Most will likely walk out of The Lobster either loving or hating it. It's easy to see why this will be something of a divisive film given it's weird as hell. With all its observational humor conveyed in static, dry tones and cynical quips that paint the internet culture into a real-world society it will surely have its fans. Undoubtedly, there is much to like and appreciate here, but while I laughed several times and found the overall sentiment of the film to be a rather sweet one that is conveyed in a ridiculous yet inventive way I couldn't help but feel that it was trying too hard to be as much when the coolness factor of its unique ideas should have been effortless. The strangeness of the set-up to this world is so out there that it can't help but feel weird solely for the sake of being weird. Weird is fine and all, but The Lobster is pushing it. Some will find this endearing, others will see it as straining and unfortunately by the time the film concluded I was more in the latter category than the former. Writer/director Yorgos Lanthimos, in his English-language debut, certainly has a lot to say with his high-concept comedy, but up until the last half hour or so of the film things are more about the concept than they are the ideas he's attempting to discuss. Lanthimos spends so much time trying to make sure his audience will understand this world without blatantly spilling tons of exposition that all of the dialogue in the first hour feels like a sly way of explaining the rules of this world where one checks into a resort to find a mate and if failing to do so in forty-five days, facing the reality of being turned into an animal. So, yes, the film is conceptually striking given it is all a large metaphor for the way in which society tells us our lives are better when lived with a partner, but never does it transcend this gimmick until the moving final shot.
