LILO & STITCH Review

Disney's Latest Live-Action Remake Doesn't Bolster the Trend's Reputation, but it Delivers Enough Genuine Heart and Laughs to Appeal to a New Generation.

MISSION: IMPOSSIBLE - THE FINAL RECKONING Review

Director Christopher McQuarrie Completes Tom Cruise's Career-Defining Franchise with a Victory Lap of a Movie more Symbolically Satisfying than Conqueringly Definitive.

FINAL DESTINATION: BLOODLINES Review

Co-Directors Zach Lipovsky and Adam B. Stein Revitalize this Twenty-Five Year-Old Franchise with a Fun and Fresh New Entry in the Series.

THUNDERBOLTS* Review

This Latest MCU Entry Seeks to Carve a New Path Forward by Attacking the Anxieties of its Heroes and Fans. Thankfully, this is a Strong Step in the Right Direction.

SINNERS Review

Ryan Coogler Crafts an Intimate Epic in this Horrific Tale that is Equally Eager to Feast on its Themes as its Characters are to Feast on the Flesh of Others.

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HERETIC Review

I remember reading an interview with David Fincher when he was doing press for Gone Girl where, in talking about adapting the book, he stated, "You have to choose which aspect you want to make a movie from." The idea that adapting didn't simply mean to alter the material so that it fit a new medium but adjusting, modifying even - so that said material was not only suited to this new medium but complimentary of it, stuck with me. Heretic was not adapted from a book and doesn't *really* take Fincher's advice when it comes to picking a single aspect from the topic it's covering to focus on. In fact, Heretic operates more in the "go big or go home" line of thought as it attempts to be a mind game, a mind fuck, as well as a critical reading of organized religions that ring “as hollow and as capitalistic” as board games like Monopoly with all its "zany spinoffs".

I bring up this Fincher quote because it helped me narrow my thoughts in response to Heretic for, despite the sprawling breadth of the subject matter and epic monologue deliveries via a charming-as-ever Hugh Grant, what I really zeroed in on was this idea of "iterations" and how the film presents this idea that these amalgamations of fantastical stories meant to serve as moral channels have ultimately presented us diluted and obscured worldviews. Views that people have died in the name of, views that have created rifts between entire civilizations and have fostered countless forms of violence throughout history despite being perceived as a major contributor to a peaceful society. That isn't to say this is any single religion's fault - people will find anything to argue about - but that it has become the basis for such negative repercussions says a lot about how organized religions have imported their ideas to their followers and how that shapes how those followers then choose to experience the world.