SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Lenny Venito. Show all posts
Showing posts with label Lenny Venito. Show all posts

MONEY MONSTER Review

We may all be created equal, but we are certainly not all born into the same circumstances. In order for our system to work the way it is designed to things must remain this way. People must continue to fail or slip through the cracks of said system so that we not only have opportunities for exceptionally driven individuals to thrive, but also for those who are unable to make it past being the breakfast manager at McDonald's. We are all created equal, but it's what we do with that equality and the opportunity this state of mind affords us no matter how many advantages or disadvantages we 're born into. It is in this idea of equality that Jodie Foster seems to find an in to this story cobbled together by three screenwriters that seemingly wants to be about something, but in the end is more a slight encapsulation of the time we're living in than a piece of art that reflects or examines the time that has spawned it. Money Monster is Foster's fourth directorial feature and undoubtedly her biggest film to date, but it is this bigger feel, this corporate mandated aesthetic and approach that hinders more than helps in whatever Foster's actual objective might be. And so, it begins by Foster and her team of screenwriters (including Jamie Linden, Alan DiFiore, and Jim Kouf) looking at how the little man might take on the privileged and exploring equality from that perspective, but as we come to learn more details about the situation and the plot becomes more clear in that it is going to blame the downfall that was the catalyst for the outrageous (but not unbelievable) actions of one of our main characters on a single bad guy who did a single bad thing instead of making this an amalgamation of bad choices and ethically wrong dealings there is a hint that it might become more about equality in the sense of taking responsibility for ourselves and our actions whatever they may be no matter where we fall in society's class system. Had Money Monster delved more into an idea Dominic West's character spouts near the end of the film and come to something of a less pleasant conclusion, but a more realistic one I imagine the film might have struck more of a nerve, but as it is and as it goes Money Monster is simply a neat little thriller that is consistently entertaining.