TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM Review

Teenage Mutant Ninja Turtles: Mutant Mayhem is something we, especially myself and my millennial brethren, have seen done multiple times before, but this time it’s possibly been done the best we've ever seen it. Having been born three years after the first TMNT comics were released and the same year the more brightly-colored animated series debuted the Teenage Mutant Ninja Turtles have been a part of my life my entire life and hold a special place in my own sewer of nostalgia. The nineties movies (yes, even the third one) are a cornerstone of my childhood and yet, Mutant Mayhem might just surpass them on the sheer charisma of the cast and genuine camaraderie of our heroes. Not that those live-action features didn't have well-defined characters with interesting arcs, but they couldn't help but to feel a little stiff whereas here things are as natural and effortless as could be if not more so given we're talking about "turtle mutant karate teens". 

Effortless is maybe the key word here as everything in this latest animated incarnation - from the music to the execution of the age-old ideas and of course the animation style itself - feels effortlessly cool and surprisingly fresh. Director Jeff Rowe (The Mitchells vs the Machines) seemingly utilizes every tool at his disposal to emphasize the unrefined quality of our heroes and push that mentality to the forefront of the film. The style of animation will undoubtedly be compared to the Spider-Verse films, but in all honesty they each convey a different energy as Mutant Mayhem’s “rough around the edges” approach simultaneously lends the tone a bit more of an edge while still maintaining a child-like wonder as the turtles long to be part of a world that fears them. We can see the sketch marks, the incomplete outlines, and not only this, but the way the city, the sewers, as well as the people and/or mutants are depicted is far more raw - almost ugly - in a way we haven’t seen before. It’s not that the film itself is revolutionary, but what does feel so is how unconventional and hip they've managed to make a piece of IP and furthermore, the coming-of-age story it’s telling. Like, another TMNT movie could have very well felt played out and tired, but instead this feels very much akin to a "cool kid club" you'll want to be in on. A real statement on how much execution truly elevates.

MAZE RUNNER: THE DEATH CURE Review

As it goes with these adaptations of popular dystopian YA franchises it is best to know from which perspective a particular review is coming and how passionate the (re)viewer is about the source material they have just witnessed adapted for the big screen. Warning: I have not read James Dashner's version of the "chosen one" narrative so, for me, The Maze Runner series sits somewhere comfortably in between the gold standard that is The Hunger Games and the deplorable Divergent series that couldn't even muster enough fandom for Lionsgate to follow all the way through on it (I guess the first one was fine). Maze Runner is nestled comfortably in between these two opposite ends of the spectrum though, because it is more or less a different take on the exact same story Divergent tried to pull, but done so in a much more enthusiastic manner (which is saying something as these Maze sequels have lacked the energy of that initial flick) as well as being much less convoluted with the main detractor being they have failed to create anywhere near the emotional investment on the part of the audience in these characters; sorry, Tommy, Teresa, and Brenda, but you are no Katniss, Peeta, and Gale. That said-there are A LOT of characters in these movies as tends to be the case in each of the examples cited thus far and by virtue of this requirement there is ample opportunity for solid talent to enlist themselves as part of a guaranteed series of jobs and to that point it is nice to see the likes of Barry Pepper, Giancarlo Esposito, Patricia Clarkson, Aidan Gillen, and Walton Goggins in supporting roles where they are hamming it up the best each of them can even if at least three of them are playing the same type of ringleader role. To this end and to the end that I'm thankful 20th Century Fox decided against splitting this finale into two movies Maze Runner: The Death Cure is a well-made and well-executed action thriller that is more or less comprised of the same sequence of events again and again until our gang of ragtag heroes reaches the last standing city and faces the bad guys down once and for all. That may be a bit harsh as there are shades of honor on both sides of the line that make things more complicated than one might expect from such a film and there is a clear theme of loyalty that screenwriter T.S. Nowlin and franchise director Wes Ball have never strayed from, but much like WCKD, the evil corporate enemy in these movies, The Death Cure delays the inevitable conclusion we all know is coming due to our genre conditioning just a little too long.

