Director Michael Bay is not someone you would call subtle. As the director of films like
Armageddon, Pearl Harbor, Bad Boys I &
II, and the
Transformer series it is clear to see the guy doesn't mind indulging just a smidge. Typically the guy gets a pretty bad rap for crafting films of spectacle with very little substance, of putting forth his uber-machismo attitude that displays the women in his films as little more than figures of sexuality, and for generally allowing his movies to get away from him as the action (and more specifically the explosions) take over. That said,
13 Hours: The Revenge of the Dark of the Moon is very much a Michael Bay film. Of course, it is a film that Bay has been wanting to make for some time now and that desire, that passion clearly shines through. One could add to the list of Bay's tendencies his penchant for idolizing the American flag and the country it represents. When it comes to America or at least the American military, Bay seems to believe in absolutes and by absolutes I mean the guys on the ground, the soldiers, the people doing the dirty work are the kind of people we should all aspire to be. And maybe that's true, maybe the way Bay has depicted the six men who didn't have to do what they did on September 11, 2012, but chose to risk their lives to save other American lives is completely accurate. I have no qualms with how these heroes are represented as
13 Hours doesn't look to get political, but simply aspires to tell the story of the type of man it takes under such circumstances to make shit happen. My qualms with the film come when these men have little to no substance to them, when they are more or less interchangeable, and when the attempts at adding some weight or personal insight to the situation are so blatantly obvious it takes you out of the movie. Still, those who go into
13 Hours knowing what they want and what they're getting will undoubtedly describe this as nothing short of awesome and the type of pro-American film liberal Hollywood doesn't make enough of. Instead of being pro anything though, I like to imagine most filmmakers simply try to lend each story they tell a sense of well-rounded perspective, but with Bay there is no inhibition about the actions of these men and to even question as much is a fallacy. And so,
13 Hours is the culmination of everything Bay has ever wanted to put to screen and while it's certainly an entertaining action flick it still doesn't connect in the affecting way his over-powered soundtrack suggests he wants it to.
