SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Ben Rosenfield. Show all posts
Showing posts with label Ben Rosenfield. Show all posts

IRRATIONAL MAN Review

In Woody Allen's annual mid-year release we have a typical, late-era Woody Allen film that is more shrug-worthy than anything since the two forgettable cushions on either side of 2011's Midnight in Paris. Every few years the insanely consistent writer/director will deliver something more substantial, something truly affecting, but more times than not we get something akin to what we have this year in Irrational Man. Since becoming rather invested in the art of watching films I have returned to the essential Allen in order to be hip to my craft (Annie Hall, Manhattan, Hannah and Her Sisters), but I've probably been reading about Allen's films since Small Time Crooks (2000) and seeing them in theaters since Paris (2011). Since I've been catching them on a regular basis in their theatrical run though, I've only purchased two that I felt were worth revisiting those being Paris and 2013's Blue Jasmine. It's hard to find much motivation to return to Allen's films because they each more or less offer the same things. There is some philosophizing about a certain area of life under a certain set of character induced circumstances that typically ends up dealing with existentialism in one way or another. This type of conversation and discussion can certainly be interesting, but because of these tendencies Allen's films themselves are more interesting to talk about than they are to actually experience. It's hard to even call Allen's films an experience as they are more lectures than anything else, but every once in a while you actually take something away from them. With Irrational Man though, the only things I took away were that Emma Stone is in fact Allen's latest muse and that Joaquin Phoenix is trying really hard to let us know he put on a pot belly for this role (admittedly among other, deeper things). Whether the point of Phoenix's character being a philosophy professor signals Allen is getting one step closer to just sitting down and filming himself talk for an hour and half on a certain subject, we'll have to wait and see, but more than any time over the last four years I felt like time and age were beginning to catch up the auteur.

First Trailer for Woody Allen's IRRATIONAL MAN

While I still have much catching up to do when it comes to Woody Allen's filmography I have enjoyed taking a trip to the movies over the last four years in order to see what the prolific writer/director has in store for us. Beginning with Midnight in Paris it has been a hit then miss type of pattern as I next saw To Rome With Love, then Blue Jasmine and of course last year was Magic in the Moonlight featuring what looks to be the beginning of another string of collaborations with a talented young actress as Emma Stone returns in Allen's feature this year after starring alongside Colin Firth in Moonlight. This time though, Stone will star in a more contemporary tale centered around an alcoholic, melancholy philosophy professor (Joaquin Phoenix) who strikes up a unique friendship with one of his students played by Stone. While this might be seen as a storyline many viewers will be able to separate from Allen's real life experiences the first trailer makes things seem as if the relationship that develops between Phoenix and Stone's characters might not be purely romantic, but instead hold a strangely unique aspect to it. In fact, the inclusion of Parker Posey and the seeming dynamic between her character and Phoenix's make this film all the more intriguing. Both Phoenix and Stone have been on something of a role as of late, choosing roles that truly challenge them and I'm hoping these roles were taken for the same reasons and not only for the opportunity of working with Allen. We shall see when Irrational Man opens on July 17th.