SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Debbie Williams. Show all posts
Showing posts with label Debbie Williams. Show all posts

IT FOLLOWS Review

This could have gone rather bad were director David Robert Mitchell not completely sure of how he'd be able to pull it off. Because, let's face it: the idea of someone walking after you isn't exactly frightening at first thought and could easily be interpreted as comical were it not presented in the right way. Presentation is key and Mitchell has this down to a science in It Follows as everything from the framing to the movement of the camera and into the accompanying score is drilled down to precision so as to evoke the most effective reactions. In that the film feels so specific in its making allows for the final product to feel assured in its execution and thus its ability to play on the minds of those taking it in for the first time. As much as people like to imagine we are smarter than the characters on a screen, especially in scary movies, It Follows makes one question that confidence by building up the mystery of the circumstances and pitting both the characters and everyone watching them in a race against time whether they realize it or not. While things could have gone one of two ways really easily with this simple yet somewhat profound little horror flick, the quality of the production and the keen sense of being able to capture exactly what he wanted has seemingly allowed for Mitchell to create a horror film that isn't necessarily as scary as it is intimidating and eerie. One could easily read the synopsis and laugh, one could easily read the synopsis and find it trashy given the certain set of rules with which the films central conceit operates, but in understanding why it all works as well as it does and why it makes sense, why certain elements are more than critical, is to see it play out with your own eyes and try to deny the cool yet disturbing feeling that washes over you and takes you in. That is what It Follows does best, that is why it deserves the praise it has received so far; because it takes you into its world and doesn't let you go. Even as you leave the theater it raises the hair on the back of your neck making you turn your head to check if anyone's there.