As with most animated films, Abominable is about a girl who is looking for a purpose. Someone trying to fill a void left by a departed parent, but what is different about writer/director Jill Culton's (Open Season) film is that it doesn't deal as much with this emotional process through the mind of a child as it does that of an older teen/early adult; an individual mature enough to more fully comprehend the ramifications of such a life event than a character like...Nemo. This isn't to say that automatically makes Abominable more interesting or better than that Pixar classic or any of the many Disney animated films that open with or include the death of a parent. What it is implying is the fact the journey we go on in this latest DreamWorks fable while still familiar, hits the recognizable beats with something of a different perspective.
It is for this reason that I almost wish the film hadn't resorted to leaning so heavily on the (somewhat unexpected) magical element as contributed by the yeti referenced in the title, but it is this friendship between the mystical creature, Everest, and our protagonist, Yi (Chloe Bennet), that ultimately lends real soul to the proceedings and keeps the movie from becoming a kitschy fantastical tale solely for the kiddos. These magical elements also make for some wonderfully creative imagery that will sweep one up in the themes of perseverance, dealing with loss and the importance of friendship even if such routine topics don't initially strike one as engaging.
Great supporting characters such as Peng (Albert Tsai) make for great comic relief and therefore some memorable moments while Eddie Izzard's Burnish, the purported antagonist, is oddly hysterical and childish in frequently hilarious ways even if the movie lets us know too early exactly what it's going to do with the character.
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Albert Tsai?
ReplyDeleteOra, quando si scrive la sceneggiatura di qualsiasi https://casacinema.fyi film, ha senso, leggere sempre la sceneggiatura...
ReplyDeleteGrreat post thankyou
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