my neck of the woods and so it is a real treat to see them doing so well and being received positively in the harsh environment of Hollywood filmmaking. What Prince Avalanche represents though is anything but the Hollywood system. This is a minor film with a big heart and one that doesn't attempt to solve the worlds problems, but instead simply asks its characters to figure out who they want to be and what they need to do at this point in their lives to make that happen. Green first became known for his smaller films such as George Washington and All the Real Girls, though the only one of his early efforts I've seen is Snow Angels, featuring a wonderful performance from Sam Rockwell and a turn from Kate Beckinsale that shows she truly can act. Snow Angels is a very serious film and so it came as a surprise when Green decided to follow it up by joining the Apatow production family and partnering with Seth Rogen and Evan Goldberg for Pineapple Express. While Express is a minor stoner comedy classic, Green tripped up on his next broad comedy outings with Your Highness and The Sitter. All of this is to say that Green has finally provided himself the opportunity to mesh both of the genres he's worked in before and in melding these two tones into a small, quirky film he has produced something that is not only oddly hilarious, but also something highly potent with characters that get inside your soul and make you smile.
New Trailer for ANCHORMAN: THE LEGEND CONTINUES
In what is my most anticipated film of the year (I realize how ridiculous that may sound to some of you, but Anchorman defined the comedy of my teen years) Ron Burgundy returns to the screen for the first time since 2004 and it couldn't be with more excitement that I welcome the news team back for another round. Every single collaboration between star Will Ferrell and writer/director Adam McKay might as well have been a home run. The first Anchorman film is beyond cult status now that the sequel is coming out, Talladega Nights has more quotable lines than anything else I've seen in the past seven years while Step Brothers was the "one for them" that also pleased everybody else and remains as hilarious now as it was the first time I saw it in 2008. Even The Other Guys is an under-appreciated gem that should really get more credit for Mark Wahlberg's comedy renaissance that Ted receives. Because of this track record I have nothing but faith in the Ferrell/McKay team and that they wouldn't risk tarnishing their legacy with anything less than spectacular when it came to making not only their first sequel, but the sequel to the film featuring their most beloved character. If this first trailer with all new footage is any indication we are in for more of the same humor with plenty of new faces and a new decade to riff on that will bring a fresh perspective to the comedy. Paul Rudd looks appropriately ridiculous with his facial hair as Brian Fantana and Steve Carell is already delivering lines as Brick that will be repeated countless times until something new comes along in future trailers or in the film itself. We don't get too much of Dave Koechner's Champ here, but we are given a glimpse of how cameo-filled this film is going to be with Ed Helms, Kristen Wiig, and James Marsden (who actually has a strong supporting role it seems) already popping up here. I am beyond excited for the film, but I am also optimistic about the results as the makers have given me no reason to doubt them. The stars seem to have aligned and hopefully this will deliver as much legacy to the legend as the first film came to do. The film also stars Christina Applegate, Dylan Baker, Meagan Good, Greg Kinnear, and Harrison Ford. Anchorman: The Legend Continues opens on December 20th.
THIS IS THE END Review
This is the End feels like the epitome of something I've been waiting a long time for. In reality it is slightly odd to think that this kind of product would ever be made and sold to general audiences, but luckily it seems the one almost guaranteed way for these actors who have now become staples of the American comedy scene to regain their place among the Hollywood elite and re-establish themselves as the kings of the comedy genre is to make fun of themselves and they do that to hilarious results here. Anyone who has ever been really into movies and has ever loved a certain comedic actor or group of actors knows what it's like to want to hang out with those kinds of guys and girls because you too feel like they would love to be your friend if not for anything else but because you share that same sense of humor they've branded. As creepy as that may come off or as much as they probably wouldn't care to be your friend at all we come to feel we know the actors in our comedies better than anyone else in the movies because they always relate closest to the kind of people around us, if not always intentionally. That may come off as slightly delusional to some, but to those who watch a good amount of movies, especially comedies, and to those that surround themselves with people that they find to be genuinely funny than I imagine it is as true for them as it is for me. All of that is to say that my anticipation and expectations for This is the End were pretty high. As one of the many apocalyptic comedies coming out this year I was also worried the film may not get the recognition I hoped it would so likely deserve, but first time directors Seth Rogen and his long time collaborator Evan Goldberg strike just the right chord between horror and comedy and lay claim to the fact they've had this in the works longer than anyone else. Thankfully, This is the End gives this brand of goofy subversive humor new life in the form of a sharp satire that invites us to experience the end of the world with who our minds have come to place as some of the most ridiculously funny people working today.
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