Showing posts with label June Diane Raphael. Show all posts
Showing posts with label June Diane Raphael. Show all posts
LONG SHOT Review
Pairing schlubby, messy men with women who are out of their league in regards to looks if not always intelligence is not a new concept or novel idea, but it is something that has been done to the point that, to do it again without any sense of awareness would in and of itself feel like a parody. This is why Long Shot immediately placing this same situation in the realm of political campaigning-where outward appearance and perception is critical-is what makes re-visiting this trope both funny and worthwhile. Rogen, who rarely seems to work from a concept or screenplay where he's not involved in some capacity has thrown himself at the mercy of screenwriters Dan Sterling (The Office, The Interview) and Liz Hannah (The Post) as well as frequent collaborator, director Jonathan Levine (50/50, The Night Before). This R-rated romantic comedy not only deals with your typical conundrums of opposites attracting, falling in love, and making it work in the face of what societal expectations tell our characters they should ascend or not ascend to, but it also gets into the weeds when it comes to our current political climate and is able to round out both of these objects of very strong affections with the idea that one shouldn't compromise their desires or feelings towards a topic or person just because some people may not approve of them. It's been nearly fifteen years since movie-going audiences were introduced to Rogen's disoriented stoner/slacker of a caricature and in that time Rogen has managed to somehow both mature yet remain the same. There is a natural level of humor Rogen brings to his projects that is gleaned simply from the actor laughing at a joke either he or another character has made. Whether Rogen is working with the likes of Judd Apatow, someone like Levine, or writing and directing with creative partner Evan Goldberg each pairing seems to always find a way to carefully balance the vulgarity and gross out gags that are inevitable with a sweetness and sincerity in story that reassures the audience there is more here than dick and drug jokes.
UNFINISHED BUSINESS Review
What is Vince Vaughn doing with his time? Was making Delivery Man such a great experience and one that ultimately garnered him the profits and adulation he so desires that he thought following it up with another collaboration with the director was the way to go? He might have had a good time making the movie, sure, and I liked it more than most probably because I still like Vaughn more than most, but if Delivery Man was anything to the public it was an insignificant comedy that has already been forgotten and it isn't hard to see the same fate happening to this second collaboration between the actor and Ken Scott. Unfinished Business is a comedy you'd hardly recognize as such because it feels so half-baked, but regardless I can't help but to feel Vaughn is giving it his all here despite having to know that the story is paper thin and his supporting characters (sans Dave Franco) are a far cry from those he once surrounded himself with in Swingers and Wedding Crashers. Much like Adam Sandler, Vaughn has become a comedian no one expects much from anymore, but continue to tolerate because he has a relatability factor and is inherently charming with his fast-talking comedic style endearing him to many who now try to resist. It would be easy to go the contrarian route with a movie like Unfinished Business due to the fact there is a semblance of something more at the core of this fluff, but it is all too half-assed and slight to actually be anything of note. Not only is this a movie that fails to be entertaining half of the time, but it offers nothing new or insightful in terms of corporate America, the working class or even the stiff that has been so spread thin he forgets to stop and appreciate the good things in life that Vaughn has now played a total number of I've lost count he's done it so much. I want to like what Vaughn does with his precious time and I want to trust (like I do with Sandler) that he wants to be better than this; that he craves to create something substantial in a comedy that truly brings a smile to peoples faces that they continue to quote for years after its release, but what he's doing lately with that precious time seems to be little more than wasting it on dreck like this.
GIRL MOST LIKELY Review
What happens when a movie doesn't center around its most interesting character? That is only one of the issues facing the latest Kristen Wiig film, Girl Most Likely. I'm not sure what I expected from Wiig after she officially "made it" with Bridesmaids a few years ago, but she certainly hasn't attempted to capitalize on her heightened status as much as co-star Melissa McCarthy. No, I'm not sure what I expected of her, but I know it was more than this. Before that leading role in Bridesmaids it seemed Wiig was everywhere in small, supporting parts (Extract, Adventureland, Whip It, MacGruber, Date Night, Paul) but since she has done nothing in the way of mainstream films besides lending her voice to animated work (most notably Despicable Me 2) while her only major film roles have been the one under review here and the favor that was Friends with Kids. All of this is to say that while Girl Most Likely is a passable film with a cast too good for its material there was a level of expectation for Wiig's career and in many ways this is the kind of film that begins to deflate those expectations. There is still time as plenty of people won't discover this little film until it makes its way quietly onto home video in a few months and Wiig has several projects lined up including the Anchorman sequel and the Ben Stiller-directed re-make of The Secret Life of Walter Mitty both of which come out in December and will do nothing but boost her star, but these will again be supporting roles and people are anxious to see her take the lead again, just not like this. We want to see her head up a mainstream comedy with mass appeal that still allows her brand of humor to seep in and we want to see her play a different kind of character. The Imogene of Girl Most Likely is so much like the Annie of Bridesmaids we begin to wonder if this is what might have happened in an alternate universe. Wiig is known for being able to play a variety of characters, I just hope she shows that on the big screen soon.
Subscribe to:
Posts (Atom)