First Trailer for MAZE RUNNER: THE DEATH CURE

Man, I really need to see Maze Runner: Scorch Trials, but it's been so long since I missed it and have't heard much about the series since that the whole thing just kind of slipped from my radar. Still, I know that I purchased Scorch Trials because I was out of town at my first Toronto International Film Festival when the film came to theaters and was bummed I never caught back up with it before it was released on home video because I was genuinely surprised by how much I enjoyed the first one. And, of course, this third and final installment in the series was set to come out earlier (and by earlier, I mean February of this year), but was delayed due to production having been halted for over a year as a result of star Dylan O’Brien suffering severe injuries as a result of an on-set accident. Filming resumed nearly a year later, after O’Brien had thankfully recovered and was ready to complete the series. With the series finale of Teen Wolf happening last night, in which O'Brien also starred, I'm assuming that's why we're now getting our first look at this final film, but it seems director Wes Ball (who has been with the franchise since the beginning) and 20th Century Fox weren't completely ready for the launch as the first twenty seconds or so of this trailer are scenes from the first two films while the remainder of the trailer clocks in at less then fifty seconds. Still, what we get here looks to be pretty satisfying in terms of the scope and of the action and the intensity of the story. Granted, having still not seen the middle chapter I'm not sure as to where the characters heads are at or where the plot has since taken them since the reveal at the end of the first film, but this quick teaser makes me want to rectify that as I'm eager to see what the whole of this series will offer as Ball seems to have constructed a worthy finale for a series that has flown just enough under the radar to be a good and smart investment for Fox while maintaining its credibility as a fun YA action/adventure. Maze Runner: The Death Cure also stars Kaya Scodelario, Thomas Brodie-Sangster, Giancarlo Esposito, Walton Goggins, Aidan Gillan, Patricia Clarkson, Rosa Salazar, Nathalie Emmanuel, Will Poulter, Ki Hong Lee, Jacob Lofland, Barry Pepper and opens on January 26th, 2018.

MONEY MONSTER Review

We may all be created equal, but we are certainly not all born into the same circumstances. In order for our system to work the way it is designed to things must remain this way. People must continue to fail or slip through the cracks of said system so that we not only have opportunities for exceptionally driven individuals to thrive, but also for those who are unable to make it past being the breakfast manager at McDonald's. We are all created equal, but it's what we do with that equality and the opportunity this state of mind affords us no matter how many advantages or disadvantages we 're born into. It is in this idea of equality that Jodie Foster seems to find an in to this story cobbled together by three screenwriters that seemingly wants to be about something, but in the end is more a slight encapsulation of the time we're living in than a piece of art that reflects or examines the time that has spawned it. Money Monster is Foster's fourth directorial feature and undoubtedly her biggest film to date, but it is this bigger feel, this corporate mandated aesthetic and approach that hinders more than helps in whatever Foster's actual objective might be. And so, it begins by Foster and her team of screenwriters (including Jamie Linden, Alan DiFiore, and Jim Kouf) looking at how the little man might take on the privileged and exploring equality from that perspective, but as we come to learn more details about the situation and the plot becomes more clear in that it is going to blame the downfall that was the catalyst for the outrageous (but not unbelievable) actions of one of our main characters on a single bad guy who did a single bad thing instead of making this an amalgamation of bad choices and ethically wrong dealings there is a hint that it might become more about equality in the sense of taking responsibility for ourselves and our actions whatever they may be no matter where we fall in society's class system. Had Money Monster delved more into an idea Dominic West's character spouts near the end of the film and come to something of a less pleasant conclusion, but a more realistic one I imagine the film might have struck more of a nerve, but as it is and as it goes Money Monster is simply a neat little thriller that is consistently entertaining.

THE JUNGLE BOOK Review

What's the point? That's the question director Jon Favreau and the brass at Disney had to answer if they were going to justify the money and man hours required to bring the visually stunning "live action" version of Rudyard Kipling's The Jungle Book to the big screen some fifty years after the Disney animated version taught generations upon generations of children the bare necessities of life. What would be the point of retelling this story to the current generation in an updated form? What more could they bring to it that children might not elicit from that 1967 original? In short, would there be more of a point to it than simply showing off the technical wizardry of Weta Digital and their visual effects work? The funny thing is, we more than likely remember the 1967 version through nostalgia-filled eyes that cloud our judgment of the actual film. In going back and watching that film-the one I very much enjoyed as a child despite being born in the late eighties-it quickly became apparent there wasn't much substance to the story and that the film was more a collection of little scenes filled with different, but interesting animal personalities that featured catchy songs written by the Sherman brothers and very little more until Shere Khan showed up at the end to create some type of tension. And so, going into this latest version of Kipling's story that would pull from both that source material while being heavily inspired by the '67 film the biggest improvement they could make would be in the story department by crafting a narrative that held a driving force with serious forward momentum and a throughline plot that, at the very least, would add a little more significance and reason to seeing the film in the first place. With screenwriter Justin Marks (whose only prior feature credits include a Street Fighter film and a TV movie) though, we are brought the one thing I couldn't even have imagined to add and that was a cohesion to the thinly connected events of the original animated movie. Giving purpose and connection that take Mowgli (Neel Sethi) from point A to point B lends the film a real ambition making the stunning visuals only more of an achievement.

