SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/
Showing posts with label Mark Steger. Show all posts
Showing posts with label Mark Steger. Show all posts

SCARY STORIES TO TELL IN THE DARK Review

Set among the warm fall colors in 1968, director André Øvredal's (Trollhunter) adaptation of Alvin Schwartz's collection of folklore that are forever ingrained in the minds of the children who read them thanks to Stephen Gammell’s red and blue-tinged illustrations is a genuinely frightening slice of nostalgia horror aimed at the same audience as Schwartz's three collections of short stories with the visual prowess to line up alongside the creepiest of horror shows. It's a difficult line to skirt and an even greater feat to accomplish, but what allows this compilation of the individual stories to feel like a cohesive whole is both the fact that no individual creature or arc is meant to outshine the other and that Øvredal along with screenwriters Dan and Kevin Hageman with a credit also going to producer Guillermo del Toro is the fact they utilize said creatures and arcs within the architecture of your standard "killer/slasher" structure to enhance the character arcs of our heroes. The caveat of this adaptation is that they've made each of these "scary stories" a symptom of the same source-a book written by the strange, misbegotten daughter of the family who founded this rural farming community in which the film takes place: Sarah Bellows. This plot device of a literal book of scary stories allows for the main characters to have the knowledge and understanding of what they're dealing with, for the structure to ratchet up the tension by placing a ticking clock via the head count and finally, for the Hageman's and del Toro to write these protagonist's in a way so that the stories they end up in from Bellows' book are of a metaphorical nature thus lending the individuals and the stories themselves a certain amount of depth. This isn't to say Scary Stories to Tell in the Dark transcends the horror genre and will go on to serve as a defining piece of work, but more that this film in particular had the difficult task of relaying a work written for children that was meant to make those children feel like adults into a movie that looked as if it were made for adults, but successfully functioned as a movie for both audiences. And sure, different genres do this all the time, but there has always been a clear distinction between PG-13 horror and R-rated horror and while some of this achievement may be relegated to the fact this was granted a PG-13 rating and we therefore accept this content is acceptable for younger teen audiences, to see past the semantics is to see that Scary Stories doesn't simply achieve the objective of being creepy, but it ever so quietly works its way into that rarified air of being a horror film that feels as familiar and comforting as the fall leaves its set within while still being unnerving; hell, it may not break any barriers, but it does feel like a breath of fresh air.

Final Trailer for PARANORMAL ACTIVITY: THE GHOST DIMENSION

It's been six long years since Paranormal Activity took movie theaters and audiences by storm. The mythology has since grown to almost incomprehensible levels, but the latest (and supposedly last) film from the series looks to put it all to rest. Oren Peli, who pioneered the whole franchise, is nowhere to be found with this installment though as four screenwriters were brought in to craft this sequel while first-time feature director Gregory Plotkin is at the helm. To be honest, I have little to no interest in the franchise anymore given there has simply been too much time in between the fourth installment and this one. Granted, there was The Marked Ones last January, but even that felt forced (despite connecting to the overall narrative) and I can only imagine The Ghost Dimension will suffer for being perceived as another off-shoot rather than the fifth film in the ongoing saga. As far as I can tell that is what this new film is, Paranormal Activity 5, but you wouldn't know that from this supposedly final trailer for the final Paranormal Activity film either. What we're given instead is a collection of hidden camera pranks that follow innocent people looking to buy a house who just so happen to be looking at the original Paranormal Activity house that has been rigged to scare the crap out of them. I don't really like this approach given it takes away from the "realness" that these films have worked so hard to keep intact, but again, I don't really care at this point so why even let it bother me? If you're interested though, Paranormal Activity: The Ghost Dimension "stars" Chris J. Murray, Brit Shaw, Ivy George, Dan Gill, Olivia Taylor Dudley, Chloe Csengery, Don McManus, Michael Krawic and opens on October 23rd. Hit the jump if you dare...