ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

THE CONJURING: LAST RITES Review

Patrick Wilson and Vera Farmiga Return for One Final Paranormal Case as Ed and Lorraine Warren yet this Finale is Unfortunately more Dull than Devilish.

HIM Review

Jordan Peele's Latest Investment is Nothing More than a Collection of Metaphorical Imagery too Ornate to be Ignored yet Too Shallow to Explore its Full Implications.

THE LONG WALK Review

Director Francis Lawrence works from Stephen King Source Material to Craft an Intense Road Trip Film Unlike Any Other with Two Stand-Out Lead Performances.

A BIG BOLD BEAUTIFUL JOURNEY Review

Colin Farrell and Margot Robbie Star as Blank Canvases with Nothing to Lose and No Real Personality in this Dramedy from Kogonada that Romanticizes Romance.

852/

AFTER THE HUNT Review

Luca Guadagnino has always seemed more interested in instigating than he has entertaining, whether that be via sexuality, cannibalism, or even peaches - the filmmaker is intentional about forcing audiences to not only engage with his work but consider it, question it, and debate it. After the Hunt might be his most pointedly provocative project thus far as it is a movie expressly made for the purposes of the conversations that will come afterward. The fact I'm spending enough time thinking about this movie to write a review aside, I’ve never felt so passionately about something that I would choose to die on any specific hill (spare me your own opinions). I say this (probably optimistically) because I like to imagine people come to their conclusions and form their points of view based on insight or experience that would garner them valid reason for feeling the way they do, so while it is easy to say I understand where everyone in After the Hunt is coming from the film more or less forces the viewer to pick a side, to draw their own conclusions and in light of the conclusions one draws, question what those positions say about you as a person. 

As the common enemy of the evolution revolution - a cis, straight, white male - I found this film to almost be designed as something of a trap for those who fall into any of the above categories and/or relate to or simply like Michael Stuhlbarg's character the most. Guadagnino and screenwriter Nora Garrett are fans of nuance, sure, giving multiple facets to everyone included in this elitist, privileged club but more importantly, relaying reason to simultaneously believe and doubt each person involved for different reasons. The core question of what did or did not happen and whether a line was crossed or if there were several comes in second to Garrett's thesis though, which she shares with Ayo Edebiri's character, this regarding virtue ethics. The majority of those in positions of such privilege and power who purport to hold the moral high ground only do so for the appearance of being virtuous and not because their actions would remain the same regardless of the circumstances; a truth that holds strong no matter how much one might pad it with philosophical babble.