SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Hannah Ware. Show all posts
Showing posts with label Hannah Ware. Show all posts

OLDBOY Review

Spike Lee's remake of Oldboy will go down as one of the bigger disappointments of 2013, that is, if it is remembered at all. This is unfortunate though as it feels to me that this is one of those films that was locked out and given up on before it even had a chance. Initial reaction to that previous statement goes to the fact this was originally planned as a wide release, but was quickly cut back to a limited roll-out which typically accompanies smaller films where the studios expect positive buzz and strong word of mouth to build anticipation for it once they expand to more cities. This obviously didn't happen in the case of Oldboy as it was pretty much dead in the water from the time the earlier decision was made to push it back a month from October 25th to November 27th. Back to the initial reaction statement though, while it may go to the aforementioned unfortunate scenario it seems the truth is that this project was probably dead from the moment it was greenlit by whatever studio head thought it a good idea to remake the 2003 Korean film that has amassed an extremely loyal following and is considered a masterpiece by many. Though I always thought the purpose of re-making something was to bring it to the attention of those who might not otherwise discover the original there are those more cynical who believe the sole purpose of piggy-backing off the name of a successful foreign film and Americanizing it is purely for profit while hopefully guaranteeing a win financially; they are probably right. Still, that clearly all but backfired here as no one thought through how you might market a film where much of its story and the suspense that goes along with it are dealt in the twists and surprises the film holds close to its chest. No one seems to have thought through that this brutally dark picture isn't what most moviegoers are looking for at Thanksgiving and that it would have likely been better facing off against Bad Grandpa than Frozen. This piece is not meant to question why the film failed financially or in its marketing though, but instead if the film itself was even necessary. I haven't seen the original Chan-wook Park film and so I was no less than intrigued by the trailers and anxious to see what a director like Lee might do with this perplexing material.