Showing posts with label Issei Ogata. Show all posts
Showing posts with label Issei Ogata. Show all posts
SILENCE Review
Silence is director Martin Scorsese's twenty-fourth narrative feature and one the auteur has been longing to make for quite some time. With that, Silence is a nearly three-hour epic that feels as if it has so much on its mind while at the same time not exactly conjuring much thought about anything other than what is physically presented. This is somewhat troubling considering Silence is a movie wholly about spirituality and the fact it isn't so much the traditions and exteriors of a religion or set of beliefs that matter, but whether the individual practices what their faith teaches daily while realizing how best to do so when that faith is inevitably tested. There is clearly a lot going on in Silence and much Scorsese seems to want to discuss, but the final product we've been delivered is so subtle about its deeper meanings and feelings around the people and subjects it is taking on that the viewer really has to reach into the depths of their attention to pull something substantial from the experience. One can counterpoint with the fact that Scorsese simply isn't spoon feeding viewers what he wants them to think and how he hopes they perceive his ponderings, but rather that he gives the facts of these "based on true life" events with limited shades of interpretation to allow the audience to have their own. This is fair. We have so many churches and/or places of worship these days due to the fact so many couldn't let their interpretations settle into an already established denomination, but this isn't the same kinds of conflicts of faith our characters in Silence struggle to comprehend. More, this a film about the thought process, the heart of the teachings Christianity and other religions preach, and how these intangible things define who we are as individuals and the role they play in determining the tone of humanity. There are no concrete definitions, no absolutes, no black or white, but instead Scorsese and co-writer Jay Cocks (Gangs of New York) have adapted Shûsaku Endô's 1966 novel into a meditative film that has the odd distinction of both being completely about what lies beneath the surface yet often times feels only surface level as far as impact and effectiveness are concerned. There is no denying that the film has layers upon layers from which numerous conversations can be elicited while featuring gorgeous photography, a couple of committed and rather brilliant performances, as well as some genuinely heart-wrenching moments that, depending on beliefs prior to seeing the film, will either reaffirm your faith or cast greater doubt than even before. For such factors alone, Silence is a staggering piece of work that should be commended, but on a basic level of raw emotional response the film didn't leave the lasting impression or transcendent experience great sermons hope to accomplish.
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