SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Craig T. Nelson. Show all posts
Showing posts with label Craig T. Nelson. Show all posts

INCREDIBLES 2 Review

It has been fourteen years since the Parr family, including Bob (Craig T. Nelson), Helen (Holly Hunter), and their three children-Violet (Sarah Vowell), Dash (Huck Milner), and Jack Jack (Eli Fucile)-were introduced to audiences through the magic of Pixar and the imagination of writer/director Brad Bird (The Iron Giant, Ratatouille, and arguably the best Mission: Impossible movie-Ghost Protocol). In those fourteen years since the first Incredibles film Pixar has steadily upped its output of sequels going from only a single sequel in Toy Story 2 as of 2004 to Incredibles 2 being the seventh Pixar sequel of some sort. Does this say anything about the studio outside of the fact they enjoy making money and are not immune to capitalizing on IP's the same way every other studio does? No, not really, but it does always feel like something of a missed opportunity when Pixar releases something that re-hashes a striking original rather than releasing what is hopefully another striking original. This is all to say that while The Incredibles always seemed like the most obvious choice for sequels, it was also a stand-alone film that didn't necessarily require any type of continuation. Thus bringing us to what is probably the most impressive thing about Bird's Incredibles 2 in that not only does the film seem to effortlessly pick up right where the original left off, but it validates itself thoroughly and makes its case that not only is its existence justified, but rather that the original needed this extension of the story to exist. And while this is impressive for obvious reasons it is the ideas the film dolls out as well as the engaging if rather complex without actually feeling convoluted premise that will earn Incredibles 2 this sterling reputation as a sequel that both earns its place alongside the original as well as one that improves upon it. Incredibles 2 will undoubtedly please the generation that grew up on it and are now entering their early twenties, but as someone who was among the Toy Story faithful, Pixar blossoming just before we did, I was getting ready to enter my senior year of high school when The Incredibles was released and feel no inherent connection to that original whatsoever. Due to this and the fact we live in a time where the market is saturated by super heroes it was genuinely surprising how much joy came from watching a family of super heroes strike a balance between feeding the machine and rebelling against it. Which, as Pixar sequels go, is par for the course. 

GET HARD Review

The question I kept repeating to myself as Get Hard continued on and on was how could such a supposedly intelligent man be so stupid? There is a hint of something interesting in the beginning though so let's begin there. It is suggested in the opening credits sequence as the striking comparisons between the morning routines of the wealthy and the working class are displayed, much of the time in split screen, that the balance is more than off. It is imagery that much of who I imagine the audience to be will both recognize from both their real-life experiences and the dreams they have of one day hitting it rich. It demonstrates the reality of our routines and the fantasy that feels just out of reach. The most appealing thing about this choice though is not only that it establishes the worlds of our two leading characters, but also because it evokes a reaction. It is a moment of recognition, one that forces thinking audience members to contemplate not who each of these men are today, but the roads they traveled to arrive at their current destination. Even as the film continues through to after the title card it further demonstrates the reasons these two mean have landed in their current situations are due as much to opportunity and association as they are hard work. This begs the question of how much of a clean slate do we all start out with and if hard work is truly all it takes to get to where you want to be or does having the right people in the right places help significantly. The answer is, of course, pretty clear and it's obvious Get Hard knows that, but beyond this observation and the ability to display it provocatively one would think the film might delve into what it thinks of this predicament, an unavoidable one, really and use that fuel to create satire from the actual downfalls of our society. Instead, writer Etan Cohen's directorial debut, offers little more than a few inspired moments. There are some solid ideas that are glimpsed by the jokes that really land, but much of the time the film skates by on it's over-reliance on vulgarity and close-ups of Ferrell doing his schtick with nothing but the hope you'll laugh at anything Ferrell does supporting it.

First Trailer for GET HARD

If you caught Chris Rock's Top Five last weekend you probably saw the first trailer for the new Kevin Hart and Will Ferrell team-up. It's a nice strategic move for everyone involved as Ferrell has been absent from a solid original comedy hit since 2012's The Campaign while Kevin Hart is bubbling right below the surface of super stardom. Pulling these two together will do nothing but bolster each of their careers. I've been a Ferrell fan for as long as I can remember so I am genuinely excited anytime the guy has something new coming out and while his other 2015 feature, Daddy's Home, reunites him with his The Other Guys co-star Mark Wahlberg and will likely be of a better overall quality than Get Hard I genuinely enjoy Hart as well and am eager to see what their chemistry can bring to the table. In the film Ferrell plays a Bernie Madoff-type character who is sentenced to ten years in a maximum security prison for fraud and enlists the help of the man who washes his car (Hart) to help him prepare him for that sentence. You can imagine how this premise might unspool over an hour and a half comedy featuring these two and I am anxious to see the results of letting these guys just go at one another. Get Hard also marks the directorial debut of Etan Cohen who penned or helped pen the scripts for Tropic Thunder, Men in Black 3 and Idiocracy. Get Hard also stars Tip “T.I.” Harris, Alison Brie Craig T. Nelson and opens on March 27, 2015.