THE FANTASTIC FOUR: FIRST STEPS Review

Kevin Feige and Co. Begin a New Phase of The Marvel Cinematic Universe with Their First Family in One of the Better Origin Stories the Studio has Produced.

SUPERMAN Review

James Gunn Begins his DC Universe by Reminding Audiences Why the *Character* of Superman Matters as Much as the Superman character in Today’s Divided Climate.

JURASSIC WORLD: REBIRTH Review

Director Gareth Edwards and Screenwriter David Koepp know Story, Scale, and Monsters Enough to Deliver all the Dumb Fun Fans of this Franchise Expect in a Reboot.

F1: THE MOVIE Review

Formulaic Story and Characters Done in Thrilling Fashion Deliver a Familiar yet Satisfying Experience that will Inevitably Serve as Comfort Down the Road.

MISSION: IMPOSSIBLE - THE FINAL RECKONING Review

Director Christopher McQuarrie Completes Tom Cruise's Career-Defining Franchise with a Victory Lap of a Movie more Symbolically Satisfying than Conqueringly Definitive.

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Showing posts with label Karan Kendrick. Show all posts
Showing posts with label Karan Kendrick. Show all posts

JUST MERCY Review

The third film from director Destin Daniel Cretton (Short Term 12, The Glass Castle) stars Michael B. Jordan, Jamie Foxx, and Brie Larson in the true story of a Harvard-educated lawyer named Bryan Stevenson (based on a book written by the actual Stevenson) who goes to Alabama in the late eighties to defend the disenfranchised and wrongly condemned including Foxx's Walter McMillian, a man sentenced to death despite evidence proving his innocence.

Every single word in that description would lead one to believe Just Mercy is an inevitably powerful film that is both timely and timeless as it touches on the indifference to inequality and justice in our society as its been fated to have been constructed; a world with a “justice deficient” as Stevenson would describe it, so why then...does everything about Just Mercy feel as formulaic as the old gospel hymns referenced within it? There's no taking away that this is a good movie, but there's no denying it goes down exactly as you expect it to also. That isn't to say the story isn't important or to criticize the story the film is telling, but more it is a recognition that Cretton and co-writer Andrew Lanham (The Shack) might have done more to execute this in a fashion not so routine; to find a way of conveying the story in unexpected ways rather than resting on the fact the true story is compelling enough on its own.