TOY STORY 4 Review

Toy Story 4 is necessary. Know that first and foremost, that not only is Toy Story 4 a necessary addition to the franchise that launched Pixar, but a meaningful one as well. One wouldn't be at fault for thinking the animation studio has been somewhat off its game over the past few years as it turned into a sequel factory of sorts and churned out entertaining enough diversions to more creatively satisfying original films as that's kind of the fact of the matter save for the occasional Inside Out or Coco. Since Toy Story 3 in 2010 Disney and Pixar have released ten films counting this latest Toy sequel and of those ten films six have been prequels or sequels. These have all been of a certain quality, mind you-as even the third Cars film allowed Pixar's most underwhelming franchise to go out on more of a high note than not-and yet, Toy Story 4 feels like the true return to form the studio needed and that audiences were waiting on. With original creative mastermind John Lasseter only credited as a story contributor among a barrage of other contributors it was up to screenwriters Andrew Stanton (Finding Nemo, WALL-E) and Stephany Folsom to crack the story as Inside Out screenwriter and frequent Pixar voice actor Josh Cooley was tasked with his feature directorial debut being the fourth installment in this consistently excellent series. No easy task, but to circle back to the beginning of this review is to reiterate that the most difficult obstacle to overcome with a fourth Toy Story film would be that of justifying its existence. Toy Story 3 ended in such a way that it not only wrapped up the story of these toys and the child they'd belonged to for as long as either of them could remember, but it gave closure to those who'd grown up with the first two films and were now transitioning into adulthood themselves. Almost another decade later and the characters of this world are as endearing as ever with Stanton and Folsom's narrative zeroing in on Woody (voice of Tom Hanks) as he learns that being in charge doesn't always mean being in control. While there were seeds of doubt as to whether or not Cooley and the gang (ah thank you) could find what more there was to be said with these characters and this world, what transpires in Toy Story 4 ultimately provides the necessary comfort to the truth spoken by Toy Story 3; if that previous film eased the transition from adolescence to adulthood then this latest (and presumably final?) film discusses how one adapts to their new role in a mature and positive way.

Official Trailer for Disney & Pixar's TOY STORY 4

First and foremost, while I'm sure Toy Story 4 will feature plenty of new characters that can be sold as toys and plenty of new incarnations of old characters that can be re-packaged for sale in support of this fourth film, there is a strange kind of respect for making your new, seemingly co-lead character a spork with googly eyes and pipe cleaner arms that parents of pre-schoolers can bring home on the daily. Disney, Pixar, and the Toy Story brand are each worth more money than I can comprehend and it would seem that to reach such heights would only garner more greed and more ways to try and increase said wealth and stability, but then they go and make what feels like a purely financial move in green-lighting a fourth Toy Story movie after the third film rounded the trilogy out so perfectly all the more pure by placing at the center of it a toy any young boy or girl regardless of economical status can make for themselves. It's surely a calculated corporate move in some regard, I have no doubts, but it's also kind of *nice*. Still, it's easy to admit that when that final reel of 2010's Toy Story 3 finished rolling it seemed there was no better or more poignant way to complete this trilogy that had begun some fifteen years earlier, spanned my childhood, and revolutionized animation as we knew it. Over the nearly twenty-five years now that Pixar has been in power they have become increasingly more reliant on sequels to the films that originally made them that powerhouse. No matter how much I wished for Pixar to keep that book closed though, it was always something of an inevitability that we'd get another chapter in the Woody and Buzz saga. In this fourth chapter a new toy called "Forky" joins Woody and the gang on a road trip that reveals how big the world can really be for a toy. Pixar vet Josh Cooley makes his feature directorial debut from a screenplay by Stephany Folsom and Will McCormack (Celeste & Jesse Forever). Toy Story 4 features the voices of Tom Hanks, Tim Allen, Jordan Peele, Keegan-Michael Key, Keanu Reeves, Patricia Arquette, Joan Cusack, Annie Potts, Wallace Shawn, Laurie Metcalf, Timothy Dalton, Kristen Schaal, Bonnie Hunt, Jodie Benson, John Ratzenberger, Tony Hale, Blake Clark, and opens on June 21st, 2019.

CARS 3 Review

I could not have been less excited about the prospect of a third Cars movie. Most would say it is fair to classify this now trilogy as the weakest link in the ever-growing Pixar brand, but I don't bring this up to quickly cut down the third installment in this franchise that has borne nothing more than extended or unnecessary narratives, but rather to commend it for stepping up its game with what is likely the last chapter largely featuring Lightning McQueen if not the beginning of a new generation of Cars films as Cars 3 actively attempts to correct much of what has dragged these films down to sub-par Pixar levels from the beginning. In 2006, an idea such as a world filled with talking vehicles and a story that paid homage to the racing world, where it'd been, and where it might be going was an inspired enough one especially considering the combination of Disney and Pixar had yet to fail to meet if not surpass expectations. There seemed so much energy and so much enthusiasm for this first endeavor and while, having re-watched that first film recently, Cars is certainly a fine enough experience it didn't transcend the genre of animated movies in the way many of its predecessors had. Rather, Cars was more along the lines of an animated movie made strictly for the kiddos rather than one that had the ability to both appeal to the children in the crowd as well as emotionally resonate with their parents. That isn't to say it didn't try, but it is in the same kind of middle area where the purpose is present yet the payoff doesn't totally work that we find Cars 3. Many will agree Cars 2 was a total misstep and deviated from what at least made the first film charming and even if the Cars movies didn't make them buttloads of cash via merchandising it would seem Pixar might be intent on course correcting for the sake of artistic credibility as Cars 3 makes a genuine attempt to steer this franchise back into the arms of what inspired it in the first place-the good ole open road. While we are eleven years down the road from the first Cars in the future the dynamic will be rather jarring as the original Cars and Cars 3 more or less bookend the career of McQueen; chronicling both how he learned to be the racer he always aspired to be as well as helping him cope with the passing of time, the passing of the baton, and understanding there might be more to life than crossing the finish line first.

