SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/

Full-Length Trailer For THE LONE RANGER

Summer 2013 is starting to look all the more interesting as we've had several trailers coming out over the past few days. We've already seen a glimpse of Armie Hammer and Johnny Depp as The Lone Ranger and Tonto in a teaser back in early October but now we get our first full, fleshed out look at what is sure to be one of the more interesting stories of summer '13. The film has already encountered many problems in getting to the screen, but now that the dust has settled all that is left to discover is how good the quality of the film will be and if any of the budget concerns or production woes will ultimately affect the quality. I have not jumped off the Depp train yet, though I believe he needs to steer clear of any more Jack Sparrow roles. I know the guy is good at what he does and the collaboration between he and director Gore Verbinski in 2011 made my top 10 list of the year, so needless to say I have high hopes for this one. With Verbinski at the helm Depp has created Jack Sparrow and Rango; I only hope that magic continues with Tonto. Still, the sidekick is not the focus here and as this trailer proves Armie Hammer seems to be handling leading man duties just fine. The film looks gorgeous and besides Hammer and Depp contains an all star cast that includes Tom Wilkinson, Barry Pepper, and Helena Bonham Carter. The Lone Ranger is set to open July 3, 2013. Hi-yo, Silver!

On DVD & Blu-Ray: December 11, 2012


First Trailer For M. Night Shyamalan’s AFTER EARTH

Everything about this production would seem to hint at it being another solid hit and another solid entry in the Will Smith sci-fi canon. As with Pursuit of Happyness Smith co-stars with his son Jaden in After Earth. The story sounds engaging enough, but after yesterdays premiere of Oblivion it is hard not to compare the two. Too bad visually the Tom Cruise vehicle looks worlds ahead of this over reliance (hopefully unfinished) on CGI and the Fresh Prince doing something different with his performance. I am a huge fan of Smith and because of that I will stand watching his son again, but am concerned because Jaden seems to have much more screen time than his father and two because it is directed by M. Night Shyamalan. They give no credit to the director in the trailer which is noteworthy as the filmmaker has not had a hit since 2002. I am hesitant to get too excited over the film for this reason alone. Still, there is reason to be optimistic as Shyamalan did not pen the script for this film as he usually does but instead After Earth has been put together by Stephen Gaghan (Traffic, Syriana) and Gary Whitta (The Book Of Eli). With this bit of hope along with the charisma of Smith I can only hope this turns out to be more I am Legend than Men In Black II. After Earth is set to hit theaters June 7, 2013.

International Trailer for OBLIVION

We thought we might have to wait until Sunday for the revealing of the Oblivion trailer, but it looks as if an international trailer has hit the web already. Directed by Tron: Legacy helmer Joseph Kosinski and starring Tom Cruise, Morgan Freeman, Zoe Bell, and Melissa Leo the first look at the futuristic sci-fi film is certainly nothing short of gorgeous. Though it follows the well worn pattern of engaging its audience with a perception of the future and then wrapping its main plot devices in mystery I am still hooked. The plot sounds interesting though I'm hoping it doesn't pale in comparison to the wonderful visual style they have designed for the film. It also seems a little lazy they have decided to go with the name Jack for our main character. This is the second "Jack" Cruise will be playing in a row. I have high hopes for his Jack Reacher in a few weeks, but am much more excited to see how this one turns out. Universal has Oblivion scheduled for an April 19, 2013 release but it will hit IMAX theaters exclusively the week before on April 12.

HOLY MOTORS Review

I'm not sure what to think. I've given it a few days and I've not tried to force myself to think about it, but I can't help but go back to Holy Motors and try to figure out exactly what the hell I watched. Opening with a crowded theater watching a film we soon see a man who turns out to be the director himself Leos Carax as he breaks through a wall covered in wallpaper painted with bare trees. Breaking through he wanders into the balcony of the theater while we hear audio that is either from the film playing onscreen or is simply meant to elicit a memory from the individual audience member. We never see the screen, thus we are unaware that if what comes next is what this specific audience is watching or something else. The film, after only a few minutes in cuts to a large, secluded house as a man we come to know as Monsieur Oscar (Denis Lavant) exits the elaborate estate and enters a limo driven by Celine (Edith Scob). These are essentially the only characters we see consistently in the film and from this point on we are challenged to understand the meaning, if there is any, of Holy Motors. As Oscar goes from appointment to appointment changing his appearance, his attitude, his way of life it only becomes more vague as to what Carax is trying to say. I understand the actions, I believe I grasp the premise, but why? The why of this whole thing is what I am unsure of and two days after watching the film am still unable to come up with any answers for. It would be a lie to say the film isn't fascinating for it is relentless in it's attempts to engage, but it provides no answers to the point I found it hard to care about the questions it raises.