WICKED: FOR GOOD Review

With a More Interesting Narrative Perspective and Higher Stakes, Jon M. Chu's Follow-Up is a Meaningful and Compelling Conclusion to the Saga of the Wicked Witch.

RUNNING MAN Review

Despite Glen Powell's Star Power this is Director Edgar Wright's Least Distinctive Effort to Date as it's Never as Biting or Specific as His Riffs on Other Genres.

PREDATOR: BADLANDS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

AFTER THE HUNT Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Ed O’Neill. Show all posts
Showing posts with label Ed O’Neill. Show all posts

WRECK-IT RALPH 2: RALPH BREAKS THE INTERNET Review

Walt Disney Animation Studios is now in the stage of their resurgence that began in 2010 with Tangled and was cemented two years later with Wreck-it Ralph where they are hoping to maintain the momentum of this resurgence by beginning to produce sequels to the movies that helped solidify their name as an animation powerhouse once more; that Disney could still be Disney without Pixar. Whereas the former flourished in hand-drawn animation for years and years (obviously) the mouse house hadn't had much luck with their transition to computer animation (Chicken Little, Meet the Robinsons, and Bolt each largely failed both critically and commercially at the time of release) and in trying to re-capture the magic of their nineties hot streak with the hand-drawn Princess and the Frog in 2009 it only seemed the studio was moving backwards instead of forward. With Tangled though, things began to shift and, in many regards, the first Wreck-it Ralph was a confirmation that the Disney brand was back in full effect. Wreck-it Ralph, unlike the more traditional approach Tangled took, was a cool and hip concept that was both relevant and nostalgic, but most importantly it was an idea that-when you were a kid-would have loved to think could really be true. Like Toy Story, Wreck-It-Ralph was about what happens after the kids are done playing and characters must go on with their lives. This was all well and good and spurned a rather fantastic and inventive film about feeling insecure in the role society has assigned you and securing the confidence to break free of that mold and not only become whatever it is you aspire to be, but to gain confidence in and embracing what others might inherently assume about you. Though this wasn't exactly a stretch for the studio given it was ultimately a variation on the "be yourself" lesson countless pieces of children's entertainment have spouted, it worked well given the format. The catch was, Wreck-it Ralph told such a tight and compact story that it was difficult to imagine how directors Rich Moore and Phil Johnston would naturally extend the film into something new that felt organic and wasn't dark as hell considering the inevitability of this arcade eventually closing and all of the games getting unplugged (which they'll have to address in the trilogy-capper, right?). And while the trailers hinted at something scarcely close to The Emoji Movie, Ralph Breaks the Internet is the rare, equally inventive sequel that strives to say something more even if what its saying gets somewhat lost in translation. Even still, the dynamite dynamic between John C. Reilly's Ralph and Sarah Silverman's Vanellope is enough to hold down the fort...or the internet.

FINDING DORY Review

It has been thirteen years since Disney and Pixar released their fifth feature length film together in Finding Nemo, a movie about a timid clownfish who set out across the ocean to try and find his son. With that film, Disney and Pixar achieved the worldwide domination that the Toy Story franchise thus far had suggested and that Monsters Inc. had more or less solidified two years earlier. With Finding Nemo the animation studio proved once and for all they were no fluke and that their originals could be just as compelling and inventive as their sequels. So now, thirteen years later, we finally have a sequel to one of the Pixar films that both could have remained a stellar single film while also (along with The Incredibles) being one of the Pixar films that audiences longed for a sequel to and would have much preferred over another Cars movie. Has the moment passed though? Even Toy Story 3 came in under the thirteen year mark, but it has now legitimately been a full generation (or two) since Finding Nemo debuted in thetaers. Of course, the answer is no as through the power of DVD's, blu-ray's and the ever-improving home theater experience children and viewers who were once children who now have their own children will continue to watch their favorite Disney and Pixar films no matter how much time passes. I will certainly show my child the magic of Finding Nemo once she's emotionally ready for those first ten minutes, but the point is to say that it was never going to be too late for Finding Dory and more than anything most audiences will be happy to know it's finally here. And so, with that said and with all of that to live up to, how is the actual film? In short, it is perfectly capable. It is extremely sweet and cute in all the right ways. The flashbacks to Dory as a baby with her parents (voiced by Diane Keaton and Eugene Levy) teaching her how to cope with her short term memory loss will absolutely make a puddle out of any viewer with a heart. Finding Dory also succeeds in not being a carbon copy of the original and offers a fair amount of new characters that are also fun, sweet, and cute. As the film draws to its close though, it becomes clear Dory will pack none of the emotional heft that many of the best Pixar films do. While there are certainly moments of great weight and substance in Dory's quest to locate where she came from the overall arc of the film never latches onto a specific idea or theme in a way that through the films execution comes to feel profound. Instead, Finding Dory is a fun, beautifully animated diversion and sometimes that is just good enough.

