SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Fana Mokoena. Show all posts
Showing posts with label Fana Mokoena. Show all posts

MANDELA: LONG WALK TO FREEDOM Review

Prior to seeing this film I knew little about Nelson Mandela past the major facts that he spent twenty-seven years in prison only to become the President of South Africa. He was a revolutionary, a philanthropist and a beacon of hope to people that, in my distant learnings, would never be associated with the word politician. Turns out there was much more to his story than I could have imagined as this wasn't simply a man who went through the ups and downs of immaturity to be re-born in prison and make a difference once he was set free, but this was a man dedicated from birth to leaving an impression, to doing something that would make the ones he loved, proud. This was not a leader bent on gaining power for personal gain or to feed his ego, but a man determined to make a difference in the lives of his people and to allow his family and friends to walk free in their own land. Naturally, there has no doubt been some type of flattery given to the man as this is playing up the acts he initiated and was willing to die for, but none of it comes off as such in the film and despite the fact I would need to do immeasurable research to fact check every event the film chronicles never do the actions our titular subject takes part in feel lacking in genuine reason or motivation. They are simply part of what makes this man who he was and while much of that is conveyed successfully through the obstacles encountered and overcome by Mandela there is also no lack of that raw human element that the character would feel forced and inaccurate without. Idris Elba, in a career defining performance, delivers on every level a man who is, despite his consistent talks of peace, not afraid to walk the walk and that is what makes him so appealing to his people, so trustworthy to his peers and so impressionable to those with power. Mandela: Long Walk to Freedom is a solid two hours and twenty minutes of biography that is unable to follow the typical story structure of these films due simply to the unique consequences of Mandela's story, but despite a few hang ups here and there in only skimming over certain details and opening subplots without any further exploration or eventual resolution this is still every bit the engaging experience you might expect it to be and a film that implies a sweeping and powerful scope such a life should be represented by.

WORLD WAR Z Review

I read about one hundred pages of Max Brooks (son of Mel Brooks) novel on which this latest Brad Pitt film is based but was never really able to dig into it. I hoped to finish it before seeing the resulting film, but upon consistently hearing the movie would be nothing like the book and after witnessing the format and technique with which the book was constructed it was clear the only way to make a movie that strictly adhered to that same format would have been to make a documentary-like film. As it was clear this was not the route taken by director Marc Forster and producer/star Pitt I gave up on the book with optimistic thoughts of returning to it at some point. It was clear the main concept the film had taken away from the novel was the idea of a global crisis, but that displaying the crisis on a global scale through a leading man was more attractive than jumping from perspective to perspective with multiple characters. There is no problem with this approach except for the fact that the only thing the novel and the actual film share is the title. I can understand why this might have caused Brooks to speak negatively about the film, but even this isn't the worst thing this movie had going against it before its release. That would be the on-set tension between Forster and Pitt as well as the issues with the ending of the film. That there were $20 million worth of re-shoots done and last minute re-writes to the script would all point towards the final product being a complete mess. Turns out, we should have simply had faith in Pitt all along as World War Z turns out to be an extremely tense, well-paced action movie that doesn't solely depend on that action to give it a pulse. This is a smart, surprisingly well-thought out film that is up front about its zombie problem and deals with it in a way that is terrifying due to the fact it is likely how things would actually happen were there to be some kind of infection turning your friends, family and fellow citizens into undead sprinters that bite and move on with their victims becoming the same frightening zombies in a matter of seconds.