SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Amanda Brugel. Show all posts
Showing posts with label Amanda Brugel. Show all posts

ROOM Review

Note: This is a reprint of my review for Room, which originally ran on September 15, 2015 after seeing it at the Toronto Film Festival. I am publishing it again today as it hits theaters this weekend.

Alice in Wonderland has been used as inspiration for what are surely an innumerable number of stories. The idea of getting lost down a rabbit hole or your life not going the way you'd imagined it when you were a child is universal. The metaphors and analogies to be made are no doubt endless with any aspect of any single person's life, but Room is a certain kind of Alice story as you can feel the loss of our protagonist both physically and psychologically. Loss is a key word, a key theme if you will given the circumstances of the situation presented in the film, but if you don't know that situation going in you're all the better for it. All that is necessary to know is that Brie Larson plays Joy Newsome, a woman who has seemingly been trapped in a single room shack for an ungodly amount of time while having raised her five year old son, Jack (Jacob Tremblay), in this confinement for the entirety of his life. There is only a single door in their room and it is protected by a locking system that only a mysterious visitor (Sean Bridgers) knows the code to. This stranger, referred to as "Old Nick", brings Joy and Jack food once a week, but like the majority of the supporting characters in any Alice story, he is cruel towards our heroine. Knowing little more than this myself before walking in, Room operates as a tense and unnerving thriller for it's first half before becoming an intense psychological trip in it's second. Both are equally engaging as is the film as a whole.

TIFF 2015: ROOM Review

Alice in Wonderland has been used as inspiration for what are surely an innumerable number of stories. The idea of getting lost down a rabbit hole or your life not going the way you'd imagined it when you were a child is universal. The metaphors and analogies to be made are no doubt endless with any aspect of any single person's life, but Room is a certain kind of Alice story as you can feel the loss of our protagonist both physically and psychologically. Loss is a key word, a key theme if you will given the circumstances of the situation presented in the film, but if you don't know that situation going in you're all the better for it. All that is necessary to know is that Brie Larson plays Joy Newsome, a woman who has seemingly been trapped in a single room shack for an ungodly amount of time while having raised her five year old son, Jack (Jacob Tremblay), in this confinement for the entirety of his life. There is only a single door in their room and it is protected by a locking system that only a mysterious visitor (Sean Bridgers) knows the code to. This stranger, referred to as "Old Nick", brings Joy and Jack food once a week, but like the majority of the supporting characters in any Alice story, he is cruel towards our heroine. Knowing little more than this myself before walking in, Room operates as a tense and unnerving thriller for it's first half before becoming an intense psychological trip in it's second. Both are equally engaging as is the film as a whole.