Before we start anything here, it should be noted that I've only seen two other Noah Baumbach pictures. While I've generally enjoyed what I've seen so far and certainly have an interest in earlier films such as
The Squid and the Whale and
Margot at the Wedding as of this writing I've only seen
Greenberg and the rather infectious
Frances Ha. I state this at the beginning to preface that while I found his latest,
While We're Young, to be much more accomplished and substantial on first viewing than anything I've seen of his prior work I wouldn't be surprised to find out he was repeating himself in some way, on some major themes. Heck, some of what Ben Stiller's character goes through here feels like it has some shades in his titular
Greenberg character, but I honestly don't remember that film well enough to say for sure. That concern aside, what I do know for sure is how strong this film hit me, how its ideas are universally relatable despite depicting a very specific niche and simply how magnificent the writing is. While the dialogue is quick and forms full characters who have specific and individual mindsets intact I can't imagine the hours poured over the page by Baumbach in order to create this natural ease with which each of these characters speak. In a word, the characters and the dialogue are more than archetypes or composites of several other people, but they are authentic and authenticity is essentially what
While We're Young is all about. Baumbach, who both wrote and directed this film, is a man of forty-five. Stiller, who in real life is forty-nine, plays a very specific forty-four year-old and in that small detail it is apparent that Stiller serves as the Baumbach surrogate. Wondering how he came to be on the other side of life, the one where striking and profound realizations such as knowing things exist that he'll never do must be accepted. It is a film that both acts as a study in adjusting to getting older while at the same time dealing with accepting the generational differences of the current young people and the culture that existed twenty years prior. The film opens with the quote from Henrik Ibsen's
The Master Builder where Hilda suggests to Solness that he open the door to the younger generation he fears. The thing is it's not whether he opens the door or not that's the real decision, but how far.
