The Girl on the Train, the film adaptation of Paula Hawkins best-selling novel, is directed by Tate Taylor (
The Help, Get On Up) and features a solid cast of talent led by the remarkable Emily Blunt, but ultimately serves as a reminder that even the most creative juices can be filtered through the system and down into the most generic of thrillers when there is no more motivation to a story than to relay melodrama. My apologies for the run-on, but like the movie it is describing there is a lot going on in
The Girl on the Train with none of it seeming to amount to much at all. Even as the film comes to its "shocking" conclusion there is little to take away from the film other than the fact that we now know "whodunit" never mind the fact we don't really know why they did it or what more might be going on below the surface because that is as deep as
The Girl on the Train gets: surface-level. That isn't to say there aren't glimmers of more interesting caveats to the film as it's clear the intent of the premise was to allow the material to explore how we perceive the lives of others yet only assign them a handful of details to remember them by when they, in reality, have just as full a life as one's own self. Taylor and screenwriter Erin Cressida Wilson (
Secretary,
Men, Women, & Children) don't have much of an interest in these aspects of the story though as they seem more concerned with cramming in as much of the source material into their one hundred and twelve minute feature version without bothering to flesh any of that material out. Novels are, by nature, too layered and more inherently nuanced than films to be adapted directly and so the key when taking on a project such as this is to latch onto one idea or theme that the book contains and view the entirety of the story through that prism so as while maybe not capturing every moment from the beloved book one actually stands a better chance at capturing the spirit-which, both fans of the novel as well as the uninitiated (count me among them) will undoubtedly thank you for in the long run. This will not only add more compelling and fascinating aspects to the film with each viewing, but it will help viewers to better understand the fractured psyches through which this story is conveyed. As for the product Taylor and his team have delivered-there will be no replay value to this film. Once the mystery is gone it only becomes more glaring how poor the execution is.
