BEAUTY AND THE BEAST Review

When I was a little kid and would take in a particular Disney animated feature multiple times within a very short window I always wondered what it might be like to see such characters and such worlds come to life. Real life. I never thought it would happen after the live action versions of 101 Dalmatians and its money-grubbing sequel underwhelmed (at least they did in my adolescent mind), but then again I also desperately hoped that one day movie studios might wise-up and begin building a shared universe where my favorite super heroes interacted on the big screen as well. As I've grown up and become a parent myself it seems Disney has decided to make all of my dreams come true while also giving their most iconic of animated classics updates so that they might reach wider audiences and new generations-including my daughter's. Over the past seven years or so now we've seen an uptick in the number of live-action films based on classic Disney properties. Whether they be from the respective studio that originated the tale in popular culture or not it seems many have noticed this as a way to garner solid returns-despite the brand recognition formula not always working (I liked you, Tarzan, but you cost too much). Though Disney began this recent trend by attempting to re-work properties such as Alice in Wonderland and the Sleeping Beauty story in the form of the Angelina Jolie vehicle that is Maleficent, it has been the last two live action adaptations in Cinderella and The Jungle Book that have yielded the best results in terms of quality (with all doing rather well financially). The point being, when it comes to these re-imaginings the best bet for both pleasing audiences and critics alike seems to be sticking with the source material and simply adding flourishes where might be necessary. This is one of the highlights of this latest incarnation of Beauty and the Beast as more logic and depth are applied to the characters and their plights despite the film as a whole being little more than a pound for pound remake of the Oscar nominated 1991 animated version. One would be hard-pressed to even call what director Bill Condon (Dreamgirls) has made here an interpretation, but while there isn't anything in particular that separates the film apart as being great in its own regard, it pays honorable enough homage to this reviewer's childhood memories that it would be difficult to argue with the thrills and excitement it delivered in selling such a fantastical story come to life.

Full Trailer for BEAUTY AND THE BEAST Starring Emma Watson

After glimpsing the teaser trailer for Disney's live-action adaptation of one of if not their most celebrated animated films this past summer it wasn't hard to sense the amount of anticipation for this thing. It's going to be huge. If you thought The Jungle Book was big. Watch out. That said, just in time for the holidays the mouse house has finally released the full-length trailer for director Bill Condon's (Dreamgirls) Beauty and the Beast and based on what we see here I'm still fairly optimistic. Condon, despite his several serviceable credits, gives me caution as he has a few other credits that don't bode so well for this incarnation of the only animated movie to ever get a Best Picture nomination at the Oscars, but taking into consideration that Perks of Being a Wallflower writer/director Stephen Chbosky assisted in penning the screenplay (along with Evan Spiliotopoulos who seems to fit the bill of generic Hollywood writer) I have something of a renewed faith. This fact, coupled with the rather unbelievable cast that look and sound great from what we see here is enough to hope that Disney can pull off with Beauty and the Beast what they were able to do with Cinderella and the aforementioned Jungle Book. The visuals are especially stunning here as Watson looks pitch-perfect in both her physical and mental approach to the titular beauty that is Belle. While I still harbor some concern for the amount of CGI that it seems Condon and his team are relying on to bring the other half of the title as well as the remaining inhabitants of the castle to life I can only hope that there is still work to be done and that the representations of the talented casts' voice work will come through as effortlessly as Jon Favreau and his animators were able to make it feel in their Disney adaptation. These live-action remakes of animated classics are certainly turning into big business for the studio, but given we've essentially seen these movies before these new versions have to be both faithful while at the same time bring something new to the table. Based on what we see here one really can't see through the nostalgia of it all to know how good or bad Condon's version might turn out, but darn it if I'm not rooting for this thing to work and for these re-imaginings to keep on comin'. Beauty and the Beast also stars Dan Stevens, Kevin Kline, Luke Evans, Josh Gad, Emma Thompson, Stanley Tucci, Ian McKellen, Gugu Mbatha-Raw, and opens on March 17th, 2017.

