THE WALK Review

Man on Wire is the Academy Award winning documentary from 2008 that preceded this dramatization of French high-wire artist Philippe Petit's walk between the Twin Towers of the World Trade Center on August 7, 1974. What made the documentary such a critical success and one of the more all-around entertaining documentaries ever made was largely due to two factors-1) Petit himself and 2) the heist-like nature required to pull the stunt off.  Petit is a character who needs no exaggeration. To watch him describe his mentality and desires in the documentary was to paint so vivid a picture that re-enactments were never needed. There was also a surplus of photos and footage from around Petit and his accomplices planning and executing this rather risky gamble to fulfill one man's crazy dream that filled in the gaps when Petit wasn't acting out his recollections. So, the question is why would anyone want and more importantly why does anyone need another version of a story that has already been told in a magnificent (and no doubt more honest) way? The documentary was filled with drama and tension so why dramatize it further only to restrict it to a narrative structure that would likely end up making the distressing story rather passionless. There seems to be no definitive answer as to why this new interpretation was necessary within director Robert Zemeckis' film, but strangely it seems to make perfect sense given the man behind this particular vision. Zemeckis has always been a filmmaker who likes to push the envelope when it comes to technology and trying things other filmmakers wouldn't dare attempt (see Who Framed Roger Rabbit, Cast Away, The Polar Express). In Petit's story the director has found an inherently dramatic, fun and literally breathtaking tale that perfectly accommodates the type of innovative filmmaking methods he likes to march out and test on his audiences. And so, while The Walk may not be a movie we all needed, that certainly doesn't make it one worth ignoring. In fact, it's rather invigorating once it gets going.