SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Jeffrey Nordling. Show all posts
Showing posts with label Jeffrey Nordling. Show all posts

SULLY Review

Sully is a slim 95-minutes. It swoops in with a harrowing opening sequence and then only lets its foot off the throttle just long enough to place viewers back at the beginning of 2009 and familiar with Captain Chesley "Sully" Sullenberger once again before thrusting them into the throws of the reasons this movie exists. The toughest challenge a movie about the "Miracle on the Hudson" was always going to face was going to be finding a new angle in which to present the story to audiences who were witness to an onslaught of media coverage around the actual event; what was there to the story we didn't already know? Turns out director Clint Eastwood and screenwriter Todd Komarnicki (who has only written three feature screenplays the last of which was the 2007 thriller Perfect Stranger starring Bruce Willis and Halle Berry) had plenty of material as the not so well documented aspect of the aforementioned "Miracle on the Hudson" was the fact the NTSB conducted an investigation as to whether or not Captain Sully could have in fact made it back to a runway instead of landing a pricey plane in the middle of a river. And so, what Eastwood has is a David and Goliath story of sorts where the line between good and bad is drawn early and distinctly with the script simultaneously evaluating the psyche of a man who happened to be in the right place during a bad situation that would result in him having to separate reality from the strange swirl of whatever kind of life was happening immediately following his unprecedented landing. And on many different levels, no less. This not so well publicized aspect of Sully's story combined with the revelatory state of mind Tom Hanks brings to his performance, some critical editing by Blu Murray (a frequent collaborator of Eastwood's, but someone who's never taken lead on one of his films) that lends these familiar events a whole new level of tension all packed into that slim running time make Sully a consistently perceptive interpretation of the events of January 15, 2009 that stands to be largely effective and appropriately affecting.