THE FANTASTIC FOUR: FIRST STEPS Review

Kevin Feige and Co. Begin a New Phase of The Marvel Cinematic Universe with Their First Family in One of the Better Origin Stories the Studio has Produced.

SUPERMAN Review

James Gunn Begins his DC Universe by Reminding Audiences Why the *Character* of Superman Matters as Much as the Superman character in Today’s Divided Climate.

JURASSIC WORLD: REBIRTH Review

Director Gareth Edwards and Screenwriter David Koepp know Story, Scale, and Monsters Enough to Deliver all the Dumb Fun Fans of this Franchise Expect in a Reboot.

F1: THE MOVIE Review

Formulaic Story and Characters Done in Thrilling Fashion Deliver a Familiar yet Satisfying Experience that will Inevitably Serve as Comfort Down the Road.

MISSION: IMPOSSIBLE - THE FINAL RECKONING Review

Director Christopher McQuarrie Completes Tom Cruise's Career-Defining Franchise with a Victory Lap of a Movie more Symbolically Satisfying than Conqueringly Definitive.

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Showing posts with label Alison Steadman. Show all posts
Showing posts with label Alison Steadman. Show all posts

BETTER MAN Review

With better musical numbers - at least as far as how they’re conveyed in the format of film - than Wicked and a more innovative take on the musical biopic certainly than anything that has been released since Bohemian Rhapsody became a four-time Oscar winner, Better Man transcends its multiple genres and demolishes expectations via a number of choices, perspectives, and ideas. Chief among these being that the main character, British pop star Robbie Williams, is rendered as a chimpanzee for the entirety of the film. Whether this is due to the fact he felt “less evolved” than those around him, that he felt treated like a circus act during his "Take That" days, or simply that he became something of an animal once fame afforded him the space to be, the central gimmick is more admirable in a distracting fashion than it is an influential one, but it doesn't not work and that was the risk in taking such a swing.

The facet that actually separates Better Man from the current crop of musical biopics is the fact Williams himself couldn't give less of a shit about PR. That is to say, the man has no issue showing you his scars or telling you how he feels about those that surrounded him. Getting this kind of unfiltered access and perspective feels more and more rare these days when the majority of musical documentaries are more or less controlled and therefore extremely filtered pieces of marketing material for their subjects. Luckily, a puff piece is not what neither Williams nor director Michael Gracey were interested in. As these things always go, it begins with wanting to make a father proud because of the lack of attention said father paid to their child while still on their own quest for fame and fortune. This neglect enables the kind of imposter syndrome Williams suffers from throughout the film and likely still to this day even with all of the awards and accomplishments, propping up the drive that has ultimately placed him in a position to command his own musical biopic despite what some might consider proper talent.