SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Hiam Abbass. Show all posts
Showing posts with label Hiam Abbass. Show all posts

EXODUS: GODS AND KINGS Review

What can you say about a film that is fine for what it is and nothing more? Exodus: Gods and Kings is a movie, it has entertaining moments, looks fantastic and while I obviously didn't love it there is certainly no reason to hate it either. The real problem is the fact there's no vision or passion behind the project. Director Ridley Scott (Alien, Blade Runner) is nearing eighty and in his aging state seems intent on pumping out films at a quicker rate than ever before. Since the massive success of Gladiator at the dawn of the millennium the director has not gone more than two years without making a film and more times than not he delivers one on an annual basis. With a project on the scale of Exodus though, one might imagine he'd have to take more time for prep and the development of visual effects at the least, but moreso for the necessity of trying to really make something substantial. Scott hardly seems interested in making anything of note these days though and instead is a misguided storyteller somewhat fascinated by history, more interested in spectacle and with no sense of impassioned faith, not even in his own work. I can only imagine what might come of an elder Scott picture were he to really take the process step by step and first develop the script he is given, this one patched together by four different screenwriters, then move on to planning a visual representation of that story that might actually allow the audience to become invested or feel a part of the action that is unfolding in front of them. Scott clearly has no problem getting budgets to secure the epic scope of his films nor is there an issue with attracting top talent to headline his movies, but instead of using these advantages to his advantage they are wasted on mediocre products that have consistently ended up feeling more like cogs in the machine than any type of exception to the rule. One might expect a Biblical epic in the vein of Cecil B. DeMille with a more contemporary approach to serve as fascinating for the generations that find Charlton Heston's version dated, but instead we receive more of what we are conditioned to. Exodus: Gods and Kings is less an inspired retelling of a story we all know and more another attempt by Hollywood to cash in on a pre-established brand.