WICKED: FOR GOOD Review

With a More Interesting Narrative Perspective and Higher Stakes, Jon M. Chu's Follow-Up is a Meaningful and Compelling Conclusion to the Saga of the Wicked Witch.

RUNNING MAN Review

Despite Glen Powell's Star Power this is Director Edgar Wright's Least Distinctive Effort to Date as it's Never as Biting or Specific as His Riffs on Other Genres.

PREDATOR: BADLANDS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

AFTER THE HUNT Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Emma Mackey. Show all posts
Showing posts with label Emma Mackey. Show all posts

BARBIE Review

Barbie
has its fake plastic cake and eats it too. When the first note of Lizzo's "Pink" drops accompanying the reveal of production designer Sarah Greenwood's "Barbieland" as these real-life dolls dressed in Jacqueline Durran‘s wardrobe descend from their Dreamhouses there is a sense that what we, the audience and spectator, are being welcomed into are images and feelings that possess an equal amount of simplicity and elegance. There is the immediate sense of influence in that one can easily see images and references from this movie integrating themselves into the culture; stills painted in Hollywood murals alongside classics like The Wizard of Oz or characters standing next to Marilyn Monroe. At the same time, there is an adventurous sense that one has no idea what they're truly getting themselves into or at least, where this movie might go both literally and thematically. By the final scene (or two) of the film it is clear this duality of simplicity and elegance is wholly intentional so that the film works on different levels for different audience members whether that be someone who currently plays with dolls, someone who once played with dolls, or even those who always felt too boxed in by expectation to either play with dolls themselves or at least acknowledge the appeal of them. 

Yes, this is a movie about a doll, but the “we’ll sell more toys” aspect didn’t bother or invade my experience because of how intelligently writer/director Greta Gerwig (Lady Bird, Little Women) uses this packaging to tell the story she and co-writer/life partner Noah Baumbach decided to tell or how it emphasizes the themes they wanted to explore and discuss. In addition to the levels and ideas (or levels of ideas), Barbie is also just a Technicolor fever dream of musical numbers and comedy bits that land with such frequency that even if your sympathy for Ken is maybe greater than it is for Barbie or even if Allan weirds you out a little bit (which we’ll get to) there is plenty here for all to enjoy if not hopefully (eventually) consider.