WICKED: FOR GOOD Review

With a More Interesting Narrative Perspective and Higher Stakes, Jon M. Chu's Follow-Up is a Meaningful and Compelling Conclusion to the Saga of the Wicked Witch.

RUNNING MAN Review

Despite Glen Powell's Star Power this is Director Edgar Wright's Least Distinctive Effort to Date as it's Never as Biting or Specific as His Riffs on Other Genres.

PREDATOR: BADLANDS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

AFTER THE HUNT Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Ella Purnell. Show all posts
Showing posts with label Ella Purnell. Show all posts

MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN Review

Yes, Miss. Peregrine's Home for Peculiar Children is one of those young adult adaptations where a seemingly normal kid who possesses zero self-confidence comes to learn that he's special in some capacity. That he is in fact "the chosen one" and that without his presence an evil plan couldn't possibly be thwarted. Director Tim Burton's (Edward Scissorhands, Charlie and the Chocolate Factory) adaptation of author Ransom Riggs' best-selling novel is indeed that type of movie and there is no eluding those comparisons. What allows this seeming cookie-cutter product to come off a different conveyor belt than some of its peers though is the level of uniqueness with which it is operating in. Riggs' novel plays by the conventions of the genre, sure, but there are so many fresh and interesting ideas brought to the table that it is easy to see past the rather standard narrative beats. It is all about the journey rather than the destination, right? If one has little trouble buying into that saying than they should have no trouble finding a point in which they can immerse themselves in the world of Miss Peregrine (Eva Green) and her peculiars. While I can admit to the fact the adaptation (penned by Jane Goldman of Stardust, Kick-Ass, X-Men: First Class, and Kingsman fame) has a few shortcomings in not giving a few of its exceptionally talented cast members enough to do while sporting other scenes in which the exposition is far too glaring the overall product we are delivered is one of wonder and curiosity. I can only imagine going into the film having not read the source material that the plot could come off somewhat convoluted-especially in the obligatory action-heavy third act-but more times than not Goldman finds interesting ways to speak around the necessities of the plot which are only aided by the visual flair of Burton who finds himself firmly in his own wheelhouse with this world. From the overly dark and dreary opening credits sequence to the way in which it cuts abruptly to sunny Florida where Burton once again chastises the slums of suburbia it is clear Burton is back in a field where he feels his creative juices are free to flow. Essentially-the guy can do whatever he chooses and it will likely work in this alternate reality where what we come to be treated to is a fully realized world with special powers giving way to numerous adventures that is only halted from time to time by the not fully realized characters that populate it.

First Trailer for MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN

I read Ransom Riggs debut novel, Miss Peregrine’s Home for Peculiar Children, last year at the urging of my English teacher wife who'd come across the book and devoured it in less than a week and was anxious to get the two since released sequels as soon as possible. I enjoyed the book well enough, but was somewhat let down by the conventions of the narrative despite the inspiration for the novel being photographs Riggs had collected that he'd originally intended to publish as a picture book. At the suggestion of his editor he instead used them as a guide from which to put together a narrative. Still, there were enough interesting facets, characters, and intrigue within the world Riggs had created along the way to make up for the rather predictable antagonist and slightly convoluted backstory it took to make the threat seem palpable. My hope is that these few shortcomings in the novel will better translate to the motion picture format and be successful enough to kick off a franchise for 20th Century Fox as, despite initial reservations, I've been anxious to dive into the sequels Hollow City and Library of Souls. I also initially had reservations about Tim Burton taking on the film adaptation of the novel. Burton seemed the obvious choice, but from the looks of this first trailer it seems the auteur has really invested in bringing this world and these strange characters to life in a substantial way. The film looks gorgeous and while certainly being in Burton's wheelhouse looks unique enough to draw in even those who have grown weary of the director's style and spotty filmography over the last decade or so. I enjoyed Big Eyes well enough, but can't help but feel we haven't received top notch Burton since 2007's Sweeney Todd. My fingers are crossed this is a true return to form. Miss Peregrine’s Home for Peculiar Children stars Eva Green, Asa Butterfield, Samuel L. Jackson, Kim Dickens, Allison Janney, Ella Purnell, Judi Dench, Chris O'Dowd, Rupert Everett, Terence Stamp and opens on September 30, 2016.