SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Ingrid Bolsø Berdal. Show all posts
Showing posts with label Ingrid Bolsø Berdal. Show all posts

HERCULES Review

Twelve years ago the Rock "arrived" with The Scorpion King in full swords and sandals glory. In the summer of 2014 he has returned to that well-worn genre that has lost much of the interest that Gladiator garnered for it in 2000. If anyone could bring films based in this type of world or adaptations of the stories in Greek mythology back into the casual movie-goers field of vision it would surely be the reigning king of action flicks, right? Over the past three years Dwayne Johnson has re-vitalized the Fast & Furious and G.I. Joe franchises while bringing new life to the Journey To... movies. In many ways, Hercules, was the test of just what Johnson could attract and handle on his own with only the significance of brand recognition assisting him. Sure, he's had flicks like Snitch and Faster that cast him as the sole marquee star, but this was an all-out Summer B-movie with a big budget, sprawling scope and, as the trailers would have you believe, large amounts of CGI fantasy. While I am happy to report that Hercules is both varied in scope and is quite expansive while offering genuine thrills it isn't the CGI-heavy bonanza of easy-outs that the trailers advertised and made me cautious in getting too excited for the film. About twenty minutes into the movie I began wondering whether the film would add up to anything more than escapism or if there might be something here, something deeper they were going for. I say the previous sentence not in the line of thought that I think everything necessarily has to be about something, but more in a curious fashion as to if director Brett Ratner would aspire to something more than what was expected. It was with something akin to a sigh of relief that when the credits began to role on this latest incarnation of the Greek demi-God that I felt wholly satisfied. Maybe expectations play a certain role in that, maybe this movie won't hold up after multiple viewings, maybe Johnson needs to stick to strong supporting roles that don't require so much heavy lifting and maybe Ratner shouldn't get the opportunity to do anything outside this wheelhouse again, but for what it is intended to be Hercules is good, if not forgettable, fun.