Red-Band Trailer for BLOCKERS Starring John Cena

The first, red-band trailer for Universal's Blockers has arrived and it finally feels as if we might have a solid comedy waiting in the wings. Over what was a notoriously dry summer that saw Snatched, Baywatch, The House, and The Hitman's Bodyguard do little to nothing for the genre (not to mention Edgar Wright making another good film, but not necessarily a funny one) most audiences relied on the likes of dramedies such as The Big Sick and maybe Logan Lucky (for those who actually saw it) to garner a few laughs while even the animated fare was somewhat light on quality with Captain Underpants maybe being the best, but least seen of the bunch. All of that to say, the fall awards season isn't particularly known for its sense of humor, but while we'll get a few comedies in the form of sequels such as Daddy's Home 2 and A Bad Mom's Christmas I'll be looking forward to next spring when an original and seemingly clever comedy like Blockers drops. I'm surprised much of the reception to this has been negative as I found much of the situational stuff here to be pretty appealing in terms of the comedy being elicited from the generational gap which typically plays pretty stale. Maybe I simply have more trust in the movie as a whole because it is the directorial debut of Kay Cannon who has cut her teeth as a writer on New Girl and the Pitch Perfect series before jumping into the director's chair. I tend to appreciate Cannon's offbeat and rather random sense of humor that she infuses into her projects and I look forward to how that crosses over into her filmmaking style. It also doesn't hurt that Cannon's lead trio consisting of Leslie Mann, Ike Barinholtz, and John Cena seem to have great chemistry between one another and make for a group of friends I could see having fun hanging out with outside of watching them in a movie. Mann and Barinholtz definitely know their way around a studio comedy, but it will be nice to see Cena take on a larger role in a live action comedy after that scene-stealing performance in Trainwreck a few years back. All of that said, I hope this breaks the mold of stale studio comedies for, if you saw the trailer for Father Figures a few weeks back, you'll recognize how dry the well has indeed run. Blockers also stars Kathryn Newton, Geraldine Viswanathan, Graham Phillips, Gideon Adlan, Jake Picking, Ramona Young, Miles Robbins, Jimmy Bellinger, and opens on April 6th, 2018.

PATRIOTS DAY Review

One goes into Patriots Day with a certain expectation of what they believe will be delivered to them. We're all familiar with the story. Heck, if you're of legal age to see an R-rated film in theaters (meaning this one) then you were at least fourteen when the Boston Marathon bombing happened on April 13th, 2013. There is this expectation that the film will take us through these events we're already familiar with adding the caveat of getting to better know some of the individuals involved. When it becomes apparent what director Peter Berg (Lone Survivor, Deepwater Horizon) is doing though, it's not difficult to realize this is going to leave a greater mark than expected. With Patriots Day, much like with his previous two efforts with Mark Wahlberg, Berg has crafted a narrative around recent history that could very easily have been a kind of simple procedural; taking us through the day's events step by step and doing little more than adding a personal aspect to a story the whole world has already heard, but rather than allow this lack of time or perspective to hinder his film Berg allows this immediacy to relate to who he knows will make up his audience in stirring, emotional ways. There is a tinge of jingoism that builds throughout the film and becomes what is probably too obvious by the time Berg tags his film with interviews with the real life people we've just seen portrayed on screen, but that doesn't mean it isn't effective. It's a bit much, extreme even, but it works in the films favor more than it doesn't. It is in how much Patriots Day ultimately moves its audience not by simply taking us through the moments, but rather by expertly crafting a narrative around key individuals and bringing each together until they are tied in unison; some in expected and others in genuinely surprising ways. It is not so much what is being conveyed, but how the context of such moments is set-up and carried through that make the emotional heft of this thing as great as it ends up being-and it can be a tough one. The film does have its shortcomings-mostly in that it fails to better characterize its antagonists instead painting them as monsters, and deservedly so, but with no insight into their mentality or personal justification we are led to believe we should lump them into the Muslim stereotype that has become associated purely with terrorism. This stereotype can certainly prove true, but if you're making a whole movie around the reactions to these guys actions then we need a slightly more perceptive take on them. The movie also runs just a tad too long. At two hours and thirteen minutes Patriots Day begins to show its running time in the third act when the momentum slightly stalls and we feel the otherwise expertly structured film unravel just a bit.

DIRTY GRANDPA Review

Dirty Grandpa is the kind of movie that longtime fans of Robert De Niro will scoff at and that others will see as Zac Efron continuing to hang his movie stardom on the only game in town that seems to work for him: R-rated comedies. By this point in time though, De Niro isn't hurting his legacy as much as he is simply continuing to do what he loves, but with less demanding material. The guy's legacy is cemented in the films he made and the roles he personified in his prime that are still discussed today. Dirty Grandpa won't hurt his legacy because no one will remember Dirty Grandpa two months from now. Efron, on the other hand, has been testing this reliable formula since Charlie St. Cloud and the indies he attempted didn't hit. The moment that not only The Paperboy failed to connect, but both At Any Price and Parkland failed critically and commercially it was as if Efron told his agent to only send him one type of script. Over the past two years Efron has starred in That Awkward Moment, Neighbors, We Are Your Friends and the movie we're discussing in this review. Just around the corner, the actor has four movies in some stage of production all of which are comedies, and all likely rated-R. So, what does this tell us about Dirty Grandpa? Well, it tells us to expect nothing more than the tried and true formula that has kept Efron afloat and that will continue to give De Niro paydays in the vein of The Intern and Last Vegas. These are perfectly fine, broad comedies that do what they are intended to do and little more. They open up with an accessible premise, do their job for an hour and a half, and wrap everything up nicely so we can go home feeling good about the ten bucks we invested in it. Dirty Grandpa certainly tries too hard in certain moments and director Dan Mazer (I Give it a Year) doesn't know how to balance the raunch with the heart very well, but I laughed often enough to qualify it as more of a win than a waste of time. At the very least there is genuine character development happening as the arc of the film depends on it and there is clear effort being made to craft a legitimately funny movie which is more than I can say for the total cash grab that is Ride Along 2.