First Trailer for MONEY MONSTER Starring George Clooney & Julia Roberts

For years now Geroge Clooney has been attempting to reinvigorate the genre that has kind of graciously been labeled "movies for grown-ups" with the likes of Michael Clayton, Up in the Air, The American, The Ides of March, The Descendants, and even The Monuments Men. Sure, he's thrown in a few guarantees like Gravity and the what seemed to be a home run in Tomorrowland, but he largely likes to star in, produce, and direct films made explicitly for the more mature crowds. With the release of a new Hail, Caesar! trailer yesterday and the films February fifth release date looming it is no wonder we now have a trailer for Clooney's other offering this year. Re-teaming with Oceans Eleven co-star Julia Roberts (who's been doing her part for grown-up movies as well with last years average, but still underrated Secret in Their Eyes) the two have taken the leads in the latest directorial effort from Jodie Foster (yeah, this thing would have been huge in '96). The film follows Clooney's Lee Gates, a TV personality whose insider tips have made him the money guru of Wall Street. Things get tricky when Kyle (Jack O'Connell of Unbroken) holds Lee and his entire show hostage on air threatening to kill Lee if he does not get the stock up 24 and a half points before the bell. Naturally, Lee's ratings soar as the entire country tunes into the media frenzy while at the same time shedding light on a possible scandal involving the company in question. The story is timely, the performers are top notch, and Foster while coming off a rather shaky previous feature has done enough work in TV lately that having her at the helm inspires more confidence than doubt. Needless to say that while the trailer doesn't do much for me stylistically there is too much promise to not be excited. Money Monster also stars Giancarlo Esposito, Dominic West, Jack O'Connell, Caitriona Balfe, Greta Lee, Emily Meade, Chris Bauer, Condola Rashad, Olivia Luccardi, and opens on May 13, 2016.

Teaser Trailer for Disney's Live-Action THE JUNGLE BOOK

In catching up on news I missed while I was away at the Toronto International Film Festival I realized I hadn't yet posted about the first look at director Jon Favreau's live action remake of Disney's The Jungle Book. Despite this, I've now watched the trailer several times and *think* I'm more on board now than I was with my initial reaction. My initial reaction was that the CGI was overwhelming with thoughts longing for the "dark and gritty" take I remember Stephen Sommers film being for me at the age of seven in 1994. Of course, even though that was still a Disney produced film it fell more in line with Rudyard Kipling's original version whereas Favreau's iteration seems to be a straight-up adaptation of the the 1967 cartoon with the animals looking more real than cartoony despite still technically being cartoons. That said, the film looks beautiful as the CGI has clearly allowed the creative team to do things they would never be able to accomplish with real, trained animals and I'm interested to see what tone Favreau ultimately goes with tone-wise as much of this is fairly somber until the last clip makes sure to remind us this is still very much a Disney product. Favreau has also rounded up an impressive voice cast that includes Bill Murray as Baloo, Scarlett Johansson as Kaa, Idris Elba as Shere Khan, Ben Kingsley as Bagheera, Lupita Nyon’o as Raksha, Giancarlo Esposito as Akela, Christopher Walken as King Louie and introducing Neel Sethi as Mowgli. The Jungle Book opens in 3D on April 15, 2016.

First Trailer for MAZE RUNNER: THE SCORCH TRIALS

The race to find the next big young adult adaptation has been one of fierce competition and many failures that now seems all but tired and pretty much over. That said, last falls The Maze Runner turned out to be something of a nice distraction and a second-tier financial hit to the tune of $340 million worldwide on a $35m budget. This was more than anyone expected and now it stands as kind of the last game in town, which believe me, is a nice advantage. While we still have the last two screen adaptations of Veronica Roth's Allegiant to go through, I am now more excited to see where Thomas (Dylan O'Brien) and his friends wind up in this twisted world of betrayals, backstabbing's and lies than anything having to do with Tris and her one-dimensional friends. Many attempted to capitalize on the YA trend, but it seems the time has passed and the likes of The Maze Runner and its remaining film adaptations might be the last true examples of a trend that will inevitably rise again in due time, but for now-this is it. I haven't read the five-book series by James Dashner and likely won't given I'm already along for the ride, but I hope the movies are able to keep up with the solid momentum of the first. If this teaser trailer is any indication it looks as if director Wes Ball has a keen intention of doing just that as the pacing and ensuing adventure of the concluding bombshell the first film presented look to be on point here. This time around, Thomas and the surviving members of his maze face a new set of challenges on the open roads of a desolate landscape filled with unimaginable obstacles. The Maze Runner: Scorch Trials also stars Thomas Brodie-Sangster, Kaya Scodelario, Giancarlo Esposito, Ki Hong Lee, Rosa Salazar, Jacob Lofland and opens on September 18.