New Trailer for FINDING DORY

As the summer movie season draws closer Disney and Pixar have decided to share a little more of their follow-up to the massively successful Finding Nemo. Nemo was Pixar at the height of its critical and commercial power and so it is no surprise that as the companies have become more comfortable with the idea of sequels that twelve years down the road we have a sequel to one of their biggest hits. While the teaser we received back in November was exactly that what we have now is a full fledged look into what the story of the film might be as well as being introduced to a few new characters. Pictured above are two of those new characters with Kaitlin Olsen's Destiny (the shark) being highlighted as a childhood friend of Dory's in the trailer. Catch the name? Hint hint. It has admittedly been a while since I've seen the original film and will definitely have to be re-visiting it before seeing this Dory-centric sequel, but this trailer certainly gives off the general vibe I remember from the original with Albert Brooks returning as Marlin and Hayden Rolence taking over as Nemo. We'll be getting Toy Story 4 soon, a sequel to The Incredibles (finally!) and another Cars film (why? WHY?!?!) as well as some original films that hopefully continue to ride the wave of creativity Inside Out created last summer over the next few years, but this summer is all about Finding Dory and, if nothing else, the trailer plays off the indisputable charms of the titular blue tang fish. Ellen DeGeneres returns as the voice of Dory with Michael Sheen, Diane Keaton, Eugene Levy, Ed O’Neill, Idris Elba, Dominic West, Willem Dafoe, and Ty Burrell also starring. Finding Dory opens on June 17, 2016.

Teaser Trailer for FINDING DORY

The team of Disney and Pixar have had some massive hits, but their biggest in terms of initial box office and adjusted for inflation grosses outside of Toy Story 3 is that of Finding Nemo. It was kind of an odd pick as the story is simple: father searches for lost son. And the appeal was simply the branding of what the studio had delivered previously. Nemo was Pixar at the height of it's critical and commercial power-a kind of culmination if you will. It didn't hurt that the quality of the movie was nothing short of excellent. Twelve years down the road and Pixar has experienced something of a rough patch with originals like Brave not stroking the critical fire as highly as expected and sequels like Cars 2 (why? WHY?!?!) and Monsters University (I really enjoy this one, regardless) doing more or less what people expect if nothing more. And so, while Pixar is certainly on something of an upswing after this summer's smash Inside Out and looks to have another hit on their hands with The Good Dinosaur this Thanksgiving there is nothing better than a safe bet and thus why we are now getting a peak at a sequel that was apparently warranted after thirteen years. We'll be getting another Toy Story feature, a sequel to The Incredibles and another Cars film (why? WHY?!?!) as well as some original sprinkled in there somewhere over the next few years, but today is about Finding Dory and, if nothing else, the trailer plays off the charms of the original's three leading characters in hopes audiences will remember how much they loved Marlin, Nemo and of course Dory to the point they're willing to spend a whole lot of money on them next summer. Ellen DeGeneres returns as the voice of Dory with Albert Brooks, Diane Keaton, Eugene Levy, Ed O’Neill, Idris Elba, Dominic West, Kaitlin Olsen, Willem Dafoe, and Ty Burrell also starring. Finding Dory opens on June 17, 2016.