SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Matthew Macfadyen. Show all posts
Showing posts with label Matthew Macfadyen. Show all posts

DEADPOOL & WOLVERINE Review

A movie made so specifically for certain people of a certain age that there are bound to be as many who can’t contain their smiles as there are those who won’t be able to do the same with their confusion. That said, give or take Endgame and No Way Home this might be the greatest trick Kevin Feige has ever pulled as Deadpool & Wolverine has been marketed as the shot in the ass the MCU desperately needs, the disruptive force this once unstoppable franchise was seeking and while I’m genuinely surprised Ryan Reynolds was able to convince Feige to let him get off a few of the zingers he does here, in reality, as soon as the credits roll it’s more than apparent which universe this chapter in particular has the most impact on and maybe more telling…which one it does not.

Listen, as a boy who became a teenager in the year 2000 and a kid who watched the animated X-Men series every Saturday morning I was as excited for Bryan Singer’s movie as I imagine he probably would have been to meet me at that time. I essentially matured alongside the superhero genre - going from the infantile experiments that were those first X-Men and Spider-Man films to entering my twenties with the likes of The Dark Knight and of course, the birth of the Marvel Cinematic Universe proper. This makes the natural evolution of where we currently sit with franchise entertainment disappointing if not completely unexpected. There had to be a fall in order for there to be a reclamation. What’s odd is that Feige and co. would position this film as such when it feels very evident Feige and Marvel Studios have no real intention of allowing Deadpool to screw around with their sacred timeline. Sure, Deadpool can now be used to save some face and comically course correct certain methods of storytelling going forward while abandoning others without going through the trouble of actually eating crow, but Wade Wilson should be offended…not because he minds being used, but because he and his trademark fourth wall breaking are more or less being abused.