First Trailer for THE LEGO MOVIE 2: THE SECOND PART

It was a given that The LEGO Movie would eventually get a sequel, but it's kind of crazy it will have been five years since the first film came out by the time the second movie arrives early in 2019. It seems much of this has to do with the behind the scenes issue of the revolving people in the director's chair as The LEGO Movie co-director Chris McKay was originally set to direct, but departed when Warner Bros. opted to make The LEGO Batman Movie first which he went on to direct and made a seriously great follow-up to the original out of. Community alum Rob Schrab next signed on to take the reins, but left the project after a year of "creative differences", at which point Trolls director Mike Mitchell was brought on board and was joined thereafter by original The LEGO Movie directors Phil Lord and Chris Miller after they dropped out of the Solo: A Star Wars Story project and signed up to fill more than their producer roles as they then helped craft the screenplay. Speaking of the screenplay, this first teaser seems to indicate that things have only gotten worse after the events of the first film with Chris Pratt's Emmett is in denial about the ramifications of everything that has recently occurred. Prompting new conflict though, is not the return of President Business, but the arrival of LEGO DUPLO® invaders from outer space, wrecking everything faster than they can rebuild. This is a pretty great idea in terms of how to continue to expand this universe while using the stable of toys they have to work with to their greatest advantage. The trailer features some pretty solid gags, an on point utilization of a Beastie Boys track, and-naturally, some commentary on the capability of Elizabeth Banks' Wyldstyle in contrast to the inability of Emmett who was still deemed the "special" and "hero" of the first film. I mean, I get it and am all for championing the strength and independence of women, but do we have to constantly put down men-even the dumb if not well-intentioned ones-every time? This probably wouldn't feel as glaring did it not follow a similar jab in that Wreck-It Ralph trailer yesterday, but alas-the times they are a changin' and that's fine, it's for the better, but let's find some new ways to convey what is meant to be empowering without constantly demeaning. The LEGO Movie 2: The Second Part also features the voice talents of Channing Tatum, Will Arnett, Jonah Hill, Tiffany Haddish, Stephanie Beatriz, Arturo Castro, and opens on February 8th, 2019.

SNATCHED Review

If Snatched is what you expect it to be is that necessarily a good thing? Probably not, but if it's better than you expected does that make it a good movie or, just, not a terrible one? It's a tough line to walk and an even more difficult one to decipher, but at the end of the day it can't help but to feel as if Snatched, overall, is more of a missed opportunity than a success by the standards of its genre tropes. Missed opportunity due to the fact that not only was it written by a single screenwriter in Katie Dippold (The Heat, Ghostbusters) and directed by Jonathan Levine (50/50, Warm Bodies), but that it also stars one of the world's most popular stand-up comedians (like it or not) while being able to pull seventy-one year old Goldie Hawn out of a fifteen year semi-retirement. If one is able to rope in a comedic legend like Hawn for your project one might imagine that individual or team would utilize her and her talents to their greatest effect, but in Snatched it seems Levine and everyone around him were afraid to ask Hawn to do anything too uncomfortable and instead kept her tasks in as safe and as easy a box as possible. This only stands to resort the movie to Hawn playing an overly-cautious mother figure while Amy Schumer is the irresponsible, narcissist of a daughter that exemplifies every negative stereotype one could come up with about millennials and then throws them into a hostage situation where balance in the two competing personalities is supposed to be found. Alas, that is what the movie goes for, but none of it ever feels natural or authentic, but rather very much like a movie. Everything about Snatched is very movie-like and while that isn't always a bad thing, especially when as much is intentional, this technique only bodes well for Snatched part of the time and most of that time is when the film is actually being funny. In short, when the film owns up to its promise and delivers on the capabilities of its talented cast and creative teams, but more often than not Snatched feels like a given of a movie where, after it was decided Schumer and Hawn would play a bickering mother/daughter pair, the rest was left up to that chemistry to make the ship sail successfully. Schumer and Hawn more anchor the film than anything though; holding the antics steady despite the fact the ship itself hasn't been that well-constructed.

BILLY LYNN'S LONG HALFTIME WALK Review

Not actively terrible, but nowhere near the introspective character study it seemed destined to be Billy Lynn's Long Halftime Walk is an amalgamation of interesting ideas and endearing ambition that went wrong somewhere in the process of its creation. Helmed by auteur Ang Lee (Life of Pi, Brokeback Mountain, Crouching Tiger, Hidden Dragon) the director has, for one reason or another, decided to make his latest endeavor the first film to ever be shot in 120 frames per second and in 4K 3D which is well over the standard 24 fps most movies are shot in. Add to this the fact Lee easily surpasses the last, failed effort of the higher frame rate variety in Peter Jackson's The Hobbit: An Unexpected Journey and it's a curious decision given the truth of the matter is most audiences who choose to experience Billy Lynn will do so in traditional theater presentations given the set-up for such an advanced display requires much more than most theaters are willing to budget for at the moment. And so, while it is admirable for Lee to want to push the boundaries of cinema and, at the very least, experiment so that later generations may build upon such experiments-watching Billy Lynn's Long Halftime Walk in a traditional format because there are no resources to take advantage of how it is meant to be seen across the majority of the country only makes these choices made for the sake of the format that much more glaring. Lee is a master filmmaker and one of the most diverse auteurs in the game at the moment and for that it's impossible not to respect his effort. Over the course of just his last three features the director has taken us from Woodstock in the summer of 1969 to being stranded in the middle of the Pacific Ocean to us now joining him and the surviving members of Bravo Squad at the halftime show of a Dallas football game. This track record combined with the inherently deep and somewhat controversial subject matter made me more than eager to see what conclusions and ideas Lee came to with his film, but rather than any ideas, conclusions, or even narrative cohesion Lee seems to have paid more attention to how best his story could enhance his new format rather than the other way around.