SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Megan Lawless. Show all posts
Showing posts with label Megan Lawless. Show all posts

THE HATE U GIVE Review

The Hate U Give might come off as a perfectly-timed opportunity given the "Black Lives Matter" movement and the unfortunate, consistent headlines that tell us a young, unarmed black individual was gunned down by a white police officer, but fortunately, director George "Notorious" Tillman's adaptation of the Angie Thomas novel is not an opportunistic publicity stunt aimed at an audience who are already well-aware of the points the film is making. Rather, The Hate U Give is a well-rounded and appropriately angry piece of filmmaking that tells of both these types of crimes and the reasons for the feeling of need for movements such as "Black Lives Matter" in our country at the moment.

Tillman luckily has a strong grasp on the multiple themes and rather epic scope of his film as Audrey Wells' adapted screenplay weaves in a multitude of challenges that face the black community outside of discrimination. Whether it be police brutality or white privilege or more universal issues that have become more associated with being black than is fair such as drug abuse, drug-dealing, and a lack of the traditional familial structure, Tillman is able to take each of these strands and weave them into a coherent narrative that, while maybe tying things up a bit too neatly at the end, is most admirable for admitting it doesn't have all the answers, but instead making plenty of suggestions on how to spark change.