SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Bill Turnbull. Show all posts
Showing posts with label Bill Turnbull. Show all posts

FATMAN Review

Fatman is the kind of movie that is primed for embrace by movie nerds across the internet based on the concept alone. It almost doesn't even matter how well the writing/directing team of brothers Eshom Nelms and Ian Nelms pull this off or don't because all that really matters is that the idea remains the centerpiece. Whether everything surrounding the premise enhances the experience or not the fact they can say sixty-four year-old Mel Gibson was down for playing a disgruntled Santa Claus who has to contend with a hitman sent by a disappointed child is all they really needed to say to sell anyone on it. What does in fact actually sell said pitch though, is that the Brothers Nelms seemingly approached their script as if it were any other post-2010 Gibson actioner. In other words, St. Nick could just as easily have been played by Liam Neeson, Bruce Willis, Sean Penn or any other number of aging actors that tried their hand at the "old man action movie" genre post-Taken. While it may have been fun to see someone like Tom Cruise give this lowly low-budget B-movie a kick in the pants by playing into the bait and switch of the tone, Gibson is admittedly a perfect choice for this project. As the man will be working to rebuild his legacy for the remainder of his career these ghosts of Gibson's past somewhat work in the actors favor here as his public persona and very public meltdowns inform this version of a Santa Claus that has lost his influence and become little more than a joke to people. Hell, the role may have even been written with Gibson in mind as the screenplay is one thousand percent banking on the idea the audience will get a good chuckle out of the idea Gibson is playing Santa, a man whose whole deal is that he's completely altruistic in nature. There is no better way to appeal to the masses or earn back some gratitude than by taking the piss out of yourself and Gibson fully commits to doing so here. No, there isn't much more to the movie than this idea of a tongue in cheek take on the most innocent and well-meaning of holidays via a genre of movie that couldn't be more the opposite, but given Gibson's commitment to the bit, the Nelms' ability to manage a tone that's over the top without crossing the threshold from absurdity to stupidity, and the sheer presence that is Walton Goggins, Fatman turns out to be an amusing romp if not an immediate staple of the Christmas season.