HER Review

For the first hour of Her I couldn't decide what I was watching; I couldn't figure it out, I couldn't follow the hype. I understood the acuteness under which director Spike Jonze (Being John Malkovich, Where the Wild Things Are) was operating and I could see why it was easy for the hipster crowd to so easily jump on board with the flick because our main character, Theodore Twombly (Joaquin Phoenix), seemed to very much be a hipster himself jumping on the latest technology and style trends with his belly button-high pants. What was perplexing me though was the way in which the film has seemed to entrance everyone else and not just those hoping to be in touch with their own spectacled intellectual, but those who aren't desperate contrarians or what you would necessarily call progressive and seem to have a balanced understanding of the value in both large and small scale filmmaking. The strange thing here is that despite Her having the ideals and philosophies of a small, independent film it looks magnificent, as if it were operating with a fairly large special effects budget. The ethereal atmosphere in which these characters exist, though obviously in the not too distant future, actually feels like a plausible place that we as a society might reach. I drank the Hoyte Van Hoytema cinematography in with wonder and the China serving as Los Angeles locations only re-enforced the color scheme and scope with which Jonze was able to convey the mood and minuteness of our main character. We take Theodore as a surrogate of Jonze as it is evident from the opening speech in which Theodore shuffles through his thoughts on what it must be like to share your life with the same person for half a century and that we are not only getting a love story, but an examination of love as an emotion and how it transcends everything else in our existence to ultimately become every persons main point of focus and fulfillment. If we don't have loved ones what have we done to make this life worthwhile? If we don't have people who care about us, what will allow us to live on after we're gone? Questions we've no doubt asked ourselves plenty of times before, but Her looks to take them, throw in a little social commentary, and inevitably come to an epiphany not about the technology at the center of the film, but the emotion that continues to define the satisfaction of our being.

AUGUST: OSAGE COUNTY Review

August: Osage County bring us into the dynamics of the dysfunctional Weston family as well as the countless issues, secrets, lies, and attitudes that constantly butt heads and leave everyone in a state of disarray and disappointment. There is much to be marveled at here as the cast is expansive and the acting is the real draw, but beyond the performances and familiar names this was first a stage play written by Tracy Letts (who also wrote Killer Joe which should give good indication as to how much bite this has) that no doubt won a Tony and the Pulitzer Prize due to its strong narrative and sharp dialogue. It is one of those films made for a very specific set of minds who find things such as this to be both entertaining and insightful. I find the psychology of what it means to each person to lead a successful life fascinating and to see a family, a group of familiar but distant characters, come together over a tragedy and let the flood gates open when it comes to expressing each of their issues with one another (and not in a calm fashion, mind you) to be something of a real treat. That said, this isn't the film the trailers have somewhat attempted to make it out to be. There is some feel-good music, but it is more for storytelling purposes than that of creating a certain tone. There are comedic moments, some that we readily identify with, but overall this is a very dark picture that delves into the issues each family member literally and figuratively brings to the table. There is so much characterization, so much to be learned from the small visual and vocal indications each of the characters give one another yet the film never feels overstuffed or bloated. Director John Wells (The Company Men) coaxes the tangled web of plotlines nicely as Letts adapted his own play for the screen and no doubt worked closely with the director to better translate his story for the more personal format of film rather than the open, less claustrophobic setting of a stage play. In the end, August: Osage County may have one too many twists to render it as credible as it would like to be, but after really thinking about it I couldn't help but feel even this was more the presentation of these facts rather than the fact they actually happened. We are talking about full lifetimes here and all the mistakes and events that come with that. It is an intense look at putting perspective on things and one that flourishes due to those bringing it to life.

LONE SURVIVOR Review

In the midst of Hollywood's 2007 politically-charged, post 9/11 war on terror rally to get certain points of views into mainstream entertainment director Peter Berg produced a little seen gem called The Kingdom that starred Jamie Foxx, Jennifer Garner, Jason Bateman and Chris Cooper. There were plenty other a strong supporting player here, but despite it all the film failed to connect. That could be blamed as much on the saturation of of the market as it could the films own shortcomings. Prepping ourselves for this along with In the Valley of Elah, Rendition and Lions for Lambs there simply wasn't much of a chance for this well-made, but familiar feeling film dropped on us in the dog days of late September. I bring this up because despite The Kingdom not leaving much of an impression on audiences I actually wound up seeing the film a few times and the final scene in which Berg contrasted the feelings of hate and anger from the U.S. towards the Middle East and vice versa, while a simple statement, was also a strong and powerful one that immediately resonated with me as a viewer; it allowed for all the complexity of war and the purpose of the meanings behind words like honor and courage to be stripped down to not so much their definitions, but the intention behind them. It showed, in that brief moment, that we all have similar ideals and end games, but are naturally coming at them from different perspectives. It is fine to have different perspectives or opinions on things, that is what makes the world and the human race consistently interesting, but to allow those different points of view to culminate in a fight to the death or to use violence to re-enforce these points will bring both sides nothing but pain, eventually overshadowing any victory we might feel we've come away with. There is a difference between compromising, coming to an agreed upon solution and beating someone into submission, but somewhere along the lines of history we found war to be the most effective tool of persuasion and today, that tradition continues stronger than ever. I say all of this to say that while Berg's latest effort, Lone Survivor, is also a simple story he is able to say much more with the film and the implications of the events it documents that we come away with much more than an adrenaline rush of action or misplaced pride, but a real understanding for the value of life and that it is not worth throwing away for inconsequential details.

On DVD & Blu-Ray: January 7, 2014

PARANORMAL ACTIVITY: THE MARKED ONES Review

While the Paranormal Activity franchise has yet to reach the point where it is something more scoffed at than taken with anticipation it somehow doesn't feel like that point is too far away. This October will mark five years since the first time we met Katie and Micah and all the strange, demonic events that started happening to them and while each subsequent film that has pushed the limitations of people filming every important piece of their lives to the brink of implausibility, there is something to be said for the scope of what has developed here with having such humble beginnings. While the fifth film in the series was meant to be released this past fall it was instead pushed back to 2014 and so now, as these films bookend the year for us we are sure to feel both caught up and virtually still in the cold as to what is actually going on with this coven of witches that Katie and her sister Kristi became entangled in at a very young age (as the third film tells us). While each film has given us another piece to the bigger picture what comes to be more obvious with this off-shoot of the series is that they need to begin giving the audience more otherwise people are going to stop putting in their time and money to see these micro-budgeted movies that are dispersed consistently, but feature very little progression in narrative development. What makes The Marked Ones a worthwhile trip to the movies is that it delivers both more scares and more actual background information than any of the previous installments. The new characters introduced here serve as more of an explanation as to "how" everything that has been hinted at in the main canon films has developed as opposed to "why" this all seemingly began with Katie and Kristi and why it has all spiraled out of control since then. I generally like the Paranormal franchise despite the fact I'm never excited to actually sit down and watch one, but once I do I'm usually sucked into the intriguing if not normal people subject to the scares and moreover how this piece will fit into the overarching story that is being told. It would seem obvious from the marketing that The Marked Ones is not essential viewing, but if you're a fan of the series it at least opens many more doors to be explored and is worth catching if you intend on seeing numero cinco this Halloween.