THE FANTASTIC FOUR: FIRST STEPS Review

Kevin Feige and Co. Begin a New Phase of The Marvel Cinematic Universe with Their First Family in One of the Better Origin Stories the Studio has Produced.

SUPERMAN Review

James Gunn Begins his DC Universe by Reminding Audiences Why the *Character* of Superman Matters as Much as the Superman character in Today’s Divided Climate.

JURASSIC WORLD: REBIRTH Review

Director Gareth Edwards and Screenwriter David Koepp know Story, Scale, and Monsters Enough to Deliver all the Dumb Fun Fans of this Franchise Expect in a Reboot.

F1: THE MOVIE Review

Formulaic Story and Characters Done in Thrilling Fashion Deliver a Familiar yet Satisfying Experience that will Inevitably Serve as Comfort Down the Road.

MISSION: IMPOSSIBLE - THE FINAL RECKONING Review

Director Christopher McQuarrie Completes Tom Cruise's Career-Defining Franchise with a Victory Lap of a Movie more Symbolically Satisfying than Conqueringly Definitive.

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Showing posts with label Bess Meisler. Show all posts
Showing posts with label Bess Meisler. Show all posts

MY BIG FAT GREEK WEDDING 2 Review

It has been fourteen years since My Big Fat Greek Wedding took America by storm and grossed $241 million domestic on a $5 million budget. It's a wonder that this isn't the third or fourth sequel to the film especially given writer and star Nia Vardalos has found little success outside of her Greek origins. Vardalos has written three features in between her Wedding features, none of which reached the commercial success of her breakout and thus the reason we're likely back here. If you enjoyed getting to know the Portokalos clan then you will no doubt enjoy their company this time around as well. Not much has changed beyond some of the dynamics shifting given the inescapable fact time does go on, but this seems to be the major point of issue for Vardalos when crafting the script: how might one develop characters who are so stuck in their ways? To answer this question and provide some deeper insight into who these people are (or more accurately who they once were and how they've become the characters we see today) Vardalos undoes the basis of the entire family: she discredits her mother and father's marriage by revealing it was never properly acknowledged by the church. For Gus (Michael Constantine) and Maria (Lainie Kazan) this more or less makes the lives they've been living for the past fifty years something of a sin and a sham. Of course, Gus wants to correct things as quick as possible and have his marriage acknowledged by the church, but with this new found information Maria is eager to soak up her new found freedom and make her "husband" earn her love for him, elaborate proposal and all. Couple this with Toula (Vardalos) and Ian (John Corbett) dealing with the impending high school graduation of their only daughter, Paris (Elena Kampouris), and there's more than enough material for Vardalos to mine obvious comedy out of without actually mining the characters for any real insight or genuine arc.