RICKI AND THE FLASH Review

Meryl Streep's latest is something of an oddity. It is difficult to see the sixty-six year-old, Academy Award-winning actress as a lover of 60's and 70's rock and roll who never gave up her dream of joining that world. It isn't that Streep can't pull it off (please, what can't she do?), it's just a strange sight to behold and watch unfold. Decked out in gaudy jewelry from her ears to every finger and even more excessively around her neck, she is a nightmare for airport security. She swoops her thinning air to one side with the rest braided so as to elicit a steaming punk persona. She wears lots of black and a lot of leather and hates to go anywhere without her guitar. While the typically regal persona we see from Streep certainly doesn't correspond with what we see in Ricki there is something to be said for this unorganized, irresponsible and blatantly selfish person that chose one dream over another. Written by Diablo Cody (Juno, Young Adult) and directed by Jonathan Demme (The Silence of the Lambs, Philadelphia) Ricki and the Flash is more a movie about the state of the American family than it is one about a failed singer. The trailers would have you believe this is something of a slight piece of melodrama that would be just as (if not more) suitable for the Lifetime network than your local multiplex, but it's clear from the moment things get a little more intense concerning Ricki's daughter (Streep's real-life daughter, Mamie Gummer) that this isn't simply a familial drama with fun interludes of Streep singing classic rock. No, Ricki and the Flash is indeed a more subtle and intricate commentary on topics largely relatable to the casual audience member. Sure, you may could see the conventions that the film works within from a mile away, but the seasoned cast sells it and the inspired moments of writing in certain scenes combined with Demme's assured direction make for an enjoyable and rather affecting experience.

First Trailer for RICKI AND THE FLASH Starring Meryl Streep

I always enjoy when Meryl Streep has a late August offering that somehow doesn't fit into the overall scheme that she is actively trying to be nominated for an Oscar every year. After Mama Mia, Julie & Julia and Hope Springs (of which the latter two I really enjoyed) I was hoping we might get another one soon as it's been three years since her last excursion into somewhat lighter territory. While she enjoyed a fair amount of success both critically and commercially with Into the Woods last award season it seems she is going in a completely different direction this year as far as movies concerned with music go. In her latest, titled Ricki and the Flash, Streep plays a musician who gave up everything for her dream of rock-and-roll stardom only to return home years later, looking to make things right with her family. The interesting aspect of this film is the combination of talent it has driving it. Not only does it have Streep as the star, but it has Diablio Cody (Juno, Young Adult) penning the screenplay and Jonathan Demme (Silence of the Lambs, Philadelphia) behind the camera. Demme hasn't really directed an out and out commercial feature like this since (maybe) 2008's Rachel Getting Married and so, even if this first trailer looks a little hokey and manipulative, I am interested in seeing what these three talents pull together. The other interesting aspect for me was that Streep's character and her band (the Flash) aren't singing original songs written for the film, but rather past hits by Bruce Springstein, Tom Petty and Lady Gaga among those also featured in the trailer. Will this be an alternate universe where those songs belong to Ricki or did she get famous by simply being a cover band? I guess we'll find out August 7th when Ricki and the Flash opens. The film also stars Kevin Kline, Rick Springfield and Streep's real-life daughter Mamie Gummer.

LAST VEGAS Review

Sometimes I have to ask myself what makes some of the more prestigious films that have already begun the awards season onslaught that much better than the mainstream fluff that comes out the rest of the year and have just as much potential to deliver satisfactory film-going experiences, if not more enjoyable ones. These Oscar-bait films that studios reserve for the final two months of the year yearn to be important, thought-provoking, and of course have a level of class to them that lesser, studio fare made more for profit than art could even imagine. Still, there is a comfort food feeling that comes along with much of the big studio fare that comes out around the holiday season and older audience members, families, and unknowing theater-goers are looking for just that kind of thing; something to be entertained by for an hour and a half, a quick escape from the real world that might offer fun conversation later or something that may allow them common ground or a nice suggestion. Last Vegas no doubt looks to fill that type of quota this fall as it has every single aspect these types of general audience members are looking for. First and foremost it has the star power, employing four highly recognized and well-respected actors that together will have no problem bringing in a wide range of people and second it is playing off the well-received first (if not now played out by its two sequels) Hangover film, but with the older generation so that we can lean on the crutch of laughing at senior citizens doing inappropriate things while any extra comedy might come purely from the chemistry between the four leads. This is essentially Red, but for comedy rather than action flicks and to a degree that is fine because ultimately this is pretty harmless, fun stuff and that both were able to nab Morgan Freeman has to mean there is at least something worth taking a look at here even if the results are more minor than substantial.