MANK Review

I must admit I feel like something of a fraud even attempting a critique of a film so steeped in not only cinematic history, but history in general. Yes, I've seen Citizen Kane more than once and I've listened to season upon season of Karina Longworth's You Must Remember This podcast and specifically the series of MGM stories that centered on Louis B. Mayer’s rise and fall, yet somehow director David Fincher's Mank still feels so drenched in the world it re-creates that it's difficult to imagine being able to gain all the film has to offer after only a single viewing. As it were, Fincher's latest is likely too inside baseball for anyone outside of those that worship at the altar of cinema, but what might prove to be the most fascinating aspect of Mank is whether or not the core struggles of the main character appeal to a viewer who has no idea who someone like Irving Thalberg - or for that matter, Herman J. Mankiewicz - was. Naturally, those who do in fact worship at said altar are largely going to adore Fincher's latest exercise in clinical cinema that this time not only executes itself with profound professionalism and skill a la all of Fincher's work, but does so as it examines the "golden age" of the industry. The difference will be whether the details included and the approach taken will be enough to enthrall those already on board for a "movie about the movies" or if, while appreciating all of those things, the admiration for what Fincher has accomplished outweighs what is genuine love for it. That is to say, those on the outside looking in who come across Mank as they scroll through Netflix will either continue to scroll past it based on the poster alone or become fully engulfed in the confusion of the time and place Fincher drops his audience into should they be brave enough to press play. As an individual who admittedly knows more than the average Netflix subscriber, but a lot less than a lot of other people about the history of Hollywood Mank feels akin to a highly-stylized and extremely well performed re-enactment. Fincher's film clearly gets everything it possibly could right about the history, the costumes, and the character traits yet there is little that resonates emotionally. Never mind the fact Herman Mankiewicz is the only credited co-screenwriter to Orson Welles on what many consider the greatest movie ever made as Fincher's intent wasn't to make a movie about the making of Citizen Kane, but rather to capture the essence of a process and a person and leave the audience with a little more context and insight than they might have had before. As Gary Oldman's "Mank" says early on in the film though, "You can't capture a man's life in two hours, all you can hope is to leave an impression of one," and while Mank may not necessarily provide the catharsis one desires come the time the credits roll it undoubtedly leaves a strong impression.   

CONCUSSION Review

Concussion is a really solid movie that wants to be as important as the topic it’s discussing. The problem with approaching a film in this manner though, is that it immediately sets a precedent for the film to be as weighty and influential in its cultural impact as the topic it's discussing and Concussion simply isn't that. It will start conversations, sure, and if it does its job well enough it may even convert a few football fans to the belief there are serious long-run repercussions to playing the game, but as a piece of art or simply infotainment, is it as effective as it sets out to be? Sometimes. Through writer/director Peter Landesman (Parkland) the film has some really inspiring moments as it attempts to not simply irritate those who are huge fans of the sport, but attempts to logically explain why we need to step back and take a serious look at if the type of lifestyle these men experience down the road is worth a few hours of entertainment on Sunday. Other times, in between the scenes of Dr. Bennet Omalu (Will Smith) drawing some kind of scientific conclusion or making his case with an NFL board member, the film tends to have lull's that concern itself with a romantic subplot that doesn't connect or one too many time lapses that aren't clearly illustrated. Where the film does tend to stand out is in the scenes that feature Smith's protagonist pushing back against any force that comes between him and his research. If you've seen the trailer you've heard Omalu's speech about how America is the next best thing to heaven and that he was the wrong man to discover such a disease as his entire life he's dreamed of being an American. That, to have discovered a disease that more or less states human beings were never made to play football, makes him public enemy number one and it is in the face of this adversity that Smith and the film shine most.

First Trailer for CONCUSSION Starring Will Smith

With less than two weeks until the start of the official NFL season Will Smith's latest movie is making the gutsy move of going up against it. It seems a strange thing to state given Smith is typically a media-friendly star, but with his latest role as Dr. Bennet Omalu, a Nigerian-born neuropathologist who discovered Chronic traumatic encephalopathy (CTE) or “post-concussion syndrome” and unwittingly took on the NFL who used their power to discredit him, it seems things could get a little messy. Head trauma football players sustain has been something of a hot button issue for a while now and while the National Football League is a multi-billion dollar industry that would hate nothing more than it's cash flow to be hindered there is serious issue to be taken with the real price this money is being made at. As for the trailer itself, it will no doubt be difficult for some to look past that aforementioned persona that Smith carries so well to see his actual performance as Omalu, but the trailer makes it seem as if Smith might be putting his hat in the ring for a Best Actor nomination. Personally, I couldn't be happier Smith was able to squeeze this film in between the somewhat lukewarm reception Focus received earlier this year and the almost guaranteed hit that is Suicide Squad next year. This is exactly what his struggling career needed at the moment and if the final product is as engaging and complex as the true story it's based on we could potentially have something great here. Concussion also stars Alec Baldwin, Luke Wilson, Gugu Mbatha-Raw, Arliss Howard, Paul Reiser, David Morse, Albert Brooks and opens on Christmas Day.