WICKED: FOR GOOD Review

With a More Interesting Narrative Perspective and Higher Stakes, Jon M. Chu's Follow-Up is a Meaningful and Compelling Conclusion to the Saga of the Wicked Witch.

RUNNING MAN Review

Despite Glen Powell's Star Power this is Director Edgar Wright's Least Distinctive Effort to Date as it's Never as Biting or Specific as His Riffs on Other Genres.

PREDATOR: BADLANDS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

AFTER THE HUNT Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Dafne Kane. Show all posts
Showing posts with label Dafne Kane. Show all posts

LOGAN Review

It's disappointing. Tragic, even. All those struggles and all that time invested in trying to make the world a better place and this is what they have to show for it. This is what it's all come to. There is a sweeping sorrow to Hugh Jackman's swan song as The Wolverine, but much like its brutal, bloody, and exceptionally R-rated violence, this tone feels justified and necessary. Necessary not only in the aesthetic sense of what is befitting to Logan's world, but necessary in that tragedy always was the way of the world for Logan AKA James Howlett, so why might his conclusion be spared such tribulations? Fortunately for us, but unfortunately for our titular mutant LOGAN is another tale in which our protagonist is pulled into a conflict in which he bears no responsibility in creating, but that his storied past has somehow served as an influence and thus he is then unwillingly pulled into the scenario. This time things are different though, as before and in the many movies we've seen Jackman portray Wolverine the character has always been reluctant, but ultimately unable to deny his true and selfless heroism. He couldn't help but to care, couldn't help but to stand up for the little guy and what he felt to be right, but in LOGAN Wolverine is a much more broken man than we've ever seen him before. His extended past is beginning to catch up with him and we can see that he's tired of playing this role, he's tired of being the hero, of feeling the responsibility to save the day and that he's essentially forcing himself to not care any longer, but rather focus on the task at hand-a task that sees putting himself and an old friend first. In the midst of all this is the centerpiece that is Jackman's final turn as the adamantium clawed mutant making this grief and misery and pain all the more palpable. Jackman so embodies the character at this point though, it's hard to imagine he has a hard time slipping into even the worn and weathered skin of his alter ego at this stage in the game. And while it is Jackman's (presumably) final turn in his most iconic role that is rightly at the center of what makes LOGAN so emotionally rich and narratively compelling there is plenty going on around him that builds the film up in these ways and make it a genuinely thrilling end of an era.