Showing posts with label Cheryl Hines. Show all posts
Showing posts with label Cheryl Hines. Show all posts
Green & Red-Band Trailers for A BAD MOMS CHRISTMAS
Well, that was fast. Less than a year after the first film debuted in theaters we have trailers for a new Bad Moms movie and this time they're not just tackling everything moms have to take care of and look after in general, but they're specifically tackling the holiday season which, honestly, is totally fair game. Though I wasn't a fan of writer/directors Jon Lucas and Scott Moore's first film, you can read my review here, they have returned to write and direct this sequel as well. It would seem Lucas and Moore have a very limited range of topics they're interested in tackling as they wrote the original Hangover screenplay and then went on to pen and direct 2013's 21 & Over which was fine, but totally forgettable and that seems to be where this presumably never-ending line of Bad Moms movies will end-up. The casting of Mila Kunis, Kristen Bell, and (most importantly) Kathryn Hahn was one of the key highlights of that first film so having those three back and more in sync with one another's personalities this time around should bode well for the picture as does the fact Lucas and Moore have written in roles for their mothers who will be played by Christine Baranski, Cheryl Hines, and Susan Sarandon. Boy, between A Bad Moms Christmas and Daddy's Home 2 this holiday season will have no lack of Christmas-themed family comedies or work for aging movie stars. And while I'm in no way excited for what A Bad Moms Christmas likely has to offer it could have found its groove and this time around provide enough charm that it could win me over, but even with a red band trailer to show us all the bawdy jokes this thing has to offer I'm still not sold as the only time I laughed throughout either of these trailers was when Baranski showed up to deliver her deadpan lines. Presuming the majority of the comedy will come from the dynamic between our three leads dealing with the holiday visits of their mothers and extended families it would be nice if the majority of the laughs derive from these situations rather than only counting on otherwise innocent moms cussing and doing things that are supposed to be outrageous while that latest DJ hit drops in the background. All of that said, I am sad Christina Applegate's character doesn't seem to be back for the sequel. Oh, well. A Bad Moms Christmas also stars Jay Hernandez, Peter Gallagher, David Walton, Wanda Sykes, Emjay Anthony, Oona Laurence, Ariana Greenblatt, and opens on November 3rd, 2017.
First Trailer for NINE LIVES Starring Kevin Spacey
Well, this may be the first contender for the worst trailer/idea/movie of the new year. Sure, it's January so we've had some stinkers already, but nothing has looked as outright terrible or as bad a decision as this does. In what is essentially The Shaggy Dog, but with a cat Kevin Spacey (yes, Kevin Spacey) teams up with the guy who made the Men in Black movies and Wild Wild West to play a titan of industry that has ignored his family and by some twist of fate gets turned into the cat he bought for his daughter for her birthday to further serve as a distraction for his absence. But, get this, the guy hates cats, so it's really quite humorous. How this thing was greenlit is beyond me, but I guess I could see how it might be a fine enough time for the whole family given it's a tired premise that has shown promising results before, but the final product that seems to have come out of that intention looks like something that wouldn't even appeal to the lowest common denominator of any single person's brain. Oh well, given its August release date it seems distributor Europa is looking to slide this one under the radar and make a few quick bucks off its family-friendly premise and attractive to older demographic big names. Spacey is still something of a draw, especially given his current run in House of Cards and while it would be nice to see the actor play something a little lighter than the politically sadistic Frank Underwood I would have much rather seen him put his time into something closer to Horrible Bosses than Nine Lives. Oh well, if you're intrigued at all-hit the the jump to check out the first trailer. Nine Lives also stars Jennifer Garner, Christopher Walken, Malina Weissman, Cheryl Hines, Robbie Amell and opens on August 5th, 2016.
LIFE AFTER BETH Review
Life After Beth gets off to a strong start. From the trailer or even the awkward glare of Aubrey Plaza (Parks and the Recreation) on the poster that features the pun of a title there was a glimmer of hipster cool to this play on the zombie genre. Besides the casting of Plaza the inclusion of Mr. Indie himself at the moment, Dane DeHaan (The Amazing Spider-Man 2), speaks volumes to the kind of tone and atmosphere that first time writer/director Jeff Baena (who is Plaza's boyfriend) was attempting to capture in order to convey his attitude on this somewhat satirical, somewhat personal account. The sardonic aspects of the film are meant to function solely as a method of heightening the rather typical main narrative that follows the relationship of a boy and a girl and their break-up and how sometimes the saying "you don't know what you got till it's gone" is a bit of a false heading. I sound a little jaded though, I realize, which mainly comes from the fact that Life After Beth seems to believe it's both smarter and hipper than it actually is while almost counting on the public persona of its two leads as a way to convince audiences of both its intelligence and cool factor. In truth, the film feels oddly flat and struggles to collect any kind of coherent tone as the story goes off the rails early and is never able to find its way to anything resembling substance. Let's get back to that strong start though, because things certainly looked promising when the films score by the Black Rebels Motorcycle Club roared into play as the title card filled the screen and we are then taken into a small, often forgotten little moment that perfectly encapsulates the types of moments this film should be filled with. DeHaan's Zach Orfman stands in an aisle of a grocery store looking at the paper plates and napkins trying simply to find black napkins. He has been to a number of stores, that is clear, yet has failed to come across the only color napkin that might be suitable for a post-funeral gathering. When an uninformed employee suggests he try a party store as that color napkin is more of a seasonal item for Halloween we understand the confliction Zach is feeling and the dark humor in the observation. It is a moment we don't think of until we experience it ourselves or see it unfold in this fashion. We understand what is being reached for, but the remainder of the film fails to live up to these small, simple hopes I held after this gem of a moment.
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