Showing posts with label Eric Dane. Show all posts
Showing posts with label Eric Dane. Show all posts
BAD BOYS: RIDE OR DIE Review
It’s nothing new for a Bad Boys movie to have an overly convoluted plot and too many side characters, but what has remained consistent is how each movie somehow manages to not let those things detract from the centerpiece chemistry between Will Smith and Martin Lawrence. Four years is the shortest amount of time between sequels in this franchise thus making the latter two films feel as equal in weight as the impressive debut and chaotic classic that is Bad Boys II. Why Bad Boys III didn’t come out in 2009-2010 and why we converted to confounding subtitles rather than sticking with the already established roman numerals I will never understand, but here we are with two very distinct halves of the Mike Lowery and Marcus Burnett saga.
In truth, it would be hard to mess one of these movies up and fortunately all the key ingredients are present with Bad Boys For Life directors Adil El Arbi and Bilall Fallah returning in full "Bayhem" mode employing (and deploying) as many drones to shoot the film as Alexander Ludwig's character does to shoot the bad guys. Screenwriter Chris Bremner returns while Aquaman and Justice League scribe Will Beall joining him to fashion a story around the next phase in Mike and Marcus' already illustrious careers after seemingly working through all the late-stage personal and professional conflicts these two would have encountered as aging lieutenants.
This is where the real challenge of the film lies though, as up to this point each Bad Boys film was capturing these characters at very different stages of their lives and careers, but as a direct sequel to "For Life" this not only deals in many of the same themes, but picks up certain plot lines directly and carries them through. There isn't anything wrong with this approach from a high-level perspective (though I hope they don't wear out their welcome because this is the only viable franchise both are currently clinging to) but as you get into the weeds of what matters on a story-level one can feel the straining to both find new layers for Smith and Lawrence to explore with these characters while also seemingly trying to set-up the future of this franchise in two successors who have ever met one another and whose chemistry - the necessary chemistry that allows these movies to elevate themselves above other, traditional police procedurals - is untested.
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