New Trailer for CARS 3

In always looking forward to what Pixar might come out with year after year it was always going to be something of a disappointment when the inevitable Cars 3 came around and now...here we are. This summer we will not be graced by a new, inventive piece from Pixar nor will we see a sequel to one of their more beloved films (Ratatouille 2, anyone?), but rather we will have the only trilogy capper in Pixar history outside of Toy Story for what is easily the weakest two films on the studios slate. I'm trying really hard here to be positive about what the film might offer as this new, official trailer is marginally intriguing, but there simply seems to be no balance of audience awareness and content maturity. The Cars franchise, like Planes, should strictly be for children, but this trailer looks to hint at a story with complexities that we know Pixar is capable of conveying convincingly, but that we know the world of Cars can't exactly deliver like, say, Woody and Buzz might be able to. Directed by Brian Fee (a storyboard artist on the first Cars) this looks like to be a darker film than what its predecessors might have indicated. The worst thing about the previous two Cars films were that they left no lasting impression, especially when compared to their peers. It may be that Fee is attempting to break that stigma around the franchise with this third film by going in an unexpected direction and if any of the marketing so far is any indication-things are definitely not looking the way I imagined a Cars 3 would look. That said, we still have a story dealing with Owen Wilson's Lightning McQueen as he attempts to prove to a new generation of racers that he's still the best race car in the world. With this new trailer we get a better idea of what Cars 3 will look and sound like and while I'm intrigued by the implications of what the movie could actually be about there is still a lack of any genuine excitement. Cars 3 also features the voice talents of Armie Hammer, Bonnie Hunt, Tony Shalhoub, Larry the Cable Guy, Katherine Helmond, Cheech Marin, Paul Dooley, and opens on June 16, 2017.

Teaser Trailer for CARS 3

In always looking forward to what Pixar might come out with year after year it was always going to be something of a disappointment when the inevitable Cars 3 came around and now...here we are. This summer we will not be graced by a new, inventive piece from Pixar nor will we see a sequel to one of their more beloved films (Ratatouille 2, anyone?), but rather we will have the only trilogy capper in Pixar history outside of Toy Story for what is easily the weakest two films on the studios slate. The cards have been dealt though and despite the fact it always seemed the Cars franchise was something of a "baby" to Pixar and Disney chief creative officer John Lasseter it seems even he is too busy now to mess with this third installment as Brian Fee (a storyboard artist on the first Cars) has taken over and has seemingly delivered a much darker film than what its predecessors might have indicated. The worst thing about the previous two Cars films is that they are more or less forgettable, especially when compared to their peers. It may be that Fee is attempting to break that stigma around the franchise with this third film by going in an unexpected direction and if the first teaser was any indication-things are definitely not looking the way I imagined a Cars 3 would look. This meaning that rather than the bright colors and zooming sounds of stadiums packed with racing and cheering automobiles that instead we have a story dealing with Owen Wilson's Lightning McQueen attempting to prove to a new generation of racers that he's still the best race car in the world. That first teaser showed us McQueen crashing on the track with the tagline, "From this moment. Everything will change." Pretty grim for a franchise that has made its name on merchandising and brand appeal rather than tapping into genuine emotion as most Pixar films do, but again...here we are. With this new trailer we get a better idea of what Cars 3 will look and sound like and while I'm intrigued by the implications of what the movie could actually be about there is still a lack of any excitement. Cars 3 also features the voice talents of Armie Hammer, Bonnie Hunt, Tony Shalhoub, Larry the Cable Guy, Katherine Helmond, Cheech Marin, Paul Dooley, and opens on June 16, 2017.

ZOOTOPIA Review

Zootopia is something of a combination of an analogy for our real world and the hopes and dreams of where we might one day end up-a utopia if you will. In Zootopia everything is indeed perfect and as animals have risen up to become responsible citizens of the planet it is of course, imagined. Still, this world is portrayed as a place where animals have evolved to the point there is no dividing line between the once vicious predators and the meek prey they once hunted, but rather both groups have moved beyond these primitive ways to conduct a society where everyone has the same opportunities and where all species get along with one another no problem. Of course, there are minor cracks of prejudice between certain sects of animals, but these seem to only be apparent in some of the more backward thinking individuals who still hold old traditions to be of an absolute truth. Sound familiar? Disney seems to be making no qualms about drawing the parallels between this imagined world where cute, animated creatures roam free and our own society where we too have trouble letting go of lessons drawn from a world of different circumstance and experience and not applying them to our current cultural landscape. That Zootopia is willing to display such faults is telling in the first place, but that it goes so far to make this desire to return to the old ways of thinking and ultimately existing by some tells even more. With a group of five writers and directors the film is primed to start many a discussions after viewing it as the film itself seems to have naturally come out of many a long conversations between its creators and their staff. If you're one who doesn't care to have your animated films relevant or culturally-charged rest assured the final product is still very much in the vein of what most parents and families will be expecting from the film, but with the added weight of such apt comparisons and broad resolutions of love and equality with acknowledged caveats to each situation there is certainly an added layer of meaning to the proceedings if you care to look.