SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/
Showing posts with label Jonas Armstrong. Show all posts
Showing posts with label Jonas Armstrong. Show all posts

EDGE OF TOMORROW Review

There will come a day when Tom Cruise not only doesn't make action blockbusters like this, but when he won't be able to and when that day comes we will miss it. We won't miss these films strictly out of a sense of nostalgia, but because Cruise is the last of a dying breed; one of the only true movie stars left who, despite his image being tainted over the years, can demand the kind of budget and talent it takes to put together an original effort worth standing behind. He has displayed such influence throughout his career, spearheading projects like The Last Samurai that would have never been made on the scope they were without the involvement of Cruise. So, even though the artistic edges of his earlier work may have faded in the wake of his public life being more important than his acting ability he is still able to make movies he seems interested in, but that are more or less of a certain genre that has better odds of making a solid return than maybe a historical drama. With Edge of Tomorrow, or All You Need is Kill as it was originally, less-generically titled (interestingly enough, I don't remember seeing a title card) Cruise has again stepped into the world of science fiction as he seems to enjoy these kinds of worlds and the different rules in each of them he can explore. What makes Cruise the still magnetic force and pure movie star that he always will be though is how he digs into the motivations of the character and makes what could easily be looked down on as silly or nonsensical into a valid threat, a valid journey, a valid plan. To a certain degree audiences expect films of the sci-fi genre to feel gimmicky or sound corny yet here that is made all the more real, all the more immediate by not only the surprisingly rational dialogue, but by the fervor in which Cruise delivers it. Yes, Cruise is chief among his co-workers as a man who can still open a film and get people interested simply by having his name over the title. Still, what struck me more as I watched a nearly 52 year-old Cruise ride a motorcycle on the outskirts of some ravished city that highly referenced any number of Cruise films was that one day we will long to simply go to the movies and have the ability to watch a Tom Cruise blockbuster. Unfortunately, those kinds of opportunities will not always be here and so we should appreciate these occurrences especially when they are as entertaining and and thrilling as Edge of Tomorrow.