THE FANTASTIC FOUR: FIRST STEPS Review

Kevin Feige and Co. Begin a New Phase of The Marvel Cinematic Universe with Their First Family in One of the Better Origin Stories the Studio has Produced.

SUPERMAN Review

James Gunn Begins his DC Universe by Reminding Audiences Why the *Character* of Superman Matters as Much as the Superman character in Today’s Divided Climate.

JURASSIC WORLD: REBIRTH Review

Director Gareth Edwards and Screenwriter David Koepp know Story, Scale, and Monsters Enough to Deliver all the Dumb Fun Fans of this Franchise Expect in a Reboot.

F1: THE MOVIE Review

Formulaic Story and Characters Done in Thrilling Fashion Deliver a Familiar yet Satisfying Experience that will Inevitably Serve as Comfort Down the Road.

MISSION: IMPOSSIBLE - THE FINAL RECKONING Review

Director Christopher McQuarrie Completes Tom Cruise's Career-Defining Franchise with a Victory Lap of a Movie more Symbolically Satisfying than Conqueringly Definitive.

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HERETIC Review

I remember reading an interview with David Fincher when he was doing press for Gone Girl where, in talking about adapting the book, he stated, "You have to choose which aspect you want to make a movie from." The idea that adapting didn't simply mean to alter the material so that it fit a new medium but adjusting, modifying even - so that said material was not only suited to this new medium but complimentary of it, stuck with me. Heretic was not adapted from a book and doesn't *really* take Fincher's advice when it comes to picking a single aspect from the topic it's covering to focus on. In fact, Heretic operates more in the "go big or go home" line of thought as it attempts to be a mind game, a mind fuck, as well as a critical reading of organized religions that ring “as hollow and as capitalistic” as board games like Monopoly with all its "zany spinoffs".

I bring up this Fincher quote because it helped me narrow my thoughts in response to Heretic for, despite the sprawling breadth of the subject matter and epic monologue deliveries via a charming-as-ever Hugh Grant, what I really zeroed in on was this idea of "iterations" and how the film presents this idea that these amalgamations of fantastical stories meant to serve as moral channels have ultimately presented us diluted and obscured worldviews. Views that people have died in the name of, views that have created rifts between entire civilizations and have fostered countless forms of violence throughout history despite being perceived as a major contributor to a peaceful society. That isn't to say this is any single religion's fault - people will find anything to argue about - but that it has become the basis for such negative repercussions says a lot about how organized religions have imported their ideas to their followers and how that shapes how those followers then choose to experience the world.