It is odd to come to the realization that you are no longer within the target audience for a certain genre of film. Sure, I may not have enjoyed
Insurgent, the second film in the
Divergent series, but the makers of the film don't care if I like it or not. This is a film catered to the junior high audiences that eat up these young adult novels in spades and move on to the next one in order to satisfy their angst-ridden school days. This isn't a bad thing, especially with the recent wave of strong leading female characters no doubt making young women feel more able than ever and alleviating the need to conform. That may sound rather banal in terms of themes, but they are ideas every generation needs to learn and it just so happens the current generation is picking up on such ideas by way of brave heroine's in dystopian futures. While I rather enjoyed author Veronica Roth's initial trip into a futuristic Chicago where society has been divided into five factions according to individual personalities, I found it difficult to make it through the second book in her trilogy.
Insurgent always felt more like a trudge than
Divergent when it should have been an opportunity to go a step further than it's exposition-filled predecessor.
Insurgent, the book and the film, want so bad to open up this world that Roth has created, but instead this middle chapter is hindered by not having the structure of a clear beginning or end. I had to force myself to begin reading the source material again after a previous false start. I made it through in my second attempt, but it was more of a chore than anything and I've yet to pick up
Allegiant, the third and final book in the series that will of course be split into two movies, and honestly have no desire to do so. While
Insurgent is certainly a competent film and has flashes of real creativity and strong performances, it stalls early in it's storytelling prowess and never recovers. By the end of the film I felt like almost nothing had happened and the ball had been pushed only a few yards down the field from where we started two hours before. It's hard to know who to blame-Roth's overly layered source material or the multiple screenwriters tasked with adapting the it that have streamlined it to the point it all feels pointless, but someone should be held accountable.
