WICKED: FOR GOOD Review

With a More Interesting Narrative Perspective and Higher Stakes, Jon M. Chu's Follow-Up is a Meaningful and Compelling Conclusion to the Saga of the Wicked Witch.

RUNNING MAN Review

Despite Glen Powell's Star Power this is Director Edgar Wright's Least Distinctive Effort to Date as it's Never as Biting or Specific as His Riffs on Other Genres.

PREDATOR: BADLANDS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

AFTER THE HUNT Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Angela Sarafyan. Show all posts
Showing posts with label Angela Sarafyan. Show all posts

THE IMMIGRANT Review

The Immigrant is one of those films that is completely mediocre in terms of how it makes you feel when it's over and the impression it leaves on you, but is dressed up so fancy in period decoration and costume as well as high-caliber talent that it would like you to gloss over the fact it's completely average in favor of the hat trick it was able to pull in making you think it might actually be something exceptional. There is no reason to think it wouldn't be anything of the sort as it sports a leading Joaquin Phoenix performance, something you only seem to get these days if you have something specifically special for the actor, yet here Phoenix seems to be trying to make something out of nothing for the most part and is more than likely doing this as a favor for frequent collaborator James Gray (We Own the Night, Two Lovers) while the rest of the cast that makes up the leading trio is either hardly given anything to do (Jeremy Renner, also trying hard and only coming off more successful because his character is more pleasant) or is Marion Cotillard who typically signals truly sophisticated cinema, but here turns out to be nothing more than a one-note performer that we're agitated by and therefore unable to sympathize with at all. As I sit here and write about The Immigrant I'm confronted with the fact that I went into this not knowing what to expect really in terms of what kind of cinematic experience it would be, but as with most films I based expectations on credentials and this films in particular are golden. Phoenix all but swore off acting after Gray's last film and that was an interesting little drama that played with the tone of the film matching the tone of life as it walked the fine line between lighter, more comedic moments and the inherent drama present in the situation, but while that film felt balanced and purposeful The Immigrant is a complete melodrama that can't even match the interesting aspects of its exaggerated characters for the length of its running time. All of that said, I was never really bored and there is obviously potential with where this story could have gone, but it recesses too often and wastes so much talent on hand that I can't help but see this final product as little more than average and disappointing as opposed to what could have been.