Showing posts with label Megalyn Echikunwoke. Show all posts
Showing posts with label Megalyn Echikunwoke. Show all posts
NIGHT SCHOOL Review
At this point I question if there’s even a point to me sitting down and taking time out of my day to write a review of a new Kevin Hart movie. I mean, unless Hart decides to work outside his comfort zone with a director that might challenge him or unless he’s part of an ensemble cast one pretty much knows what they’re getting from a Kevin Hart comedy, right? Given Night School is the first production to be released under Hart’s own production company though one can safely assume that if this is successful-which all signs point to why wouldn’t it be?-that the general viewing public can expect more of this same, middle-of-the-road comedy with recycled premises and recycled jokes that hold Hart at the center as a character who must overcome something in order to realize something about himself...while being made fun of for being short, of course. That said, I appreciate and kind of admire Hart for always willing to be the brunt of the joke and despite Night School being a rather large missed opportunity given it pairs the immensely charming and infinitely likable Hart with Girls Trip breakout Tiffany Haddish and her director on that film, Malcolm D. Lee (who’s also made The Best Man films and the most recent Barbershop picture), there is still enough here for it to qualify as an entertaining enough time at the movies. No, that’s not necessarily a ringing endorsement, but it does mean this doesn’t feel wholly like a cheap, quickly manufactured product with little effort put in and therefore little expectations held for it. In fact, it’s actually the opposite in that it’s not hard to see Hart, his co-stars, and his company are genuinely trying to make something with, well...heart. Does this mean it actually holds some weight? Not really and it isn’t as consistently funny enough given the stars of the film, but this is a rare comedy that doesn’t have an ugly side to it. It’s an optimistic comedy, if you will, whereas the majority of big studio comedies tend to be both cynical and egotistical Night School sets itself apart from the pack if not for being the funniest of the year, but for holding out the most hope in humanity and seeing the good in the resilience of the human spirit. Not exactly an easy thing to do these days.
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